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A photographer’s depiction of the passage of time on an Irish offshore island is captured in a television documentary due to be broadcast on TG4 on Thursday (Dec 28)

Fifty years ago, photographer Chris Rodmell “captured the soul” of the Aran island of Inis Meáin, which was “a place poised at the edge of transformation” and “untouched by modernity”, according to the TG4 billing.

Rodmell recently returned to record a second chapter and found that certain traditions have remained steadfast in that intervening period - such as the “age-old practice of herding cattle to pasture, Saint John's Day bonfires piercing the night sky, mainland children flocking to local schools to learn Irish and the resurrection of the delicate art of knitting”.

"Inis Meáin: Idir Dhá Linn" is billed by TG4 as “a captivating television documentary that takes audiences on an emotional journey to a secluded island nestled on the western fringes of Europe”.

Cathal Ó Cuaig directed the documentary produced by Aniar TV for TG4; it will be broadcast on TG4 on Thursday, December 28th at 9.20 pm.

Published in Island News
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The island folklore of Oileáin Árann has been collated on a new website by residents of Inis Mór, working with a number of academic partners.

Bailiúchán Béaloidis Árann, the Árainn Folklore Project, has been “more than twenty years a-growing”, according to the project’s digital curator, Deirdre Ní Chonghaile.

The website includes hundreds of photographs and over 100 audio recordings, as well as some videos collected over the past two decades.

All of these are enriched with detailed information, identifying the individuals and places appearing in them, she says.

The website’s search capacity extends to a variety of elements, with transcriptions written by island women accompanying the sound recordings of interviews.

Bailiúchán Béaloidis Árann, the Árainn Folklore Projectailiúchán Béaloidis Árann, the Árainn Folklore Project

Bailiúchán Béaloidis Árann is the only major collection of island folklore to be created by Inis Mór islanders themselves, Ní Chonghaile says.

Over many years since 2000, Bailiúchán Béaloidis Árann has earned support from major figures of the Aran canon, including photographer Bill Doyle, writer and cartographer Tim Robinson, and linguist Dr James Duran, she says.

It has also produced “two fine books”, Árainn: Cosáin an tSaoil (2003) and Ár nOileán: Tuile is Trá (2004), she says.

Bailiúchán Béaloidis Árann had two primary objectives: to preserve island folklore for future generations of islanders; and to ensure that the islands’ folklore would be accessible. The new website “enables islanders to combine those two objectives”, Ní Chonghaile says.

Collaborators on the project are Gaois, Fiontar and Scoil na Gaeilge, Dublin City University, and the National Folklore Collection at University College Dublin, the co-creators of the website dú

Funders included the LEADER scheme, the Heritage Council of Ireland, and the local co-op Comharchumann Forbartha Árann.

“Though the entire collection awaits a permanent home at home in Árainn, we remain hopeful its day will come. In the meantime, people will savour and delight in this new resource, which demonstrates so well the faith and creativity of the women who created,” she says.

The website was formally initiated by Dr Críostóir Mac Cárthaigh, director of the National Folklore Collection, in Kilmurvey House on Árainn on Friday (Jan 6).

Published in Island News
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A European system of measuring the impact of tourism on communities is to be introduced on a number of islands off the west Irish coast this summer.

Three Aran islands and Inishbofin off Galway, along with Donegal’s Tory and Arranmore, will participate in the project led by researchers from the new Atlantic Technological University (ATU).

The European Tourism Indicator System (ETIS) was developed by the European Commission as an evidence-based model for collecting information and measuring impacts.

It involves collecting data on 43 specific areas, ranging from tourist spending patterns to gender equality, inclusion and accessibility, transport impact, climate change, energy consumption, waste generation and sewage treatment.

The system helps to measure trends over time, such as the rising percentage of women in management roles; changes in waste water quality; reduction in carbon dioxide emissions, and changing impacts of tourism in the community.

The researchers will work with communities, tourism stakeholders and destination managers on gathering the information which will better inform the sustainable management of island tourism, according to ATU president Dr Orla Flynn.

State agencies Fáilte Ireland and Údarás na Gaeltachta, along with local authorities, will also support the project.

Up until now, detailed tourism indicators have been limited, but the ETIS is a very accessible international model, Dr Diarmuid Ó Conghaíle, ATU’s head of department for heritage and tourism, explained.

“While we are starting with the four Galway islands - and Tory and Arranmore with the support of Údarás na Gaeltachta - the aim is to incorporate all offshore islands from about 2024,” he said.

“It will allow the islands to compare their performance on tourism, will inform planning and sustainable management, and may even create a bit of competition, “Ó Conghaíle said.

“We are hosting community briefings with the participating islands in May, and will be collecting data from the end of that month,” he said.

“The project will be developed through online surveys, with a particular set of questions for the community, for tourists and for tourism operators,” Ó Conghaíle said.

“The information may be gathered digitally or through paper surveys as we are keen to make sure everyone is involved, and everyone has access to the information, “he said.

Given that the data will be “evidence-based”, it will help to support funding applications at national and European level, he said. The information will be published on a dedicated website.

“This is the first year, and we hope this will be an annual ATU project,” he said.

The ATU involves the Galway-Mayo, Sligo and Letterkenny institutes of technology.

The west/north-west group was formally initiated earlier this month by the Minister for Further and Higher Education Simon Harris after technological university status was granted last year to the three institutes.

Published in Aquatic Tourism
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The artists’ exhibition of 21 currachs used as canvases which ran over the summer on the Aran island of Inis Oírr transfers into NUI Galway for Culture Night.

Irish international sculptor John Behan RHA, Tuam-based visual artist Jennifer Cunningham, Mayo-based Ger Sweeney, and Sadia Shoaib, who has been living in direct provision for the past six years, are among those who were given currachs to use as canvases.

Inis Oírr arts centre artistic director Dara McGee painted his own interpretation - entitled Under A Mackerel Sky – which also forms part of the exhibition, hosted by Áras Éanna.

NUI Galway and Áras Éanna will open the exhibition on Friday morning (Sept 17th) in the university’s quadrangle in partnership with Galway Music Residency, ConTempo Quartet.

The quartet will perform a specially selected suite of classical and contemporary music connected to the ocean, composed by Alec Roth, Claude Debussy and Katharina Baker.

The work of Kathleen FureyThe work of Kathleen Furey

NUI Galway drama students will also take part in the event, reciting a selection of poetry by Máirtín Ó Direáin.

A new partnership between NUI Galway and Áras Éanna will also be announced, with the aim of working to promote the islands and the west as places of culture, learning and research.

The university says it has established a new fund to support staff and students who wish to travel to Inis Oírr and use the facilities at Áras Éanna as part of their studies.

Published in Island News
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Islanders with expertise in stone have completed a “jigsaw puzzle” of rock upon timber for an Irish language production of Beckett’s Happy Days on the Aran island of Inis Oírr.

As The Times Ireland reports, director Sarah Jane Scaife worked with designer Ger Clancy and a number of islanders to construct the outdoor set in preparation for the Galway International Arts Festival.

“We all have experience of building stone walls, but this was different,”Inis Oírr resident Matt Seoighe said.

“Tomás Noel Sharry was our stonemason, and five of us worked together in a field at Creig an Staic, and it was difficult enough,” Seoighe said.

Actors Bríd Ní Neachtain and Raymond Keane have been cast as Winnie and Willie for Laethanta Sona, which was translated by Michéal Ó Chonghaíle.

“I’ve been coming here for 28 years and have always been inspired by the place, which is both surreal and existential” Scaife explained.

“My husband, late sound engineer Tim Martin fished from here, my children have been coming since they were small - and after Tim died, so many islanders came for his funeral,”she said.

“So “Beckett sa Creig”, as we call it, has been 28 years a bubbling,” she explained.

Island photographer Cormac Coyne worked with Scaife for the production, which is a collaboration between Company SJ and the Abbey Theatre.

Costumes created by Sinead Cuthbert were inspired by flowers that grow between the cracks in the rock, as Winnie herself appears from the cracks in the rock.

An accompanying exhibition in the island’s arts centre, Áras Éanna documents the building of the set and interviews and photos with women on the island.

Curacha, the exhibition of currachs used as canvases by artists, is also continuing at Áras Éanna and on an outdoor trail until September 12th.

Tickets for the Inis Oírr production of Laethanta Sona from August 30th to September 5th have already been booked out.

However, the play will be performed with subtitles at the Dublin Theatre Festival from October 14th to 17th, with online booking from August 24th.

Read The Times Ireland here

Published in Island News
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Turbot Island's main claim to fame has been its sighting by trans-Atlantic aviators John Alcock and Arthur Whitten Brown before they crash-landed at Derrygimlagh bog in north Connemara on June 15th, 1919.

Turbot or “Inishturbot” is a few miles west of Clifden and south of Omey. One very sad and memorable event in its history was the loss of islanders Patrick O’Toole (58), Patrick Stuffle (48) and Michael Wallace (62) in September 1974.

The three men were on their way home to Turbot from watching the All Ireland football final in Clifden when their currach capsized.

Trans-Atlantic aviators John Alcock and Arthur Whitten Brown sighted Turbot Island shortly before they crash-landed   Transatlantic aviators John Alcock and Arthur Whitten Brown say they sighted Turbot Island shortly before they crash-landed in Connemara over one hundred years ago

Four years later, the population of about 60 was relocated to the mainland.

The ruin of the old schoolhouse on Turbot IslandThe ruin of the old schoolhouse on Turbot Island

That event was remembered last year with the release of a video, accompanied by music by Peter Knox. It was based on a poem called Turbot Men which was written by a mainland resident Joseph O’Toole after the fishermen drowned.

Peter Knox (left) and Turbot islander John O'ToolePeter Knox (left) and Turbot islander John O'Toole

Dutch couple and Turbot “new islanders” Stefan and Hanneke Frenkel who financed the video weathered last year’s first pandemic wave out there. Brian Hughes of the Abbeyglen Hotel in Clifden, who hosted the video’s launch, also has a house there.

Hanneke Frenkel collecting "sea rope" to make carpets last year on Turbot islandHanneke Frenkel (above and below) collecting "sea rope" to make carpets last year on Turbot islandHanneke Frenkel collecting "sea rope" to make carpets last year on Turbot island

This week’s Wavelengths podcast also has an interview with John O’Toole, whose house the Frenkel's purchased all those years ago. O’Toole was reared on Turbot, left at the age of ten, but maintains a strong connection with the island.

Published in Wavelength Podcast
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The Irish Islands' Federation has described as a "very unsatisfactory situation" that on offshore islands where there are not resident medical facilities or dispensaries, islanders are being required to travel to the mainland for Covid 19 vaccine injections.

The Secretary of Comhdháil Oileán na hEireann (the Islands' Federation), Rhoda Twombly, said this showed a lack of foresight and consideration and particularly affected older islanders who had been isolating for a year.

Published in Island News
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The challenges for the economies of Ireland’s offshore islands in a “post-COVID world” will be discussed with a number of contributors at a “virtual summit” next Wednesday (Sept 2).

Comdháil Oileáín na hÉireann, the Irish Island Federation, is supporting the free “webinar”, hosted by Dr Noirín Burke of the Irish Ocean Literacy Network and Trish Hegarty of Inis Communications in Donegal.

As Afloat previously reported, The “webinar” is Ireland’s “virtual hub event” for the second global Virtual Island Summit, involving over 100 island communities, from September 7th to 13th.

“Islanders work hard to maintain their economies, stay connected and create a sustainable future, something that has been extra challenging this year with Covid-19,” Dr Burke says.

Ms Hegarty says the event will explore how islands connect “to each other, to the mainland and to other islands across Europe and the world”.

Islanders working in enterprise, economic and community development and other experts working with island communities in areas like energy, sustainability, technology and connectivity will participate.

Irish Island Federation secretary Rhoda Twombly noted that her members are “more than used to connecting online” because of their physical distance and separation from the mainland.

“But in this time of social distancing and such an uncertain future, it’s more important than ever to strengthen our national and global connections to learn from each other’s experiences,”she said.

Contributors to the event include Virtual Island Summit founder and “Forbes Top 30 under 30” innovator James Ellsmoor; Ms Twombly and John Walsh of Comhdháil Oileáin na hÉireann and the European Small Islands Federation; Cathy Ní Ghóill, manager of Comharchumann Forbartha Arann; and Máirtín Ó Méalóid, manager of Cape Clear Island Cooperative and Comhdháil Oileáin na hÉireann vice-chair.

Also contributing are award-winning Mayo-based journalist Áine Ryan, who is interested in issues affecting rural and peripheral communities; University College, Cork researcher Dr Sarah Robinson, who is working with island communities on Bere, Sherkin and Cape Clear to establish community radio; Irish Tech News chief editor Simon Cocking; and Brendan Smith, education and public engagement officer at the Insight Centre for Data Analytics in Galway.

Attendance is free but registration is essential to take part.

To register on Zoom, click here

Published in Island News
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Historial Castle Island in Roaringwater Bay off the coast of Schull, West Cork is on the market for offers in excess of €1m.

The island is located immediately east of the entrance to Schull Harbour and south-west of Horse Island. It is readily accessed from either Schull Harbour or Rossbrin Cove.

It is one of very few privately owned islands in the area.

The island, which extends to approximately 123.85 acres or c. 50.12 hectares, was home to a small community of approximately fifteen families who were last resident on the Island up to the year 1870.

A substantial Pier and Slipway that offers very considerable shelter and access to the island in most weather conditions at all tidal stagesA substantial Pier and Slipway that offers very considerable shelter and access to the island in most weather conditions at all tidal stages

According to the auctioneer Dominic Daly, the ruins of the original three clusters of houses which made up the community are situated in three distinct locations the first at the pier where the original O’Mahony Castle stands and the other two at each end of the island. Lazy beds can be detected near one of the clusters of houses which look out across Roaringwater Bay and onward to Fastnet lighthouse a naturally beautiful landscape. Currently, the island is in use for agricultural purposes. Tillage was undertaken there in the past. It is now used for grazing.

There is a substantial Pier and Slipway that offers very considerable shelter and access to the island in most weather conditions at all tidal stages. A number of adjoining islands in Roaringwater Bay are inhabited – some with small communities (Long Island, Heir Island, Sherkin Island, Cape Clear Island) and others by single families (West Skeam Island, Horse Island).

Castle Island, Roaringwater BayCastle Island, Roaringwater Bay

Castle Island is home to one of a number of ruined O’Mahony Castles – one of a string along the coastline, all within sight of each other and sited strategically to control the waters of Roaringwater Bay and their abundant resources. The O’Mahony’s became extremely wealthy in their day, charging for fishing and fish processing facilities and for supplies and fresh water. They also formed strong alliances with the Spanish and French fishing fleet and any visitors who worked these waters an alliance that came to the attention of the English crown, which lead to the O’Mahony’s demise in the area.

It is a great opportunity for anyone interested in all water sports particularly sailing and fishing. It also benefits from the warm Gulf Stream and mild south westerly winds. The island can offer total solitude with substantial scope to develop it’s considerable amenities. There are extensive amenities in the area with multiple Harbours in Schull and Baltimore and also good shelter in Rossbin & Crookhaven as well as Cape Clear. In the far distance, the Fastnet Rock Lighthouse can be seen.

West Cork is a predominantly tourist area. It has rugged peninsulas, sandy beaches and bustling market towns. Future use of the island could be for private occupancy or tourism-related development or outdoor pursuits and/or agricultural use.

More details from auctioneer Dominic Daly here

Published in West Cork
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A documentary on how Tory island’s late king Patsy Dan Rodgers led his community’s efforts to secure their rights and a study of a “maverick islander” are scheduled for Galway Film Fleadh’s online programme this weekend.

French filmmaker Loic Jourdain is screening the world premiere of his latest feature on Tory island, entitled The Tribe of Gods.

The 92-minute documentary charts how the late Patsy Dan Rodgers, then the last King of Ireland, continued to represent his community of 150 Irish-speaking islanders after he was diagnosed with cancer.

Jourdain’s company Lugh Films, South-Wind Blows and Idée Originale previously made a documentary on Donegal islander John O’Brien, entitled A turning tide in the life of man, on his efforts to retain his right to fish for wild salmon.

The Tribe of Gods has a cast of Patsy Dan Mag Ruaidhri, Marjorie Uí Chearbhaill, Liam Gallagher, Laurene Boyle and Pádraig Gráinne Duggan, was shown on Saturday, July 11th and there is a trailer below.

Galway-based filmmaker Margaretta D’Arcy and producers Finn Arden and Laurie Allen has directed A Maverick Islander, which will screen on Sunday July 12th.

Her film is a study of Seán (John) Ó Loingsigh from south Connemara, described as “a philosopher, a dreamer, a self-appointed chieftain, a failed playwright, and a minority voice”.

The film charts his efforts to “rise above the elitism associated with the game of golf” and build a golf course in the bog which might also help to keep Connemara’s islands district, Ceantar na nOileán alive.

Activist, performer and film director Margaretta D’Arcy is now in her 87th year, and is a member of Aosdána. A Maverick Islander is available on Sunday July 12th at 1200 by booking here

A trailer for The Tribe of Gods is below

Published in Island News
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Irish Olympic Sailing Team

Ireland has a proud representation in sailing at the Olympics dating back to 1948. Today there is a modern governing structure surrounding the selection of sailors the Olympic Regatta

Irish Olympic Sailing FAQs

Ireland’s representation in sailing at the Olympics dates back to 1948, when a team consisting of Jimmy Mooney (Firefly), Alf Delany and Hugh Allen (Swallow) competed in that year’s Summer Games in London (sailing off Torquay). Except for the 1968 Olympics in Mexico City, Ireland has sent at least one sailor to every Summer Games since then.

  • 1948 – London (Torquay) — Firefly: Jimmy Mooney; Swallow: Alf Delany, Hugh Allen
  • 1952 – Helsinki — Finn: Alf Delany * 1956 – Melbourne — Finn: J Somers Payne
  • 1960 – Rome — Flying Dutchman: Johnny Hooper, Peter Gray; Dragon: Jimmy Mooney, David Ryder, Robin Benson; Finn: J Somers Payne
  • 1964 – Tokyo — Dragon: Eddie Kelliher, Harry Maguire, Rob Dalton; Finn: Johnny Hooper 
  • 1972 – Munich (Kiel) — Tempest: David Wilkins, Sean Whitaker; Dragon: Robin Hennessy, Harry Byrne, Owen Delany; Finn: Kevin McLaverty; Flying Dutchman: Harold Cudmore, Richard O’Shea
  • 1976 – Montreal (Kingston) — 470: Robert Dix, Peter Dix; Flying Dutchman: Barry O’Neill, Jamie Wilkinson; Tempest: David Wilkins, Derek Jago
  • 1980 – Moscow (Tallinn) — Flying Dutchman: David Wilkins, Jamie Wilkinson (Silver medalists) * 1984 – Los Angeles — Finn: Bill O’Hara
  • 1988 – Seoul (Pusan) — Finn: Bill O’Hara; Flying Dutchman: David Wilkins, Peter Kennedy; 470 (Women): Cathy MacAleavy, Aisling Byrne
  • 1992 – Barcelona — Europe: Denise Lyttle; Flying Dutchman: David Wilkins, Peter Kennedy; Star: Mark Mansfield, Tom McWilliam
  • 1996 – Atlanta (Savannah) — Laser: Mark Lyttle; Europe: Aisling Bowman (Byrne); Finn: John Driscoll; Star: Mark Mansfield, David Burrows; 470 (Women): Denise Lyttle, Louise Cole; Soling: Marshall King, Dan O’Grady, Garrett Connolly
  • 2000 – Sydney — Europe: Maria Coleman; Finn: David Burrows; Star: Mark Mansfield, David O'Brien
  • 2004 – Athens — Europe: Maria Coleman; Finn: David Burrows; Star: Mark Mansfield, Killian Collins; 49er: Tom Fitzpatrick, Fraser Brown; 470: Gerald Owens, Ross Killian; Laser: Rory Fitzpatrick
  • 2008 – Beijing (Qingdao) — Star: Peter O’Leary, Stephen Milne; Finn: Tim Goodbody; Laser Radial: Ciara Peelo; 470: Gerald Owens, Phil Lawton
  • 2012 – London (Weymouth) — Star: Peter O’Leary, David Burrows; 49er: Ryan Seaton, Matt McGovern; Laser Radial: Annalise Murphy; Laser: James Espey; 470: Gerald Owens, Scott Flanigan
  • 2016 – Rio — Laser Radial (Women): Annalise Murphy (Silver medalist); 49er: Ryan Seaton, Matt McGovern; 49erFX: Andrea Brewster, Saskia Tidey; Laser: Finn Lynch; Paralympic Sonar: John Twomey, Ian Costello & Austin O’Carroll

Ireland has won two Olympics medals in sailing events, both silver: David Wilkins, Jamie Wilkinson in the Flying Dutchman at Moscow 1980, and Annalise Murphy in the Laser Radial at Rio 2016.

The current team, as of December 2020, consists of Laser sailors Finn Lynch, Liam Glynn and Ewan McMahon, 49er pairs Ryan Seaton and Seafra Guilfoyle, and Sean Waddilove and Robert Dickson, as well as Laser Radial sailors Annalise Murphy and Aoife Hopkins.

Irish Sailing is the National Governing Body for sailing in Ireland.

Irish Sailing’s Performance division is responsible for selecting and nurturing Olympic contenders as part of its Performance Pathway.

The Performance Pathway is Irish Sailing’s Olympic talent pipeline. The Performance Pathway counts over 70 sailors from 11 years up in its programme.The Performance Pathway is made up of Junior, Youth, Academy, Development and Olympic squads. It provides young, talented and ambitious Irish sailors with opportunities to move up through the ranks from an early age. With up to 100 young athletes training with the Irish Sailing Performance Pathway, every aspect of their performance is planned and closely monitored while strong relationships are simultaneously built with the sailors and their families

Rory Fitzpatrick is the head coach of Irish Sailing Performance. He is a graduate of University College Dublin and was an Athens 2004 Olympian in the Laser class.

The Performance Director of Irish Sailing is James O’Callaghan. Since 2006 James has been responsible for the development and delivery of athlete-focused, coach-led, performance-measured programmes across the Irish Sailing Performance Pathway. A Business & Economics graduate of Trinity College Dublin, he is a Level 3 Qualified Coach and Level 2 Coach Tutor. He has coached at five Olympic Games and numerous European and World Championship events across multiple Olympic classes. He is also a member of the Irish Sailing Foundation board.

Annalise Murphy is by far and away the biggest Irish sailing star. Her fourth in London 2012 when she came so agonisingly close to a bronze medal followed by her superb silver medal performance four years later at Rio won the hearts of Ireland. Murphy is aiming to go one better in Tokyo 2021. 

Under head coach Rory Fitzpatrick, the coaching staff consists of Laser Radial Academy coach Sean Evans, Olympic Laser coach Vasilij Zbogar and 49er team coach Matt McGovern.

The Irish Government provides funding to Irish Sailing. These funds are exclusively for the benefit of the Performance Pathway. However, this falls short of the amount required to fund the Performance Pathway in order to allow Ireland compete at the highest level. As a result the Performance Pathway programme currently receives around €850,000 per annum from Sport Ireland and €150,000 from sponsorship. A further €2 million per annum is needed to have a major impact at the highest level. The Irish Sailing Foundation was established to bridge the financial gap through securing philanthropic donations, corporate giving and sponsorship.

The vision of the Irish Sailing Foundation is to generate the required financial resources for Ireland to scale-up and execute its world-class sailing programme. Irish Sailing works tirelessly to promote sailing in Ireland and abroad and has been successful in securing funding of 1 million euro from Sport Ireland. However, to compete on a par with other nations, a further €2 million is required annually to realise the ambitions of our talented sailors. For this reason, the Irish Sailing Foundation was formed to seek philanthropic donations. Led by a Board of Directors and Head of Development Kathryn Grace, the foundation lads a campaign to bridge the financial gap to provide the Performance Pathway with the funds necessary to increase coaching hours, upgrade equipment and provide world class sport science support to a greater number of high-potential Irish sailors.

The Senior and Academy teams of the Performance Pathway are supported with the provision of a coach, vehicle, coach boat and boats. Even with this level of subsidy there is still a large financial burden on individual families due to travel costs, entry fees and accommodation. There are often compromises made on the amount of days a coach can be hired for and on many occasions it is necessary to opt out of major competitions outside Europe due to cost. Money raised by the Irish Sailing Foundation will go towards increased quality coaching time, world-class equipment, and subsiding entry fees and travel-related costs. It also goes towards broadening the base of talented sailors that can consider campaigning by removing financial hurdles, and the Performance HQ in Dublin to increase efficiency and reduce logistical issues.

The ethos of the Performance Pathway is progression. At each stage international performance benchmarks are utilised to ensure the sailors are meeting expectations set. The size of a sailor will generally dictate which boat they sail. The classes selected on the pathway have been identified as the best feeder classes for progression. Currently the Irish Sailing Performance Pathway consists of the following groups: * Pathway (U15) Optimist and Topper * Youth Academy (U19) Laser 4.7, Laser Radial and 420 * Development Academy (U23) Laser, Laser Radial, 49er, 49erFX * Team IRL (direct-funded athletes) Laser, Laser Radial, 49er, 49erFX

The Irish Sailing performance director produces a detailed annual budget for the programme which is presented to Sport Ireland, Irish Sailing and the Foundation for detailed discussion and analysis of the programme, where each item of expenditure is reviewed and approved. Each year, the performance director drafts a Performance Plan and Budget designed to meet the objectives of Irish Performance Sailing based on an annual review of the Pathway Programmes from Junior to Olympic level. The plan is then presented to the Olympic Steering Group (OSG) where it is independently assessed and the budget is agreed. The OSG closely monitors the delivery of the plan ensuring it meets the agreed strategy, is within budget and in line with operational plans. The performance director communicates on an ongoing basis with the OSG throughout the year, reporting formally on a quarterly basis.

Due to the specialised nature of Performance Sport, Irish Sailing established an expert sub-committee which is referred to as the Olympic Steering Group (OSG). The OSG is chaired by Patrick Coveney and its objective is centred around winning Olympic medals so it oversees the delivery of the Irish Sailing’s Performance plan.

At Junior level (U15) sailors learn not only to be a sailor but also an athlete. They develop the discipline required to keep a training log while undertaking fitness programmes, attending coaching sessions and travelling to competitions. During the winter Regional Squads take place and then in spring the National Squads are selected for Summer Competitions. As sailors move into Youth level (U19) there is an exhaustive selection matrix used when considering a sailor for entry into the Performance Academy. Completion of club training programmes, attendance at the performance seminars, physical suitability and also progress at Junior and Youth competitions are assessed and reviewed. Once invited in to the Performance Academy, sailors are given a six-month trial before a final decision is made on their selection. Sailors in the Academy are very closely monitored and engage in a very well planned out sailing, training and competition programme. There are also defined international benchmarks which these sailors are required to meet by a certain age. Biannual reviews are conducted transparently with the sailors so they know exactly where they are performing well and they are made aware of where they may need to improve before the next review.

©Afloat 2020

Paris 2024 Olympic Sailing Competition

Where is the Paris 2024 Olympic Sailing Competition being held? Sailing at Paris 2024 will take place in Marseille on the shores of the Mediterranean Sea between 28 July and 8 August, and will feature Kiteboarding for the first time, following a successful Olympic debut in 2018 at the Youth Olympic Games in Buenos Aires. The sailing event is over 700 km from the main Olympic Games venue in Paris.

What are the events? The Olympic Sailing Competition at Paris 2024 will feature ten Events:

  • Women’s: Windsurfing, Kite, Dinghy, Skiff
  • Men’s: Windsurfing, Kite, Dinghy, Skiff
  • Mixed: Dinghy, Multihull

How do you qualify for Paris 2024?  The first opportunity for athletes to qualify for Paris 2024 will be the Sailing World Championships, The Hague 2023, followed by the Men’s and Women’s Dinghy 2024 World Championships and then a qualifier on each of World Sailing’s six continents in each of the ten Events. The final opportunity is a last chance regatta to be held in 2024, just a few months before the Games begin.

50-50 split between male and female athletes: The Paris 2024 Games is set to be the first to achieve a 50-50 split between male and female athletes, building on the progress made at both Rio 2016 (47.5%) and Tokyo 2020 (48.8%). It will also be the first Olympic Games where two of the three Chief roles in the sailing event will be held by female officials,

At a Glance -  Paris Olympics Sailing Marseille

July 28th – August 8th Paris Olympics Sailing Marseille

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