Many people have dropped by the Old Cornstore on the riverside at Oldcourt in West Cork to see work progressing on the restoration of the 1926 Conor O’Brien ketch Ilen writes WM Nixon. And naturally they’ll have the impression that they’re at the main scene of the action. After all, the 56ft vessel certainly looks the part - a complete ship, full of promise in her distinctive new colour scheme.

But as Gary MacMahon of the Ilen Boatbuilding School in Limerick points out, even with a hefty traditional vessel like Ilen, the finished hull with deck in place is only about 35% of the complete and fully commissioned vessel. And though the assembly of the various parts inevitably has to take place in Oldcourt with Liam Hegarty and his team, much of what you’re looking at on the Ilen today was actually built in the Ilen School’s efficient workshops in Limerick city.

The Ilen herself in Oldcourt near Baltimore, newly painted and looking very well. Photo Ilen BS

The new deckhouses, hatches etc on the Ilen were all made in Limerick. Photo Ilen BS

There, young people – indeed, people of all ages and from many backgrounds – are finding that working with wood, and creating parts for boats or building complete boats, is a profoundly interesting and fulfilling experience. In recent years, the Ilen School has turned out impressively authentic versions of the traditional Shannon gandelow, and in a completely different direction, sailing dinghies of the distinctive CityOne class to a very special design by the late Theo Rye.

One of the Ilen Boatbuilding School’s traditional gandelows on the Shannon in Limerick, heading upriver towards King John’s Castle. Photo: Gary MacMahon

It makes a change from the Shannon Estuary - the Ilen Boatbuilding School’s gandelows in Venice. Photos: Gary MacMahon

These smaller craft have been imaginatively used by those who built them for various expeditions to events such as the Baltimore Woodenboat Festival and the Glandore Classics Regatta. And in 2014, the Gandelows somehow managed a remarkable double by taking part in the Thousandth Anniversary re-enactment of the Battle of Clontarf (wasn’t Brian Boru a Limerick man, after all?) and yet somehow also took in a Marine Festival in Venice, as it’s reckoned that the word “gandelow” originated from gondola, but mutated along the way.

Having taken such things and various other projects in their stride, the Ilen people in Limerick have enthusiastically lined up to build the deckhouses, hatchways, skylights, lignum vitae rigging deadeyes and many other items for Ilen herself. Each is an exquisite bit of marine joinerywork in its own right, and when fitted on the ship, they go so well with the overall concept that you’d be hard-pressed to guess that they were built many miles away, in the characterful city on Shannonside, rather than among the rolling green hills and woodland of West Cork.

Deadeyes made in Limerick from rare lignum vitae – the word is that this very high density wood “was sourced from a former shipyard in Cork”. Photo: Gary MacMahon

Group discussion in Limerick with Liam, Trevor, Pete and Robert to sort and assess items of rigging gear. Photos: Gary MacMahon

Modern safety requirements dictate that the original guard-rail stanchions (left) have to be replaced by longer ones (right) to provide one metre clearance. Photo: Gary MacMahon

The hydraulic steering actuator is cleaned and serviced before being sent for pressure testing. Photo: Gary MacMahon

But such is the case, because for all his fondness for West Cork, Conor O’Brien’s spirit is in Foynes Island on the Shannon Estuary, and Limerick is his city, the city of the O’Briens since time immemorial. And recently, Limerick has been turning out the stanchions for the Ilen’s guard-rails, something which is well in line with the city’s engineering traditions. But most impressive of all is the final work on finishing the spars.

When Ilen was shipped back from the Falklands in 1998, some of her surviving spars were in a decidedly poor conditions. But the new Limerick-built replacements are robust works of art, with a natural functional beauty. It really will be a show on the road, and then some, when they’re taken on that winding journey from Limerick down to Baltimore.

An authentic marine bronze Kobelt heavy duty engine control is sourced “by good fortune” – it cleans up a treat

Finally getting there – Liam O’Donoghue gives Ilen’s new mainmast its finishing coats of paint – the special colour is “US Navy buff” Photo: Gary MacMahon

When the restoration project on the 1926-built 56ft Conor O’Brien/Tom Moynihan Falkland Islands Trading Ketch got under way at two locations – Liam Hegarty’s boat-building shed in the former Cornstore at Oldcourt near Baltimore, and the Ilen Boat-building School premises in Limerick – it was expected that final jobs such as making up the rigging and creating the sails would be contracted out to specialists writes W M Nixon.

But while the plan is still in place to have the sails made in traditional style by specialist sailmakers, Gary MacMahon and his team in the Ilen Boat-building School came to the realisation that they’d made so many international contacts over the years while the restoration has been under way that, if they could just get the right people’s schedules to harmonise, then they could learn how to make up the rigging in their own workshops as part of the broader training programme.

Conor O’Brien in 1926, when he delivered Ilen to the Falklands. He had received the order for the new ketch as a result of his visit to the Falkland Islands during his round the world voyage with the 42ft ketch Saoirse in 1923-25

As a result, the Ilen Boat-building School became a hive of activity over the Bank Holiday Weekend and beyond, for that was the only time when noted heavy rigging experts Trevor Ross, who is originally from New Zealand, and Captain Piers Alvarez, master of the 45-metre barque-rigged tall ship Kaskelot, were both available to make their voluntary instructional contributions to the project.

Trevor Ross with a new eye splice in the Ilen Boat-building School in Limerick. Photo: Gary MacMahon

The re-creation of Ilen’s rig, as developed by Trevor Ross with the late Theo Rye

Trevor Ross was professionally at sea for ten years, during which time he became fascinated with traditional rigging techniques. Though he now works ashore, his interest in traditional rigging and sail training is greater than ever - so much so that he worked with the late Theo Rye in finalizing the design of Ilen’s rig to match the original from Conor O’Brien’s day, while ensuring that it is practical in modern terms both for requirements of efficiency and safety.

Captain Piers Alvarez’s current command is the 45-metre barque Kaskelot

Piers Alvarez grew up in English cider country near the broad River Severn, but his personal horizons were far beyond apple growing. When he was 15, the captain of the famous square rigger Soren Larsen came to live in the village, which gave Piers’ father the opportunity to sign on his restless son as an Able Seaman at least for the duration of the school holidays, but the boy became hooked on the sea.

More than thirty years later, the love of seafaring and traditional ships is undimmed. Although Piers’ maritime career has also taken in tugs, superyachts and ice-classed research vessels, his current role in command of the Kaskelot perfectly chimes with his most passionate interests, and he has been fascinated by the entire Ilen project from an early stage.

So when the possibility arose of spending time in Limerick working along with his old shipmate Trevor Ross on the rigging for Ilen as a training project for the Ilen School’s intake, he readily gave up a week of his leave to teach the Ilen’s build team and future crew everything he knows, while moving a key part of the Ilen plan along the path of progress.

Piers Alvarez and trainee Elan Broadly busy with their work in Limerick

Ilen School Instructor James Madigan (left) with Piers Alvarez and Elan Broadly, immersed in their learning work while everyone else is on holiday. Photo: Gary MacMahon

Team work. (Left to right) Liam O’Donoghue, James Madigan, and Elan Broadly on a steep learning curve with Piers Alvarez. Photo: Gary MacMahon

Modern amateur sailors, accustomed to today’s rigging where a terminal can be fitted in a seemingly-simple machine with the press of a button, can scarcely imagine the patient effort and skill which goes into making an eye splice in wire rigging which is of such a weight that, to most of us, it looks more like working with steel hawsers.

This is hard graft, but very rewarding in the result, and the satisfaction found in the effort expended. Much of it is done entirely by hand, but now and again that lethal multiple tool, the angle-grinder, will speed up a finishing job.

Some of the tools used in setting up traditional rigging are of very ancient origin…………….Photo: Gary MacMahon

….but inevitably an angle grinder will be used at some stage, and Piers Alvarez is ace with it. Photo: Gary MacMahon

When finished, the neatly parcelled eye-spliced shrouds will fit the re-shaped mast like a glove, while at the other end, the shrouds will be tensioned by traditional lanyards through dead-eyes which have been made in Limerick from tough greenheart timber. It’s a long way from a drum of raw steel wire and a still squared hounds area to be progressed into something which will function on the massive mast in smooth partnership, providing Ilen with her sailing power. And in Limerick over the holiday week, it provided an unusually satisfying way to learn something new and useful.

With the simplest of work drawings, an experienced rigger can turn a piece of hefty steel wire into a serviceable piece of rigging. Photo: Gary MacMahon

The thick steel wire in its raw state is a daunting sight. Photo: Gary MacMahon

The lower ends of the shrouds will be attached to the chainplates by lanyards rove through deadeyes made from greenheart, seen here at an early stage of the shaping process in Limerick. Photo: Gary MacMahon

“Series production” of dead-eyes. Photo: Gary MacMahon

Dead-eyes at the final stage of their creation. All that remains to be done is to shape grooves to allow a fair downward lead for the lanyards. Photo: Gary MacMahon

If variety is the spice of life, then the 25th Anniversary Glandore Classics Regatta is currently staging the most vibrant and flavoursome boat show on the Irish coast writes W M Nixon.

Admittedly the mid-week routine, which will lead on to events like races to Castlehaven (or Castletownshend if you prefer), doesn’t have quite the same hectic pace as the opening weekend. But for connoisseurs of classic or traditional or even just plain odd boats, it’s a feast for eye, memory and analysis which has seen some vividly contrasting boats all united in at least one purpose.

Flagship for style. The 1970 McGruer ketch Cuilaun at Glandore exemplifies the contemporary standard for classic yacht maintenance and presentation. Photo: Gary MacMahon

That purpose was to honour the memory and achievement of the late Theo Rye (1968-2016). He was taken from us all too soon last Autumn. But in his short life, his passion for yacht and boat design - its history and its future – was an inspiration for all who came in contact with him, and particularly those with whom he worked on a variety of projects which could range from the smallest of boats right up to the ultimate Fife restoration, the giant 23 Metre Cambria

The CityOnes from Limerick cutting a dash with a difference at Glandore. It takes an effort to realize they were designed by Theo Rye, yet he could comfortably take such unusual challenges in his stride. Photo: Gary MacMahon

The Cork Harbour One Design Elsie (Patrick Dorgan) at Glandore. She was desined by William Fife in 1895-96. Photo: Gary MacMahon

In Glandore, there are currently several boats which have benefitted from Theo’s expertise, or could do were it so wished. For instance, a regular at Glandore is the modernized Clyde 30 Brynoth, a Fife creation of 1905. If anyone had ever planned to bring Brynoth back to her original form, it would have been so reassuring to entrust the project to Theo’s encyclopaedic knowledge of the Fife design and build canon.

Yet the breadth of his influence and expertise is also seen in Hal Sisk’s eye-catching yet under-stated 63ft powercruiser Molly Ban, which is in Glandore to act as mothership to the owner’s Dublin Bay Water Wag. Molly Ban could be claimed to find inspiration from may sources, but she is such a unique combination of seagoing powerboat and classic dinghy mothership that we could reasonably argue she is sui generis, she’s just her own sweet self, and that’s all there is to it.

The 63ft Molly Ban is an elegant multi-purpose vessel whose large self-draining cockpit can be used as a “deck garage” for smaller classic craft. Photo: Gary MacMahon

In addition to the owner’s advanced technical experience, Molly Ban saw the combined talent of Nigel Irens and Theo Rye put to work to create a very elegant and distinctive vessel so easily driven that, with a single 300hp Cummins diesel, she has a maximum loaded speed of 16 knots and makes an easily-reached 14 knots on 30 litres of fuel an hour. Yet if you throttle back to 10 knots – a tidy enough speed for most cruising – she burns only ten litres an hour.

The stern view of Molly Ban gives a hint of the ingenuity of her design. The little clinker tender is based on a dinghy built for Hals Sisk’s grandfather in 1926. Photo: Gary MacMahon

There’s a completeness to the Molly Ban concept which is a credit to the memory of Theo Rye. But equally, in looking at the presentation of all the top classics at Glandore, you realize that you’re looking at yachts which have been raised to a standard which Theo and others like him ensured was set, and then adhered to, and if anything improved over time.

His mind could also produce totally off-the-wall solutions to design challenges. But though we all know that it was Theo Rye who came up with the completely innovative design for the CityOne dinghies to be built by the Ilen Boatbuilding School in Limerick, nevertheless at Glandore it was still pause for thought to see them sharing the sea with the utterly classic Dublin Bay Water Wags, a design of 1900 which Theo Rye equally cherished.

The timeless elegance of classic clinker construction. Guy Kilroy heels his modern-build Water Wag Swift to make the best of zephyrs at Glandore. Photo: Gary MacMahon

Mixing the fleets – Water Wags from Dublin Bay, CityOnes from Limerick, and a Rankin from Cork Harbour share the waters of Glandore. Photo: Gary MacMahon

With four CityOne dinghies available in Glandore for an inter-area Theo Rye Memorial Series, Race Officer Donal Lynch was able to provide competition for a representative selection with crews from Limerick, the County Clare folk of Seol Sionna who had arrived in Glandore with their own distinctive Shannon Estuary hooker Sally O’Keeffe after a fine overnight passage from Kilrush, a West Cork crew with some involved in the restoration of the ketch Ilen at Oldcourt, and a Cork city team.

The Cork crew in the Inter-Area series for CityOnes were Nicola Cowhig (helm), Aoife & Muireann O’Donnell, and Gemma. Photo: Gary MacMahon

They may not look like they’re going anywere fast, but Limerick’s Donal Coffey (helm, right) and Sean McNulty won the Theo Rye Memorial Series for the CityOne dinghies. Photo: Gary MacMahon

In the end, it was the Limerick duo of Donal Coffey (helm) crewed by Sean McNulty who won the weekend series overall, but really it was the way that the CityOne dinghies so ably fulfilled the role envisaged for them by Gary MacMahon of the Ilen School and Theo Rye which was the abiding memory.

As the photos reveal, Donal Lunch has had quite a challenge in setting races for all classes which will be manageable despite a shortage of wind, with further frustration early in the week as the underlying northerly airstream tended to negate the efforts of the warming summer days to create a sea breeze, but by week’s end we hope to get reports of improved sailing.

Meanwhile, a view of the classic style currently gracing the Glandore anchorage is more than enough to be going along with.

“Eclectic” would be the best word for the fleet at Glandore. Photo: Gary MacMahon

The sun returned on day three of Panerai British Classic Boat Week where the fleets completed race five of the series, followed by the traditional Ladies Race. Not only had the sun reappeared, but the wind had moderated too and racing took place in a much more manageable, if rather shifty, northerly breeze of 10 to 15 knots. After the strong winds of the last two days the chance to shed oilskins, soak up the sun and enjoy the scenery was much enjoyed by everyone.

Class 3 continues to be the most closely fought of the regatta. Today Michael Briggs’ Mikado beat second placed Cereste, owned by Jonathan and Scilla Dyke, by over four minutes. Cereste in turn beat third place Laughing Gull, owned by Barney Sandeman, by just four seconds, so that in the overall standings Cereste leads Mikado by two points with Tim Yetman’s Suvretta in third.

Andrew Pearson’s Bojar finally managed to break the stranglehold of Giovanni Belgrano’s Whooper on Class 2, beating her into second place by a minute and twenty-four seconds. David Murrin’s Cetewayo came third by thirteen seconds. Whooper continues to lead Class 2 by a very comfortable fourteen-point margin, but the fight for second and third is a close one with Gildas Rostain’s Volonte on twenty points, Bojar on twenty-two points, Brian Smullen’s Cuilaun on twenty-nine and Cetewayo on thirty. Smullen's 55-foot McGruer ketch will also be sailing at Glandore Classic Boat Festival on July 23 in West Cork, read Afloat.ie's preview here.

Back ashore, Andrew Pearson talked through the race, “We had a really interesting day, with a complicated start across the Squadron line, and they all peeled off down the Island shore. We took a flyer to the other side, hoping we could set a kite, but by the time we got there, there wasn’t enough wind, so we were 8th or 9th at the first mark. From there we crawled our way back to 2nd on the water, 20 seconds behind Cetewayo, which gave us the win on handicap because we rate lower than she does. Whooper followed us in but we’d saved our time, so we’ve had a 1st, a 2nd and a 3rd in the last three races.

Asked what gave him the advantage over Whooper Andrew replied, “Three things: one, we’ve got a very large symmetric kite, and if we get that right we can fly it dead downwind and we’re as fast as anyone doing that. Secondly we had a tide break around the last mark. Finally, Whooper often has an enormous advantage over all of us with her drop keel so she can sail in much shallower water, but today’s course didn’t give them that advantage.”

Irvine Laidlaw’s Oui Fling took her fourth bullet of the regatta and now leads Class 1 by four points from Sean McMillan’s Flight of Ufford, who had finished second in the race. Michael Hough’s Chloe Giselle beat David Gryll’s Helen of Durgan in race five, but in the overall standings Helen of Durgan now lies third and Chloe Giselle fourth.

The battle between Richard Matthew’s Scorpio and Simon Payne’s Damian B continues to rage in Class 4. The lighter conditions worked in Scorpio’s favour and she beat Damian B by almost two minutes with John Mulcahy’s Estrella third. Overall Scorpio has regained the lead by three points from Damian B, with Estrella and Rufus Gilday’s Venya tied for third.

The Metre boats very much appreciated the lighter conditions and both fleets were back out in force. In the 6 Metres Robin Richardson and his team aboard St Kitts beat Fenton Burgin’s Sioma by just twenty-nine seconds with Tom Richardson’s Thistle third. In the overall standings Sioma’s lead has now been reduced to a single point from Thistle with St Kitts third.

In the 8 Metres it initially appeared that Murdoch McKillop’s Saskia had won race five from the Earl of Cork and Orrery and David Parson’s Athena with Christopher Courage’s Helen third. However, on returning ashore Saskia elected to retire following an on the water incident and so the race went to Athena with Helen second. Despite her retirement Saskia continues to lead the regatta, but her delta is reduced to a single point. Both Helen and Athena count ten points so it’s clear this class is going to go down to the wire as we go into the final two days of the regatta.

With the series racing complete for the day, it was the turn of the ladies to take the helm for the traditional Panerai British Classic Week Ladies’ Race. A building spring ebb meant the race committee kept the fleet close to Cowes for some furious short course racing. With midwife Rosie Parks on the helm, ably supported by Christine Belgrano, Mia Austen, Emma Cheesham, Giovanni Belgrano and Crawford, Whooper once again proved she’s a winner.

Speaking in the Panerai Lounge and clutching the Ladies Day Trophy, made by Isle of Wight based Sculptglass, Rosie paid tribute to her crew. “Today went really well! We had a brilliant start, my backing crew of Crawford and Gio made very, very good decisions and guided me around the race track and we got across the line first.”

This evening the participants are enjoying a BBQ and Crew Party at Cowes Corinthian Yacht Club. Tomorrow will feature the Long Inshore Race sponsored by Classic Boat and the rescheduled Open Boats Pontoon Party sponsored by Spirit Yachts and Classic Boat.

Over the next few days fourteen Water Wags will head by ferry to France to participate in one of the greatest classic boat regattas in Europe. As Afloat.ie reported previously, one thousand four hundred and forty two traditional workboats and recreational boats will head to Brittany from Britain, Ireland, Netherlands, Belgium, Switzerland, Austria, Czech Republic, Spain, and Japan.

Among the 19 yachts of the Irish contingent travelling to the celebration of traditional yachting are:

Waterwags: 9, Marie Louise (1927), 17, Coquette (1909), 31, Polly (1984), 32, Skee (1985), 33, Eva (1986), 34, Chloe (1991), 38, Swift (2001), 40, Swallow (2003), 41, Molllie (2005), 44, Scallywag (2009), 45, Mariposa (2015).

Howth 17 ft: Aura (1898), Deilginis (1905), Eileen (1908), Gladys (1907), Leila (1898), Silvermoon (1898).

Others: Anna Panna, a Mcmillan gaff cutter. Sylvana, Moody 46 and possibly the only boat which will sail to the event instead of being trailed.

What a celebration of Irish craftmanship it will be.

The last time the Alfred Mylne-designed Dublin Bay 24s raced together in their home waters was Saturday, September 25th 2004 writes W M Nixon. Since then, the class has been through various traumas as projects for a group rebuild/restoration in France fell victim to the financial crisis.

However, the boats were kept in store, and two years ago a complete re-build programme for one of them, Periwinkle, was put into action at Skol ar Mor, the pioneering boat-building school in South Brittany run by Mike Newmeyer.

Sailing aboard the restored Periwinkle. The quality of the bronze fittings on the mast matches the high standard of the restoration. Photo Brian Mathews

Perwiwinkle has turned all heads any time she goes sailing, but there’s no doubt she’d make most impression in an active class setting. As it is, for this year’s Morbihan Festival of Classic and Traditional Boats in the last full week of May, she’ll be sharing the waters of that noted inland sea with boats from home, as twelve Dublin Bay Water Wags and eight Howth Seventeens are being trailed, ferried, and trailed again to take part in one of the greatest gathering of character boats in the world.

Water Wags in festive mode for their 125th Anniversary in 2012 at Dun Laoghaire Harbour mouth. In ten days time, 12 of them will be in France en route to the Morbihan Festival

But while the Water Wags and the Howth Seventeen will be sailing in the enormous fleet, Periwinkle will be on static display afloat, alongside the Skol ar Mor booth at the boat show in the port of Vannes at the head of the Morbihan, though there is a possibility that renowned designer Francois Vivier will take her out for a sail. Happily, though, she’ll soon definitely be sailing – and she’ll be sailing to Dublin Bay.

Owners Chris Craig and David Espey are determined to get her back in time for the Classics Division in the Volvo Dun Laoghaire Regatta from 6th to 9th July, and will be sailing her up from Brittany with a target time of 1st July pencilled-in for arrival in Greystones. Their hope is that former DB24 sailors will then join them to sail on to Dun Laoghaire on Sunday July 2nd.

Class racing act. The Dublin Bay 24s in action at the Dun Laoghaire Woodenboat Regatta 1997. Photo: W M Nixon

As for the rest of the DB24 fleet, their elegant yet tired hulls are finding new purpose in boat-building schools. In September, Adastra will go to Albaola Scholl in San Sebastian in northern Spain, Zephyra is being shipped across the Atlantic for the Apprentice Shop in Maine, and Arandora is to be completed in Les Atelier de L’Enfer in Douarnenez in Brittany. Mike Newmeyer is working on a plan for Euphanzel, and various proposals are being discussed regarding the future of Harmony and Fenestra.

It has been – and still is - a long and difficult journey. But the arrival of Periwinkle in Dublin Bay will surely be a very significant step

#SaveHistoricDocks - A Dublin docklands business group and waterways enthusiasts have called on Minister for Heritage Heather Humphreys to save a key piece of the Grand Canal basin’s Georgian architecture.

As The Irish Times writes The Inland Waterways Association of Ireland (IWAI) and the Docklands Business Forum (see related story) have initiated a petition this week which asks Ms Humphreys to ensure the basin’s lock gates and graving docks for ships are “restored, preserved and reused” for community gain.

The two groups believes Waterways Ireland wants to sell the graving docks site for further high rise development on the Liffey mouth.

The cross-Border agency is primarily responsible for the Grand Canal Basin and for the surrounding area where the three graving docks were constructed for vessel repair, while Nama also has a lease interest.

The graving docks and lock gates are as important to the heritage of the area as Battery Park is to New York, according to Docklands Business Forum’s chief executive Alan Robinson.

For more on this development click here.

Jehan Ashmore of Afloat adds that recently in an 'Aran Islands Snapshot' was featured the former ferry, Naomh Eanna which has been berthed in Grand Canal Dock for more than a quarter century.

The basin itself is considerably older having opened in 1796 for use of ships entering three docks to and from the River Liffey.

Only in recent years due to the threat of scrapping by Waterways Ireland that the historic Irish built ship was saved by campaigners. Among the reasons cited was due to possible sinking of the veteran vessel which led to the ship shifted from Charlotte Quay to a nearby disused graving dock dating to 1850's. 

There have been plans by maritime heritge enthusiasts to restore the 1958 Liffey Dockyard built Naomh Eanna that ran for CIE between Galway City and Aran Islands. The project involved relocating to her former homeport in the mid-west city as a floating museum amongst other functions. The proposed visitor attraction was welcomed by Galway Port with a dedicated berth.  

Grand Canal Basin was last used by commercial shipping until the 1960's. The three graving docks (the largest infilled) were used for repairs of small ships and canal barges.

#WW1gun - A World War 1 gun retrieved from a wreck off Dalkey Island in Dublin Bay has recently gone on display at the National Maritime Museum in Dun Laoghaire, writes Jehan Ashmore.

The restored 6-pounder Hotchkiss gun is from the wreck of HMS Guide Me II. The exhibit was recently remounted in the grounds of the former Mariners Church on Haigh Terrace. 

The HMS Guide Me II was built in 1907 as a Peterhead F.V. Drifter (i.e. a drift-net fishing boat) from the Scottish yard of Hall, Russell & Co in Aberdeen. In March 1915, she was hired by the Admiralty and converted into an anti-submarine coastal gunboat, with the addition of the six-pounder gun. 

During a patrol she collided and depending on reports, the incident occured with an unnamed vessel or the nearby Muglins, a rocky islet east of Dalkey Island. The site of impact is clearly visible as a large hole is on the starboard side.

The Guide Me II grossed 100 tons and was approximately 26m long and 5.6m wide. The wreck lies 1.5 miles south-east of the Muglins and was rediscovered in 1990 by Ivan Tunsted who also rasied the gun from a depth of 33 metres.  

For further details, they are available from INFORMAR by downloading  PDF document here 

In addition there’s also a 3D rendering (with a correct browser), from INFOMAR/Ulster University website click here

#HistoricBoats- A rare example of an Irish built ship dating more than a century and listed on the UK Historic Ships Registry, is to undergo a major refit for ‘sailing’ excursions in Scotland, writes Jehan Ashmore.

The historic ship Arctic Penguin of Glasgow, was launched in 1910 originally as lightship, Penguin for the Commissioners of Irish Lights at the Dublin Drydock Company. She is built of an iron hull on a steel frame and had a fixed lantern. During her Irish Lights days she served several stations, among them at Daunt Rock. On another posting, Afloat will have more on her lightship relief duties.

It is understood the 100ft Arctic Penguin of Glasgow, which since 2010 has remained in an idle state in Inveraray on Loch Fyne in Argyll, is to go to the Ardmaleish Boatbuilding yard on the Isle of Bute. Works at the Firth of Clyde facility are also understood to be costing in the region of £1.5m. The project is so to offer tourists sailing excursion charters of the Scottish Western Isles.

The vessel now 106 years old was first old by Irish Lights 50 years ago in 1966. The new owners converted the lightship into a youth adventure sail training vessel renamed Hallowe’en.

In 1982, she was resold for the purposes of cruising as the Arctic Penguin, and converted as a fore-and aft schooner. This involved the removal of the fixed lantern and to assist sailing canvas, she was fitted with a Kelvin engine.

In her most recent guise Arctic Penguin of Glasgow was a floating Maritime Museum moored alongside Inveraray Pier, where the three master has remained. It is at this stunning location in south-west Scotland, that I paid a visit to see this unique vessel of her Irish shipbuilding heritage.

So more than a century later, the former static role of this 400 tonnes tallship is to be given a new lease of life on the cruising grounds of the stunning Western Isles and lochs of Scotland. The wonderful highland peaks that surrounds Loch Fyne and Inveraray is a major beauty spot that draws tourists and which was an added bonus when tracking down the former lightship. 

Located beside the town is Inveraray Castle, seat of the Duke of Argyle, where the grounds of the estate affords views of Inverarary Pier. Also berthed here is the Eilean Eisdeal, renamed the Vital Spark to highlight the old ‘puffers’ that were the backbone of sea-borne freight trade between the isles and the mainland.

In recent times, the vessels have shifted berths at the pier which also has an outer jetty. Both structures have been closed for some time to the public by Argyll and Bute Council.

#HMScaroline - For the first time in 32 years, HMS Caroline departed from its moorings in Belfast Harbour.

The Belfast Telegraph reports that the last remaining vessel from the World War One Battle of Jutland gently eased from its Alexandra Dock home yesterday (Friday) morning.

The 3,700-ton veteran light cruiser, sailed to Harland and Wolff Heavy Industries’ Belfast Dock for a scheduled hull inspection and repair.

Work is expected to last until Christmas before the ship then returns to its dock.

HMS Caroline serves as a monument to the 10,000 Irishmen who lost their lives at sea between 1914 and 1918.

Following a £15m restoration project, it opened to the public in June as a floating five-star museum and has already attracted more than 16,000 paying visitors.

For more on this rare towage operation, the newspaper features more photos click here.