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Displaying items by tag: coastal heritage

Coastal heritage sites such as Inis Mór’s Dún Aonghasa and Kerry’s Blasket Centre have recorded significant increases in visitor numbers, the Office of Public Works (OPW) says.

Dún Aonghasa on Inis Mór- which was the winner of the European film location award last year - recorded an increase of 20%, it says.

The Céide Fields, Co Mayo, which received a €2.6m state investment in 2022 for its new visitor centre recorded a 38% increase in 2023 on the previous year.

Ionad an Bhlascaoid – the Blasket Centre, Co Kerry - saw a 58% increase in visitors last year, the OPW says.

This compares to a 29% increase in visitors to Clonmacnoise, Co Offaly, and a 13% increase in visitors at Dublin’s Farmleigh House.

The OPW says 2023 was another successful year for visitor numbers at the 780 important State heritage sites.

The number of recorded visitors last year exceeded 15.3 million, up from 15 million in 2022, it says.

Minister of State for the OPW Patrick O’Donovan said that Ireland is “fortunate to have such a rich and diverse collection of landmarks across the country”.

“The continued investment by the State in our heritage portfolio- from ancient monuments to medieval castles- is so important for the safeguarding and preservation of our built heritage,”he said.

“ It is wonderful to see the continued upward trend in visitor numbers to both the paid attractions and the recreational spaces which the public can access for free, all year round,”he said.

Published in Coastal Notes
Tagged under

#StormRachel - Ireland needs a dedicated 'rescue unit' to protect sensitive heritage sites around the coast from severe weather, as news of damage to some vulnerable spots emerges.

Michael Gibbons, an archaeologist from Connemara, told The Irish Times that while the high winds whipped up by the likes of last week's Storm Rachel have helped uncover new archaeological finds, there is as yet no procedure for protecting such finds from further weathering and erosion.

Gibbons commented specifically on the midden deposits uncovered in Roundstone on Galway Bay, which were hit by strong gales and exposed the vulnerable dunes in the area to further destruction.

The Irish Times has more on the story HERE.

Published in Coastal Notes

#GalwayBay - Carbon dating on a fragment of an ancient oak trackway on the northern shore of Galway Bay suggests a much more recent beginning for the bay as we know it.

According to The Irish Times, the radiocarbon dating analysis pinpoints the oak sample to around 1,700 BC, which means the sea level in the region was still rising as early as 3,700 years ago – nearly 4,000 years after submerging the 'drowned forests' discovered west of Spiddal earlier this year.

A full survey of the site will be undertaken by the National Museum of Ireland but it's already believed that the trackway or platform, which may have been ceremonial in nature, was built upon what was then freshwater bogland before the rising sea waters encroached.

The Irish Times has more on the story HERE.

Published in Galway Harbour
Ireland’s unexplored 220-million-acre marine environment will be revealed in a landmark new TV series which began last week.
As previously reported on Afloat.ie, Farraigí na hÉireann (Seas of Ireland) is a new six-part Irish-language series on Ireland's marine wildlife, which aired its first episode on TG4 last Tuesday 20 September.
Irish Film and Television News interviewed series co-creator Ken O'Sullivan about the unique series, which is the first of its kind in Ireland in unlocking the secrets of the abundant wildlife in the seas around our coast.
“We tried to combine coastal heritage with wildlife,” said O'Sullivan on the intentions behind the series. “We want to show how ancient coastal communities connected with wildlife.
"As filmmakers, our approach is that we try not to use science as the beginning and end of the story. We like to look at people’s connection with these natural worlds.”
As such, the series does not have a presenter, but its story is told through its contributors.
“We have passionate marine biologists and we have small fishermen, from places like the Aran Islands and Kerry, reflecting about their time at sea and how they relate to the sea, to try and convey the story.
"Hopefully, all these contributors bring a narrative to the unique underwater photography.”
And it's this underwater imagery that's surely the star of the show. As much as 70% of the series was filmed under the surface over the course of a year in locations around the country, using cameras in a special water-tight housing.
Deep water footage was also captured by high-definition cameras on an unmanned submarine, giving us the best ever view of life in the depths.
Farraigí na hÉireann can be seen Tuesdays at 8pm on TG4, with repeats on Sundays at 9pm.

Ireland’s unexplored 220-million-acre marine environment will be revealed in a landmark new TV series which began last week.

As previously reported on Afloat.ie, Farraigí na hÉireann (Seas of Ireland) is a new six-part Irish-language series on Ireland's marine wildlife, which aired its first episode on TG4 last Tuesday 20 September. 

Irish Film and Television News interviewed series co-creator Ken O'Sullivan about the unique series, which is the first of its kind in Ireland in unlocking the secrets of the abundant wildlife in the seas around our coast.

“We tried to combine coastal heritage with wildlife,” said O'Sullivan on the intentions behind the series. “We want to show how ancient coastal communities connected with wildlife. 

"As filmmakers, our approach is that we try not to use science as the beginning and end of the story. We like to look at people’s connection with these natural worlds.”

As such, the series does not have a presenter, but its story is told through its contributors.

“We have passionate marine biologists and we have small fishermen, from places like the Aran Islands and Kerry, reflecting about their time at sea and how they relate to the sea, to try and convey the story.

"Hopefully, all these contributors bring a narrative to the unique underwater photography.”

And it's this underwater imagery that's surely the star of the show. As much as 70% of the series was filmed under the surface over the course of a year in locations around the country, using cameras in a special water-tight housing. 

Deep water footage was also captured by high-definition cameras on an unmanned submarine, giving us the best ever view of life in the depths.

Farraigí na hÉireann can be seen Tuesdays at 8pm on TG4, with repeats on Sundays at 9pm.

Published in Maritime TV

Dublin Bay Sailing Club (DBSC) is one of Europe's biggest yacht racing clubs. It has almost sixteen hundred elected members. It presents more than 100 perpetual trophies each season some dating back to 1884. It provides weekly racing for upwards of 360 yachts, ranging from ocean-going forty footers to small dinghies for juniors.

Undaunted by austerity and encircling gloom, Dublin Bay Sailing Club (DBSC), supported by an institutional memory of one hundred and twenty-nine years of racing and having survived two world wars, a civil war and not to mention the nineteen-thirties depression, it continues to present its racing programme year after year as a cherished Dublin sporting institution.

The DBSC formula that, over the years, has worked very well for Dun Laoghaire sailors. As ever DBSC start racing at the end of April and finish at the end of September. The current commodore is Eddie Totterdell of the National Yacht Club.

The character of racing remains broadly the same in recent times, with starts and finishes at Club's two committee boats, one of them DBSC's new flagship, the Freebird. The latter will also service dinghy racing on Tuesdays and Saturdays. Having more in the way of creature comfort than the John T. Biggs, it has enabled the dinghy sub-committee to attract a regular team to manage its races, very much as happened in the case of MacLir and more recently with the Spirit of the Irish. The expectation is that this will raise the quality of dinghy race management, which, operating as it did on a class quota system, had tended to suffer from a lack of continuity.