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Displaying items by tag: Colleen

Those who have been rewarded for their careful adherence to social distancing and crew-pod rules by getting some sailing in the Indian summer which has been at its very best on Cork Harbour can be forgiven for wondering if, despite all their precautions, they've been afflicted by a mild bout of double vision.

For if you've been sailing down off Crosshaven, now and again you'll see this pretty little transom-sterned dark blue sloop with a nice crisp suit of new sails, out happily slicing her way with very little fuss across the blue water, her general appearance exuding quality construction, and her lone helmsman very deservedly the monarch of all he surveys.

 "Very deservedly the monarch of all he surveys".  Photo: Bob Bateman"Very deservedly the monarch of all he surveys". Photo: Bob Bateman

Yet if you're sailing further up the harbour off Monkstown on a somewhat similar day – for they seem to have had them in profusion – you'll have seen what looks to the casual observer to be the same boat, yet how does she seem to have two totally different home berths?

The up-harbour boat we featured here on August 14th, and she is, of course, Pat Murphy's Kinsale-built (in 1952) Colleen 23 class Pinkeen, beautifully brought up to condition by a combined effort by Pat and Jim Walsh of Walsh Boat Works in Nohoval.

Happy man – Pat Murphy at the helm of Pinkeen off Cobh.  Photo: Bob BatemanHappy man – Pat Murphy at the helm of Pinkeen off Cobh. Photo: Bob Bateman

But the other boat – whose differences any dedicated aficionado can spot immediately – is a sort of nautical trompe l'oeil, as she's a complete re-working of a well-used but still sound fibreglass hull through the special genius of Bill Trafford of Alchemy Marine in Doneraile in North Cork order to create something else altogether.

Like many, Crosshaven sailor Philip Brownlow has the fondest memories of the three Alan Buchanan-designed Colleens which used to be based in Kinsale, where they'd been inaugurated by Nolly Stokes and John Thuillier. But while he wanted the spirit of the Colleens, he didn't want the demands of the continuous maintenance of an all-wooden boat, so he set Bill the challenge of re-purposing some other class's fibreglass hull to capture the Colleen essence, and Bill reckoned he could make the hull of a Kim Holman-designed Elizabethan 29 do the job, and this was how it was done. Nobody involved in the project makes claims that this is a Colleen 23. But they rightly believe that she captures the bright spirit of the Colleen 23, so maybe we should simply call her the Colleen 27.

In distant Doneraile, the Colleen spirit is created with a re-purposed Elizabethan 29.  Photo: Bill TraffordIn distant Doneraile, the Colleen spirit is created with a re-purposed Elizabethan 29. Photo: Bill Trafford

If you see Pat Murphy's Pinkeen and Philip Brownlow's Sunflower side-by-side, it's easy to spot the differences – not least because of the size gap – yet equally, the shared spirit shines through.

But if you happen to see them at two different times in different places in the harbour on the same day, confusion is understandable. As one occasional sailor put it: "The only way I know which is which is because one helmsman wears a Jack Charlton cap, and the other doesn't."

Published in Cork Harbour

Bill Trafford of Alchemy Marine, hidden away in the farmland of Skenakilla west of Mitchellstown in north County Cork, has carved himself a unique reputation in recent years for successfully re-imagining glassfibre boats of a certain age, and transforming them into modern classics writes W M Nixon.

In fact, calling them “boats” at a key stage of this process is scarcely accurate. What arrives in his shed as a former but still recognisably standard sailing craft quickly becomes no more than “the donor boat”, which is soon a bare hull with which Bill is free to play, re-tweaking the sheerline, altering the stern, and adding a completely new deck and coachroof configuration

That’s just for starters. But with the former Elizabethan 23 Kioni, and more recently the former Etchells 22 Guapa, the process is indeed magic, because both boats have ultimately emerged as beautiful head-turners wherever they sail.

kioni restored2The beautiful Kioni was created from a lengthened Elizabethan 23 glassfibre hull. But now Bill Trafford plans to re-create the spirit of the Colleen by shortening an Elizabethan 29 hull

But while he was given a lot of freedom in making choices with those boats, Bill’s main project this winter is for a very specific project.

Back in 1950, some members of the Royal Cork YC commissioned a boat from up-and-coming yacht designer Alan Buchanan. They wanted a miniature yet classically stylish performance cruiser, just 23ft 2ins LOA, to be called the Colleen and capable of being built locally.

The 1950s were very far from being a boom time in Ireland, so it seems that no more than four were built. But one or two are still about, and a contemporary Cork Harbour sailor fancies the look of them, but doesn’t fancy the hassle of maintaining a wooden hull.

So now Bill Trafford faces the challenge of creating a new Colleen from a glassfibre hull donated by some other boat. He quickly realised that the Buchanan-designed glassfibre Halcyon 27 – which has a transom stern – was otherwise unsuitable, so he settled on the Elizabethan 29, designed by Kim Holman and built with great success by Peter Webster in Lymington in the 1950s.

colleen profile3The original Colleen profile. While the spirit of the boat will be re-captured, it’s possible the very vigorous sheerling will be slightly softened by moving the lowest point a little bit further aft
elizabethan29 profile4The Elizabethan 29 in unaltered form – it takes Bill Trafford’s vision to see a Colleen in there somewhere

 He found one in giveaway terms on ebay in the middle of England at Milton Keynes, and Jonathan Kennedy of Kennedy Boat Haulage personally undertook the long trek to move the little boat from a neglected condition in the middle of England to a winter of transformation in the middle of Munster.

Having seen what Bill Trafford has been able to do with a former Elizabethan 23 and a former Etchells 22, there’s no need to doubt that the spirit of the Colleen will be re-captured in that secret laboratory near Skenakilla Cross-roads. And those of us who feel that the vigorous sheerline of the original might have been better if it had the lowest point slightly further aft may even be indulged in our views. But that of course is up to the owner, who has greatly brightened the prospects of the winter by commissioning this fascinating project

elizabethan29 in yard5The donor hull of the Elizabethan 29 arrived in the yard, awaiting a miraculous transformation. Photo: Bill Trafford

Published in Cork Harbour

About Dublin Port 

Dublin Port is Ireland’s largest and busiest port with approximately 17,000 vessel movements per year. As well as being the country’s largest port, Dublin Port has the highest rate of growth and, in the seven years to 2019, total cargo volumes grew by 36.1%.

The vision of Dublin Port Company is to have the required capacity to service the needs of its customers and the wider economy safely, efficiently and sustainably. Dublin Port will integrate with the City by enhancing the natural and built environments. The Port is being developed in line with Masterplan 2040.

Dublin Port Company is currently investing about €277 million on its Alexandra Basin Redevelopment (ABR), which is due to be complete by 2021. The redevelopment will improve the port's capacity for large ships by deepening and lengthening 3km of its 7km of berths. The ABR is part of a €1bn capital programme up to 2028, which will also include initial work on the Dublin Port’s MP2 Project - a major capital development project proposal for works within the existing port lands in the northeastern part of the port.

Dublin Port has also recently secured planning approval for the development of the next phase of its inland port near Dublin Airport. The latest stage of the inland port will include a site with the capacity to store more than 2,000 shipping containers and infrastructures such as an ESB substation, an office building and gantry crane.

Dublin Port Company recently submitted a planning application for a €320 million project that aims to provide significant additional capacity at the facility within the port in order to cope with increases in trade up to 2040. The scheme will see a new roll-on/roll-off jetty built to handle ferries of up to 240 metres in length, as well as the redevelopment of an oil berth into a deep-water container berth.

Dublin Port FAQ

Dublin was little more than a monastic settlement until the Norse invasion in the 8th and 9th centuries when they selected the Liffey Estuary as their point of entry to the country as it provided relatively easy access to the central plains of Ireland. Trading with England and Europe followed which required port facilities, so the development of Dublin Port is inextricably linked to the development of Dublin City, so it is fair to say the origins of the Port go back over one thousand years. As a result, the modern organisation Dublin Port has a long and remarkable history, dating back over 300 years from 1707.

The original Port of Dublin was situated upriver, a few miles from its current location near the modern Civic Offices at Wood Quay and close to Christchurch Cathedral. The Port remained close to that area until the new Custom House opened in the 1790s. In medieval times Dublin shipped cattle hides to Britain and the continent, and the returning ships carried wine, pottery and other goods.

510 acres. The modern Dublin Port is located either side of the River Liffey, out to its mouth. On the north side of the river, the central part (205 hectares or 510 acres) of the Port lies at the end of East Wall and North Wall, from Alexandra Quay.

Dublin Port Company is a State-owned commercial company responsible for operating and developing Dublin Port.

Dublin Port Company is a self-financing, and profitable private limited company wholly-owned by the State, whose business is to manage Dublin Port, Ireland's premier Port. Established as a corporate entity in 1997, Dublin Port Company is responsible for the management, control, operation and development of the Port.

Captain William Bligh (of Mutiny of the Bounty fame) was a visitor to Dublin in 1800, and his visit to the capital had a lasting effect on the Port. Bligh's study of the currents in Dublin Bay provided the basis for the construction of the North Wall. This undertaking led to the growth of Bull Island to its present size.

Yes. Dublin Port is the largest freight and passenger port in Ireland. It handles almost 50% of all trade in the Republic of Ireland.

All cargo handling activities being carried out by private sector companies operating in intensely competitive markets within the Port. Dublin Port Company provides world-class facilities, services, accommodation and lands in the harbour for ships, goods and passengers.

Eamonn O'Reilly is the Dublin Port Chief Executive.

Capt. Michael McKenna is the Dublin Port Harbour Master

In 2019, 1,949,229 people came through the Port.

In 2019, there were 158 cruise liner visits.

In 2019, 9.4 million gross tonnes of exports were handled by Dublin Port.

In 2019, there were 7,898 ship arrivals.

In 2019, there was a gross tonnage of 38.1 million.

In 2019, there were 559,506 tourist vehicles.

There were 98,897 lorries in 2019

Boats can navigate the River Liffey into Dublin by using the navigational guidelines. Find the guidelines on this page here.

VHF channel 12. Commercial vessels using Dublin Port or Dun Laoghaire Port typically have a qualified pilot or certified master with proven local knowledge on board. They "listen out" on VHF channel 12 when in Dublin Port's jurisdiction.

A Dublin Bay webcam showing the south of the Bay at Dun Laoghaire and a distant view of Dublin Port Shipping is here
Dublin Port is creating a distributed museum on its lands in Dublin City.
 A Liffey Tolka Project cycle and pedestrian way is the key to link the elements of this distributed museum together.  The distributed museum starts at the Diving Bell and, over the course of 6.3km, will give Dubliners a real sense of the City, the Port and the Bay.  For visitors, it will be a unique eye-opening stroll and vista through and alongside one of Europe’s busiest ports:  Diving Bell along Sir John Rogerson’s Quay over the Samuel Beckett Bridge, past the Scherzer Bridge and down the North Wall Quay campshire to Berth 18 - 1.2 km.   Liffey Tolka Project - Tree-lined pedestrian and cycle route between the River Liffey and the Tolka Estuary - 1.4 km with a 300-metre spur along Alexandra Road to The Pumphouse (to be completed by Q1 2021) and another 200 metres to The Flour Mill.   Tolka Estuary Greenway - Construction of Phase 1 (1.9 km) starts in December 2020 and will be completed by Spring 2022.  Phase 2 (1.3 km) will be delivered within the following five years.  The Pumphouse is a heritage zone being created as part of the Alexandra Basin Redevelopment Project.  The first phase of 1.6 acres will be completed in early 2021 and will include historical port equipment and buildings and a large open space for exhibitions and performances.  It will be expanded in a subsequent phase to incorporate the Victorian Graving Dock No. 1 which will be excavated and revealed. 
 The largest component of the distributed museum will be The Flour Mill.  This involves the redevelopment of the former Odlums Flour Mill on Alexandra Road based on a masterplan completed by Grafton Architects to provide a mix of port operational uses, a National Maritime Archive, two 300 seat performance venues, working and studio spaces for artists and exhibition spaces.   The Flour Mill will be developed in stages over the remaining twenty years of Masterplan 2040 alongside major port infrastructure projects.

Source: Dublin Port Company ©Afloat 2020.