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Displaying items by tag: coastal heritage

Coastal heritage sites such as Inis Mór’s Dún Aonghasa and Kerry’s Blasket Centre have recorded significant increases in visitor numbers, the Office of Public Works (OPW) says.

Dún Aonghasa on Inis Mór- which was the winner of the European film location award last year - recorded an increase of 20%, it says.

The Céide Fields, Co Mayo, which received a €2.6m state investment in 2022 for its new visitor centre recorded a 38% increase in 2023 on the previous year.

Ionad an Bhlascaoid – the Blasket Centre, Co Kerry - saw a 58% increase in visitors last year, the OPW says.

This compares to a 29% increase in visitors to Clonmacnoise, Co Offaly, and a 13% increase in visitors at Dublin’s Farmleigh House.

The OPW says 2023 was another successful year for visitor numbers at the 780 important State heritage sites.

The number of recorded visitors last year exceeded 15.3 million, up from 15 million in 2022, it says.

Minister of State for the OPW Patrick O’Donovan said that Ireland is “fortunate to have such a rich and diverse collection of landmarks across the country”.

“The continued investment by the State in our heritage portfolio- from ancient monuments to medieval castles- is so important for the safeguarding and preservation of our built heritage,”he said.

“ It is wonderful to see the continued upward trend in visitor numbers to both the paid attractions and the recreational spaces which the public can access for free, all year round,”he said.

Published in Coastal Notes
Tagged under

#StormRachel - Ireland needs a dedicated 'rescue unit' to protect sensitive heritage sites around the coast from severe weather, as news of damage to some vulnerable spots emerges.

Michael Gibbons, an archaeologist from Connemara, told The Irish Times that while the high winds whipped up by the likes of last week's Storm Rachel have helped uncover new archaeological finds, there is as yet no procedure for protecting such finds from further weathering and erosion.

Gibbons commented specifically on the midden deposits uncovered in Roundstone on Galway Bay, which were hit by strong gales and exposed the vulnerable dunes in the area to further destruction.

The Irish Times has more on the story HERE.

Published in Coastal Notes

#GalwayBay - Carbon dating on a fragment of an ancient oak trackway on the northern shore of Galway Bay suggests a much more recent beginning for the bay as we know it.

According to The Irish Times, the radiocarbon dating analysis pinpoints the oak sample to around 1,700 BC, which means the sea level in the region was still rising as early as 3,700 years ago – nearly 4,000 years after submerging the 'drowned forests' discovered west of Spiddal earlier this year.

A full survey of the site will be undertaken by the National Museum of Ireland but it's already believed that the trackway or platform, which may have been ceremonial in nature, was built upon what was then freshwater bogland before the rising sea waters encroached.

The Irish Times has more on the story HERE.

Published in Galway Harbour
Ireland’s unexplored 220-million-acre marine environment will be revealed in a landmark new TV series which began last week.
As previously reported on Afloat.ie, Farraigí na hÉireann (Seas of Ireland) is a new six-part Irish-language series on Ireland's marine wildlife, which aired its first episode on TG4 last Tuesday 20 September.
Irish Film and Television News interviewed series co-creator Ken O'Sullivan about the unique series, which is the first of its kind in Ireland in unlocking the secrets of the abundant wildlife in the seas around our coast.
“We tried to combine coastal heritage with wildlife,” said O'Sullivan on the intentions behind the series. “We want to show how ancient coastal communities connected with wildlife.
"As filmmakers, our approach is that we try not to use science as the beginning and end of the story. We like to look at people’s connection with these natural worlds.”
As such, the series does not have a presenter, but its story is told through its contributors.
“We have passionate marine biologists and we have small fishermen, from places like the Aran Islands and Kerry, reflecting about their time at sea and how they relate to the sea, to try and convey the story.
"Hopefully, all these contributors bring a narrative to the unique underwater photography.”
And it's this underwater imagery that's surely the star of the show. As much as 70% of the series was filmed under the surface over the course of a year in locations around the country, using cameras in a special water-tight housing.
Deep water footage was also captured by high-definition cameras on an unmanned submarine, giving us the best ever view of life in the depths.
Farraigí na hÉireann can be seen Tuesdays at 8pm on TG4, with repeats on Sundays at 9pm.

Ireland’s unexplored 220-million-acre marine environment will be revealed in a landmark new TV series which began last week.

As previously reported on Afloat.ie, Farraigí na hÉireann (Seas of Ireland) is a new six-part Irish-language series on Ireland's marine wildlife, which aired its first episode on TG4 last Tuesday 20 September. 

Irish Film and Television News interviewed series co-creator Ken O'Sullivan about the unique series, which is the first of its kind in Ireland in unlocking the secrets of the abundant wildlife in the seas around our coast.

“We tried to combine coastal heritage with wildlife,” said O'Sullivan on the intentions behind the series. “We want to show how ancient coastal communities connected with wildlife. 

"As filmmakers, our approach is that we try not to use science as the beginning and end of the story. We like to look at people’s connection with these natural worlds.”

As such, the series does not have a presenter, but its story is told through its contributors.

“We have passionate marine biologists and we have small fishermen, from places like the Aran Islands and Kerry, reflecting about their time at sea and how they relate to the sea, to try and convey the story.

"Hopefully, all these contributors bring a narrative to the unique underwater photography.”

And it's this underwater imagery that's surely the star of the show. As much as 70% of the series was filmed under the surface over the course of a year in locations around the country, using cameras in a special water-tight housing. 

Deep water footage was also captured by high-definition cameras on an unmanned submarine, giving us the best ever view of life in the depths.

Farraigí na hÉireann can be seen Tuesdays at 8pm on TG4, with repeats on Sundays at 9pm.

Published in Maritime TV

About the Golden Globe Race

The Golden Globe Race is the original round the world yacht race. In 1968, while man was preparing to take his first steps on the moon, a mild mannered and modest young man was setting out on his own record breaking voyage of discovery. Off shore yacht racing changed forever with adventurers and sailors, inspired by Sir Robin Knox-Johnston, following in his pioneering wake. Nine men started the first solo non-stop sailing race around the World. Only one finished. History was made. Navigating with a sextant, paper charts and an accurate and reliable time piece, Sir Robin navigated around the world. In 2018, to celebrate 50 years since that first record breaking achievement, the Golden Globe Race was resurrected. It instantly caught the attention of the worlds media as well as adventures, captivated by the spirit and opportunity. The original race is back.

The Golden Globe Race: Stepping back to the golden age of solo sailing

Like the original Sunday Times event back in 1968/9, the 2018 Golden Globe Race was very simple. Depart Les Sables d'Olonne, France on July 1st 2018 and sail solo, non-stop around the world, via the five Great Capes and return to Les Sables d'Olonne. Entrants are limited to use the same type of yachts and equipment that were available to Robin Knox-Johnston in that first race. That means sailing without modern technology or benefit of satellite-based navigation aids.

Competitors must sail in production boats between 32ft and 36ft overall (9.75 10.97m) designed prior to 1988 and having a full-length keel with rudder attached to their trailing edge. These yachts will be heavily built, strong and steady, similar in concept to Robin's 32ft vessel Suhaili.

In contrast to the current professional world of elite ocean racing, this edition travels back to a time known as the 'Golden Age' of solo sailing. Suhaili was a slow and steady 32ft double-ended ketch based on a William Atkins ERIC design. She is heavily built of teak and carried no computers, GPS, satellite phone nor water-maker, and Robin completed the challenge without the aid of modern-day shore-based weather routing advice. He had only a wind-up chronometer and a barograph to face the world alone, and caught rainwater to survive, but was at one with the ocean, able to contemplate and absorb all that this epic voyage had to offer.

This anniversary edition of the Golden Globe Race is a celebration of the original event, the winner, his boat and that significant world-first achievement. Competitors in this race will be sailing simple boats using basic equipment to guarantee a satisfying and personal experience. The challenge is pure and very raw, placing the adventure ahead of winning at all costs. It is for 'those who dare', just as it was for Knox-Johnston.

They will be navigating with sextant on paper charts, without electronic instruments or autopilots. They will hand-write their logs and determine the weather for themselves.

Only occasionally will they talk to loved ones and the outside world when long-range high frequency and ham radios allow.

It is now possible to race a monohull solo around the world in under 80 days, but sailors entered in this race will spend around 300 days at sea, challenging themselves and each other. The 2018 Golden Globe Race was a fitting tribute to the first edition and it's winner, Sir Robin Knox-Johnston.

Background on Don McIntyre (61) Race Founder

Don is an inveterate sailor and recognised as one of Australia s greatest explorers. Passionate about all forms of adventure and inspiring others, his desire is to recreate the Golden Age of solo sailing. Don finished 2nd in class in the 1990-91 BOC Challenge solo around the world yacht race. In 2010, he led the 4-man Talisker Bounty Boat challenge to re-enact the Mutiny on the Bounty voyage from Tonga to West Timor, in a simil