Displaying items by tag: Royal Irish Yacht Club
With just over six weeks to the Sherry Fitzgerald sponsored Dublin Bay Sailing Club season the stand–out class of the year looks like Cruisers One where a 20–boat fleet has 13 J/109s among its number. It's an impressive result that bodes well for a very competitive season but in the neighbouring big boat class should something be done to assist falling numbers in Cruisers Zero?
A story this week on Afloat.ie shows George Sisk's Wow from the Royal Irish Yacht Club is on the market. With only four other entries presently in DBSC Cruisers Zero is it now time to dispense with a Cruisers Zero class on Dublin Bay and rearrange the bands to take some lower–rated Cruisers One boats back into Cruisers Two?
Such a scenario is unlikely with the news that Sisk's WOW will be campaigned fully this season and a new Sisk forty footer is in the wings. In fact, there is also the possibility that Cruisers Zero could reach six boats this season with another new boat – yet to be announced – coming into the Bay.
There is also talk of DBSC moving the Cruisers One band lower to move some Cruisers One boats into Cruisers Zero but is that the answer?
Cruisers Zero was never that particularly strong in Dublin Bay and generally came about to ensure they got decent length races as the Cruisers One boats were considerably slower. However with the ever increasing speed of Cruisers One boats the gap in elapsed time between Cruisers Zero and Cruisers One has been reducing considerably.
Cruisers One, spearheaded by the J109 designs, is clearly the strongest class in DBSC and likely in the country. Since the J109 class moved to non–overlapping jibs and consistently updated their sail wardrobes with the latest in sail technologies, they have been getting quicker and quicker.
Three of the last four ICRA championships in Cruisers One have been won by J109’s including the last two years (Joker II) and the 2016 ICRA Boat of the Year is also a J109 (Joker II). A J109 also was a class winner in the Round Ireland race 2016 (Storm). The J109 class has pushed others in Cruisers One to up their game and now we see both the Archambault 35s Gringo and Adrenalin becoming much more competitive, along with the XP33 Bon Exemple that has gone through many changes over the last few year (symmetric to Asymmetric and back again, lowering their rating). Add to this Paul O'Higgins mighty Rockabill VI, the JPK 10.80, and Cruisers One is the strongest it has ever been.
At the start of last season Tim Goodbody brought in the J109 White Mischief and two further J109’s have entered the fleet in the last six months, Andrew Algeo's Juggerknot and Andrew Craig's Chimeara. All three are seasoned campaigners and will surely drive the fleet further.
So who will be on the DBSC podiums this year in Cruisers One and also Cruisers One at ICRAs? With 13 J109’s competing surely the podium will be stacked with these 15–year–old designs? They are extremely competitive in lighter airs and can hold their own when the breeze gets up. Their only weakness is running in stronger winds where the lighter, and flatter sterned modern designs, like the A 35’s and XP 33’s can pull their poles back and go straight downwind, whereas the asymmetric J109’s have to do higher angles.
If, however, the winds stay stronger for a whole series, like ICRA's 2015, it will be very hard to beat Rockabill VI. This boat is extremely powerful and will go upwind and downwind much faster than the rest of the fleet in a breeze, even taking into account her higher handicap. However it appears she has a weakness in light airs and one day of these conditions in a series might be a problem for her.
Three in a Row for Joker II at ICRAs?
Among the J109’s the top performer from 2016, John Maybury's Joker 2 is going for three in a row at ICRA's having won in 2015 and 2016. She will not have it all her own way however as Tim Goodbody's White Mischief and Pat Kelly's Storm are always very competitive. The newly arrived Chimeara and Juggerknot might also have something to say. The A35 Gringo has shown a lot of form as has Bon Exemple. At ICRAs you will also likely be seeing the A35 Fools Gold of Rob O'Connell in contention as he has done in the last two events.
2017 is set to be a very interesting year for this ever strengthening class with 3 large events in Ireland for them to battle it out. The ICRA Championships in Cork Harbour in June, ten days later, Sovereigns Cup in Kinsale, and a few weeks after that Dun Laoghaire Regatta Some may also venture to Tarbert in Late May, Calves Week in Early August and Abersoch week in Late August. There are plenty of good events available and some great racing ahead. Allied to all of this a great regular racing scene in Cruisers One in the DBSC series.
The Graham Elmes Memorial Trophy will be presented to Cork Harbour's Dave Barry and the crew of SB20 Lia as winners of the 2016 Travellers Trophy at Friday night's SB20 Annual Class Dinner at the Royal Irish Yacht Club in Dun Laoghaire.
The class trophy is awarded to the top ranking boat across all regional events including the National Championships.
The 2018 SB20 European Championships will be hosted by the Royal Irish Yacht Club and new class captain Ger Demspey is promising an exciting season ahead on Dublin Bay.
There are still a few tickets available for Friday's dinner and can be booked directly with the RIYC.
The 35th staging of international races for the 176-year-old America’s Cup is rising rapidly up the agenda. The opening jousts for challengers begin on 26th May 2017 at the first-time-selected venue of Bermuda, and the cup series itself starts there on 17th June. It’s time to focus on the sailing paradise of Bermuda, and particularly its role in changing the shape of sails in mainstream sailing. W M Nixon takes a typically skewed look at what it all might mean.
The irony of it is that, long before the rig was popularly accepted, it was the sailors of Bermuda who were credited with the invention of the jib-headed triangular shape for mainsails. This dominated yacht design for nearly a century. Yet in 2017, as the inevitably trend-setting America’s Cup finally comes to Bermuda for the first time, it will be raced by sailing machines – the word “boats” seems inadequate – which are setting what looks very like an extremely modern variation of the classic gaff rig.
For what are today’s state-of-the-art square-headed mainsails other than an attempt to get as much sail area as possible within the limits set by the height of the mast and the length of the boom? And what rig was based on the same premise? Exactly. The gaff rig, and its very useful cousin, the sprit rig.
Yet at a certain stage, as the pioneering Dutch yachtsmen moved from the sprit rig to the gaff rig, the gaff booms became so short that the sailing world was very close to having jib-headed mainsails. But boats setting bisquine rig or something very similar showed what could be done with topsails, and longer gaff booms with topsails above them became the norm.
In due course, the logic of having lighter masts, and mainsail and topsail one and the same with no booms between them, became inescapable. Yet because so many people, relatively speaking, had by this time taken up sailing, the arguments about which rig, gaff or Bermudan, was superior soon became ludicrously heated.
Traditionalists argued that while Bermudan rig might be just about acceptable for inshore racing in sheltered water, anyone going cruising or racing offshore needed the rugged gaff rig with its compact mast, possibly heightened by a topmast which could he lowered and housed against the forward side of the mainmast when at sea and conditions deteriorated.
And then there were and still are the uber-traditionalists who argue that if gaff rig had been good enough for their fathers and forefathers before them, then it was good enough for them, and you don’t have to go any further than Howth, Connemara or Falmouth to find them in their droves.
A new factor entered the equation with the development of the heritage industry, which concluded that that the loss of familiarity with handling the formerly-universal gaff rig was a real cultural threat. So in 1963 the Old Gaffers Association came into being at much the same time as the Classic Yacht Movement was starting to gain traction, and thus the preservation of gaff rig was being upheld from both ends of the wealthy to barely-getting-by spectrum.
It was all great fun if you didn’t take it took seriously, but in its day, some people took it very seriously indeed and a few still do, so we’ll give the pot a very good stir by revealing that it was Irish sailors who played a key role in making Bermudan rig mainstream.
Our header image reveals that Bermudan rig in a quite sophistcated form was not unknown from 1834 onwards. But nevertheless even in crack yachts like Belfast linen magnate John Mulholland’s schooner Egeria of 1865 vintage, and John Jameson of Dublin’s cutter Irex designed by Alexander Richardson in 1884, the relatively crude gaff topsails being set still showed how closely they were descended from lug rigs which in turn had evolved from trying to get simple squaresails to set closer to the wind.
But by the late 1880s, topsails were becoming more clearly jib headed, and for a while they used a combination of short mainmast, a short topmast, and a topsail yard to provide their height, which could resulted in a distinctly stunted look when on a dead run, as is seen in the Scottish ironmaster Peter Donaldson’s all-conquering 70ft 40-rater Isolde, designed and built by Fife in 1895.
It is the famous photo of the new Belfast Lough 25ft One Designs at their start in the RUYC Regatta in July 1898 - their second season – which best shows how gaff rig had developed in the decade since Irex was the boat to beat. The BLOD 25’s have topsails which use long yard to sit as flush as possible with the mast. As the luff length of the topsail was actually longer than the luff length of the mainsail, and as it is luff length which does most of the work in making to windward, getting the topsail and mainsail to set as one was vital in achieving best performance.
In fact, as I learned in my days of racing a Howth 17, fractions of an inch in the location of the topyard halyard and jackyard outhaul on their respective yards made all the difference between having a very effective topsail, and having a heap of rubbish aloft which was only holding you back if the wind freshened on the final leg. You were getting there if, when setting the sails, you could look aloft and see the newly-hoisted topsail set as flat as a board, with even tensions to every corner. This meant that you could ease the mainsail peak halyard just a smidgin to transfer some of the load directly to the topsail, thereby making mainsail and topsail in effect into one sail which happened to have a couple of bits of wood in the middle.
However, despite the favourable impact made by boats such as Isolde and the BLOD 25s, larger yachts tended increasingly to revert to long topmasts in order to make their topsails more effective, and in the most enthusiastic cases, the mastman would be despatched aloft to lace the luff of the topsail to the topmast and the mast itself. This certainly achieved an efficient set for the sail, but was unseamanlike in the extreme, as it totally obviated the topsail’s supposed benefit of being able to reduce sail area aloft in only a few minutes.
Surprisingly enough, it wasn’t until 1912 that designer Charles E Nicholson was allowed by an owner to do away with the cumbersome, eddy-inducing topmast altogether, simply by extending the mainmast in the lightest possible section in a 12 Metre.
Naturally the critics expected the new unfeasibly tall masts to break under the load of the topsails, and some of them did just that. But those tall continuous masts that stayed aloft tended to win races, and so the Marconi mast was here to stay. They were nicknamed “Marconi” masts in acknowledgement of the high aerials required by Italian radio pioneer Guglielmo Marconi (1874-1937), whose mother was a Jameson and whose first radio report of a sporting event was the Royal St George YC Regatta of 1904 in Dublin Bay.
It was only two years after the first Marconi sailing mast appeared in a yacht that the first international racing yacht took the next logical step of making the topsail and mainsail into one, and that yacht was newly-commissioned in 1914 from Fife of Fairlie by an Irish yachtsman, Arthur F Sharman Crawford, Commodore of the Royal Munster Yacht Club on Cork Harbour.
There’s a book to be written about Arthur F Sharman Crawford (1862-1943), for there’s no way that even a dozen blogs could explain how the Dublin-born English-educated younger son of a northern family with extensive land-holdings in County Down – particularly on the shores of Belfast Lough – came to be the Managing Director of Beamish & Crawford’s brewery in Cork. There, he joined the management team at the age of 28 in 1890, and guided it as Managing Director through some of its most successful periods, and also skillfully negotiated the difficulties of World War 1, the Easter Rising, the War of Independence and the Civil War in a total period from 1914 to 1923, while at the same time being a great benefactor to his adopted city, particularly in the area of technical education, but also in the broader cultural and artistic sphere.
Yet this was no unduly serious do-gooding workaholic. On the contrary, Arthur Sharman Crawford (the family preferred their double surname without a hyphen) was sports mad. A keen yachtsman who was an early owner in the Cork Harbour One Designs of 1896, he was elected Commodore of the Royal Munster YC when it was still at Monkstown in 1898. When it moved to Crosshaven in 1923, as he lived at Lota Lodge in Glanmire north of the harbour, he transferred his full allegiances to the more conveniently located Royal Cork at Cobh where he was already Vice Admiral, and in 1925 he became Admiral and served in that post until 1935.
He also rode to hounds every winter with ferocious enthusiasm, being Joint Master of Cork’s United Hunt for four years. And in later life he played a central role in the establishment of Cork Golf Club, where he served as an actively and frequently-playing President for many years. But in his prime, sailing was his main sport, and he spread his wings far beyond Cork Harbour, for he campaigned on the international scene with a Fife 12 Metre called Ierne, and as a member of many yacht clubs throughout Ireland and Britain, he was a frequent guest helm at regattas, with particularly close associations with the Royal Ulster YC on Belfast Lough.
There, his older brother Robert was Vice Commodore and chaired the committee which oversaw the five challenges for the America’s Cup by Thomas Lipton, the first in 1899 and the last in 1930. The advice of the widely-experienced Arthur was regularly sought by this committee. Yet in other areas of life, there was a parting of the ways between the two brothers. In a time of political restlessness, the northern-based Robert Sharman Crawford was uncompromisingly unionist, and became an active leader in the Ulster Volunteer Force from 1912 onwards. But in the different mood of Cork, the southern-based younger brother had a more accommodating attitude towards Home Rule, reflected in the fact that he continued to play a public role in Cork life, and all his branch of the family were at their deaths buried in the family plot on Little Island in Cork Harbour rather than in the ancestral family lands at Crawfordsburn in County Down.
There was a very pointed irony in the brothers’ relationship, for even as the brewery in Cork prospered under Arthur’s stewardship, the inherited income from the Crawford estates in the north was shrinking thanks to longterm effects of the activities of Michael Davitt’s Land League and the resultant Gladstone-inspired Land Acts of 1896. The dividends from Cork became an increasingly important part of Robert Sharman Crawford’s income to maintain his opulent lifestyle as a leading yachtsman and as Lord of the Manor of the new loughside Crawfordsburn House, built in the late 1890s to the designs of Vincent Craig. He was the architect brother of Northern Ireland’s future first Prime Minister James Craig (another sailing enthusiast), and his considerable architectural talents were at the same time being deployed for the design of the new Royal Ulster Yacht Club building, which opened in April 1899.
By 1912 and the public declaration of the Ulster Covenant with Robert Sharman Crawford a leading signatory, the fact is that his way of life was largely supported by Beamish & Crawford dividends. It seems only ironic in hindsight – at the time, everyone on all sides though they were doing the right thing. It is only in looking back from the distant and safe viewpoint of 2017 that we realise how curious it was that 104 years ago in 1913, when Colonel Robert Sharman Crawford put his own-funded brigade of the Ulster Volunteer Force through their parades, manoeuvres and exercises on the lawns and fields of Crawfordsburn House, it was all being largely paid for by the continued devotion of the Beamish stout drinkers of Munster.
Yet in that dreamlike pre-World War I era, such activities still seemed slightly theatrical and unreal, and normal life went on at an even more determinedly enthusiastic pace than ever. Having finally agreed a Measurement Rule with the defenders, early in 1914 Thomas Lipton’s latest America’s Cup Challenger, the Charles E Nicholson-designed Shamrock IV, was nearing completion in the south of England. And in the Fife yard in Fairlie in Scotland, a new William Fife designed yacht with an experimental rig was under construction for Arthur Sharman Crawford.
For although Lipton’s technically advanced Shamrock IV carried a very sophisticated gaff rig, it was a gaff rig nevertheless. Thus Arthur Sharman Crawford’s new boat was more important in terms of overall technological development. A more manageable 8 Metre after several successful but demanding years with the 12 Metre Ierne, the new Ierne II was the first yacht to the International Rule of 1907 to set a Bermudan rig.
Why is she almost totally forgotten in Ireland? Well, Arthur Sharman Crawford led a sort of sailing double life, or even treble life. At home in Cork Harbour, his sailing was local, often using local boats. On Dublin Bay and particularly in Belfast Lough, he was associated with the Lipton camp. But on the Clyde or in the Solent, he was the international or even supra-national yachtsman Arthur Sharman Crawford, challenging the top talents at a rarefied level which was remote from the more localized approach of Cork Harbour or Belfast Lough, and at a tasteful remove from the razzmatazz of Lipton’s America’s Cup challenges.
So when Ierne II appeared fresh out of the wrappers to surprise everyone in the Solent in July 1914, she had never been anywhere near either Belfast Lough or Cork Harbour. It was in the Solent that she made her debut, and for a few very encouraging weeks, while she was undoubtedly a very different creature to sail than a gaff-rigged boat, she was out-performing them all to windward.
It’s intriguing to reflect that when Ierne II was being admired as the hottest new boat in Cowes in late July 1914, briefly in the same harbour at the same time we would have seen Erskine & Molly Childers’ Asgard and Conor O’Brien’s Kelpie pretending to be leisurely cruisers going gently about their business, when in fact they were bound for the Ruytigen Lightvessel to collect their cargoes of Mauser rifles.
Within a couple of weeks, everyone’s plans were in disarray with the outbreak of World War I. All the key figures in the Asgard/Kelpie adventure quickly found themselves positions with the Allied Forces. As for Arthur Sharman Crawford, at the age of 52 this was not an immediate consideration, but his plans for a new programme of fresh excitement for a keen yachtsman past what was then considered the prime of life simply evaporated. Cowes Week 1914 was cancelled completely, and Ierne II was denied the stage which would have provided the setting to enable her to claim her rightful place in sailing history.
Indeed, it was only when noted Yorkshire sailor Hew Jones spotted her laid up in Portugal in 2005 and set about a restoration on Humberside that the whole astonishing story was revealed. When World War II ended in 1918, anyone running a business in Cork amidst Ireland’s growing troubles had other things on his mind, and Arthur Sharman Crawford put Ierne II – laid up since the beginning of August 2014 – on the market. She was eventually bought by Norwegians who wanted a boat for the 8 Metre Class in he 1920 Olympic games in Belgium, and they struck gold in every way, as Ierne II won the Gold Medal.
The top racing sailors were increasingly convinced that Bermudan rig would be where it was at, but in the post war recession, progress was slow. Nevertheless, it was another Irish owner who led the way in the south of England. Elizabeth Workman was the widow of one of the founders of the Workman Clark shipyard in Belfast, and as they at least had done well out of the war, she had the resources to re-commission her 112ft gaff cutter Nyria, designed by Charles E Nicholson and built by Camper & Nicholson in 1906.
Nyria was Solent-based, and following the success of Ierne II and other newly-Bermuda rigged smaller boats in the 1920 Olympics, Elizabeth Workman took the mighty step of getting Charles Nicholson to kit out Nyria with Bermudan rig for the 1921 season, making this the first internationally recognized “big yacht” to do so.
The corner towards Bermudan rig was being turned, and yet another impulse came from Ireland , this time with the commissioning of the world’s first Bermudan-rigged One Design class. The lively Belfast Lough sailing scene of 1914 had been largely destroyed in the trenches of the Somme by the time peace returned in 1918. In an exchange of letters in 1919, some of the more senior members of the Royal Ulster wrote about the need for a new class of boat “which could be sailed by a man and his daughters”. Far from being a gesture for women’s rights, this was simply a sad admission that so many young sailing men would never return from Flanders fields and northern France that it would be 1925 where anything approaching normal manpower levels in sailing would be regained, and so in 1921 the Alfred Mylne-designed Bermudan-rigged 29ft River class made their appearance on Befast Lough. They have never known any rig other than Bermudan, and they continue racing today, though now based on Strangford Lough.
Thereafter, the move towards Bermuda rig was inexorable and seemingly irreversible, even though sailors as experienced as Billy Mooney of Dublin were ordering the gaff rigged ketch 42ft Aideen to be built by Tyrell’s of Arklow in 1934, and he sailed her so well that he won his class in the 1947 Fastnet Race.
But others were more restless. Since 1898 the gaff-rigged Howth 17s had been sporting their jackyard topsails at their home port north of Dublin, and in 1907 the Dublin Bay Sailing Club adopted the same design, and proprietorially re-designated them as the Dublin Bay 17s. Not only that, but in 1936 a young and competitively successful Dun Laoghaire owner, Terry Roche, decided he would lead the way by converting his DBSC 17 Eileen to Bermudan rig. Despite the fact that she now carried lee helm as he would also have had to move the mast aft to make the new rig balance, he doggedly sailed her to Holyhead and back to prove that all was well. But nobody followed his lead, and after this rather expensive experiment, Eileen reverted to gaff rig and successful racing the following year, and the only lasting memorial of this project is the quaint photo of the Dun Laoghaire waterfront in 1936, a classic image worthy of Cartier-Bresson, with the Water Wags racing off the Royal Irish YC beyond, while in the left of the photo is Eileen sailing under Bermudan rig using mainsail only, which probably balanced quite nicely.
Yet other classes such as the Belfast Lough Island class yawls changed to Bermudan rig in the 1930s, but in Dublin Bay the honour of the gaff rig was stubbornly carried until 1963 by the Dublin Bay 21s, when after sixty years of gaff they converted to Bermudan rig which gave have them another 23 years of active racing life.
Typically of everyone being out of step except Dublin Bay, 1963 was also the very year in which the Old Gaffers Association was founded simply to preserve gaff rig. Ironically, gaff rig is now more visible than ever, albeit above plastic hulls. After all, there are more than a thousand gaff-rigged Cornish Shrimpers sailing the sea.
So is it coming full circle? Maybe. After all, when the America’s Cup multi-hulls start strutting their stuff on Great Sound in Bermuda, they’ll be setting square-headed mainsails which are gaff rig in any sensible definition. And all that where Bermuda rig as we knew it for so long originated more than 183 years ago……
But the real test is on Cork Harbour. The reversion to gaff rig came centre stage there last year when the new Ultra National 18s decided the only way to make their otherwise state-of-the-art boats truly sexy was to give them trendy square-topped mainsails.
And if by any chance the spirit of Arthur Sharman Crawford still sails about Cork Harbour, the place he came to love so well, I’ve no doubt he’ll be doing it aboard a ghostly Ierne XXX under a spectral square-topped mainsail, occasionally waxing nostalgic about the old days when he sailed Ierne II with a quaint three-sided mainsail.
#CruiseEvening - A cruise evening event was held earlier this week in a south Dublin yacht club to promote a major US brand operator, writes Jehan Ashmore.
The event organised by Cruisescapes was held at the Royal Irish Yacht Club, Dun Laoghaire, where Lorraine Quinn of Celebrity Cruises gave an informative presentation about their cruise line and destinations.
As Afloat previously covered in November, Celebrity Cruises is to become the first major cruise line to confirm Dublin Port as a 'home' port when a ‘Solstice’ class ship will call to the capital during early summer 2018.
For five sailings in 2018 commencing on 30 April, throughout May and until the end of June, Celebrity Cruises will offer from Dublin direct cruises to ports of call throughout northern Europe.
Afloat subsequently identified the ship to be deployed out of Dublin as the 2,800 plus capacity Celebrity Eclipse which will be a 'game-changer' for the capital port. The move is worth an estimated €6 million to Dublin and the surrounding region in knock-on economic benefits.
So far the take up for this new direct option according to Celebrity Cruises is that 20% of customers will be from the Irish market. A further 20% are from the rest of Europe and the balance of 60% from the US.
As for season 2017, Celebrity Eclipse will call to Dublin Port on standard port of call visits as distinct to been ‘home' ported.
Another Solstice class sister, Celebrity Silhouette is also call to the capital on such a basis as well to visiting Belfast, Cork and Waterford.
The Irish staging of the event in two years time will be in the same year as the World Championships are heading down under to Tasmania.
Next year's Europeans are in Cowes and the Irish class is hoping to attend the British south coast event in numbers in antcipation of the 2018 Dublin Bay fixture. The Irish class is keen to recruit new blood to contest the Irish event and noting top secnod hand boats are available to buy at around £10,000stg.
- Entry forms and the NOR is downloadable below.
A series of seven races to be held on Sunday mornings (First gun 10.10 hrs) under modified ECHO.
'Cruisers, cruising boats, one-designs and boats that do not normally race are very welcome', according to DBSC race organiser Fintan Cairns.
As a DBSC incentive to get people sailing, a boat that takes out a non–sailor (new to sailing) will get a 2% discount on it’s handicap that day. The non-sailor will qualify as such for 3 races if taken. There may be overlaps with non-sailors so rules will again evolve! Names must be registered before racing on the day. Cairns says the rule should be 'used in the spirit meant'.
Dun Laoghaire's Irish National Sailing School has been quick off the mark to launch a 'Turkey Shoot Sailing package' for beginners, providing tuition and racing each Sunday in a 1720. Full details on this INSS package here.
Entry fee to the series at €70.00 – includes temporary membership of Dublin Bay SC and Royal Irish YC
Entry forms and the NOR is downloadable below.
Sailing instructions will be available on Sunday 6th November and will be emailed to entrants beforehand.
After sailing, food will be available to competitors in the Royal Irish YC
The re-decking of the 57ft Conor O’Brien ketch Ilen (originally built Baltimore 1926) is the latest stage of this major restoration/re-build project to be nearing completion at Liam Hegarty’s boatyard at Oldcourt on the Ilen River between Skibbereen and Baltimore writes W M Nixon. It is expected that the deck will be signed off by October 15th, and work will then proceed on more detailed work.
As part of the project, the new bowsprit – built by trainees in the Ilen Boat-building School in Limerick – was delivered down to Oldcourt last Saturday, and Ilen School Director Gary MacMahon reports a magic moment when Baltimore sailing legend Dermot Kennedy, owner himself of a similar ketch the Richard, called by Oldcourt on Saturday to give the deck his blessing and welcome the bowsprit to West Cork.
All the deckhouses, hatchways and similar “cabinet” work in the Ilen project has been done in Limerick and then trucked to Oldcourt. There, the main part of the hull and deck re-building has been progressing steadily, sometimes drawing on the talents of international traditional boat-builders who have been enticed to the magnet of West Cork by the quality and scale of the workmanship being produced by Liam Hegarty and his team.
IIen was originally commissioned in 1925 by the Falkland Islanders to be their inter-island communications vessel after they had been properly impressed by her smaller sister, Conor O’Brien’s own-designed 42ft ketch Saoirse, which called to the Falklands in 1925 after rounding Cape Horn during his pioneering global circumnavigation.
O’Brien agreed to be involved with the Ilen project with Tom Moynihan the master shipwright of Baltimore, and then when the vessel was completed, her sailed her out to the Falklands. Because his only qualification was as a yachtmaster, for the delivery voyage the Ilen had to be registered as a yacht for insurance purposes, and she made the voyage under the burgee of the Royal Irish Yacht Club.
The Lansdowne Partnership Royal Irish Yacht Club Junior Regatta took place on Wednesday 20th July in challenging and changeable weather conditions.
There were 2 courses, one inside the harbour for the Optimist Regatta fleet and one outside the harbour for the Main fleet of Optimists, Lasers, 420's, RS Tera's and PY Classes. Harbour fleet Race Officer, Paddy Lee, managed to get 4 races sailed, only 3 to count, on a course that had to be set taking into account that there were tenders ferrying cruise ship passengers for the day.
Outside the Harbour, Race Officer, Henry Leonard, got three races sailed in varying wind conditions with a number of strong squalls. Both courses had a great days racing with all competitors ashore by 3pm allowing competitors to experience the carnival fun and games on the deck. Prizes were presented by Commodore of the Royal Irish Paul Sherry and Fergal Hopkins from Lansdowne Partnership (below).
The attached results below are prize winners from the day.
27 classes competed in today's Teng Tools sponsored Royal Irish Yacht Club Regatta on Dublin Bay. Having just finished the Round Ireland Race on Thursday, the club's own JPK1080 Rockabill VI (Paul O'Higgins) was back on the water again, winning the 18–boat IRC one division. Full results in each class are downloadable below.