Displaying items by tag: Dublin Bay 21
The complex project of restoring the Alfred Mylne-designed Dublin Bay 21 class – which first raced in 1903 and ceased racing in 1986 – has been in hiatus during the Lockdown. But now Hal Sisk and Fionan de Barra have the good news that work has resumed on their Grand Design, with Steve Morris in Kilrush Boatyard moving the 1903-built Garavogue into the painting stage.
The first completed restoration was on Naneen – number 6 - apparently because, although not built until 1905, she was the only one actually constructed in Dun Laoghaire, the builder being James Clancy. The relatively small yacht-building industry of Kingstown - as it then was - had been too busy with adding boats to the Dublin Bay 25 Class to find the space or time for the first five of the new DB21s, of which three were initially built by Hollwey in Ringsend in Dublin, while James Kelly in Portrush on the north coast built two.
Naneen emerged from Dun Laoghaire in 1905, while the final boat in the Dublin Bay group - Geraldine No 7 – was another one from Hollwey, this time in 1908. Whatever about their year of origin, they all looked equally sad lying together in storage in a farmyard in County Wicklow for three decades, so when the miraculous revival finally began, there was a certain logic to start with the most quintessentially Dun Laoghaire boat of all.
It was a major breakthrough when, down at Kilrush, the beautifully re-built Naneen went afloat in September 2019 for the first time since 1986. And it was even more special when some freakishly good weather in early December enabled her to take her first sunlit sail in the Shannon Estuary.
The thinking behind it all is that they’re reviving a class every bit as much as much as they’re re-building individual boats, which means that some aspects of the original design – not least the labour-intensive gaff cutter rigs - have been modified to make the DB21s of 2020 more user-friendly, with reduced maintenance demands. But with a class of only seven boats, one of the features of the DB21s in their original form was that every boat was able to have a different and distinctive colour, and this is being repeated in the re-born flotilla.
With Naneen it was a case of replicating a particular shade of yellow with a hint of green, and it looked a perfect finish as she sailed along inside Scattery Island in December. But with Garavogue No 4 - perhaps the most renowned of all the DB21s through her association with the family of Patrick Campbell the writer – the real challenge has come, as she was always black, which would be the most unforgiving colour of all in revealing any blemishes in the hull of what is still essentially a hand-built boat, albeit with a multi-skin epoxy resinated hull.
So it says much for the Steve Morris approach that, in resuming work in Kilrush, instead of taking on an easy task to get thing moving again, he went straight head-on into the challenge of giving Garavoge three coats of flawless black enamel. They say that striving for perfection is the enemy of the good, but if that’s the case, then this is very, very good unto what looks rather like perfection.
It is hoped that Naneen and Garavogue will both be sailing off Kilrush in July, and then their second debut in Dublin Bay will be in August, while work will be progressing back in Kilrush on Estelle (No 3) and Oola (No 5), with the prospect of four re-built boats forming the nucleus of the re-born class in Dublin Bay in 2021.
With hopes being expressed that we’re approaching peak COVID-19, there’s concern that people will relax their vigilance in maintaining the proven quarantine precautions, and that numbers will start to rise again. One of the most frighteningly effective ways of spreading the infection is through sneezing, and the US Navy – whose ships are potentially lethal Coronavirus-spreading incubation units – has made comprehensive laboratory tests.
These tests have demonstrated that a violent sneeze can actually spread the infective droplets by as much as eight metres – four times as far as the recommended two metres Safe Social Distancing that health authorities worldwide are recommending.
However, the technical videos which demonstrate this frightening reality look so much like some Computer Generated footage that they fail to make any real impact on a public already be-numbed with Government Information fact-sheets and films. So at Afloat.ie, we reckon that a graphic description of the effects of a monster sneeze is now more effective in capturing attention, and for the necessarily vivid account, we turn to the writings of a former Dublin Bay 21 sailor.
Patrick Campbell (1913-1980) was the son of Lord Glenavy, a noted Dublin polymath who was a Governor of the Bank of Ireland, a barrister, and an economist of international standing, while his mother Lady Glenavy was the artist Beatrice Elvery of the sports shops family. Their lively family life reflected their many talents, but young Patrick failed to settle into any lasting career, and in the end drifted into journalism, becoming for a while the Quidnunc who wrote the daily Irishman’s Diary in The Irish Times.
This was during the 1940s when life was lived in a more economical style. But having seen one of their houses burnt down by Anti-Treaty forces during the 1920 - an event of which Campbell was to write a brilliant account - the Glenavy family lived well during the 1930s, and while young Patrick was an unexpectedly good golfer (for he was something like 6ft 5ins tall, and awkward with it) he and his father – always simply referred to by the family as “The Lord” – were into several sports.
Sailing was one of them, and during the 1930s, The Lord owned and regularly raced the Dublin Bay 21 Garavogue, originally built by James Kelly of Portrush in 1903. She was well worn by the 1930s, thus it was Lord Glenavy who – at a Committee Meeting of the Royal Alfred Yacht Club in 1934 – first suggested the formation of a new, larger Bermuda-rigged One-design class for Dublin Bay.
This in time became the Dublin Bay 24s. But as the interruptions of World War II meant they didn’t have their first race until 1947, by this time Glenavy was getting near the end of his sailing career, and it concluded with the sale of Garavogue. Nevertheless, during his time with the boat, he and his family were very much involved with the class, and in his later writing, Patrick Campbell recalled how, on the rare enough occasions when Garavogue did very well, his father would exasperatingly delay going ashore after racing in order to take time out to mark all sheets with bits of brightly-coloured wool to show exactly how the sails had been trimmed when the boat was winning.
Needless to say, despite meticulously replicating the sail trim next time out, Garavogue would disappointingly fail to perform. But the boat and the class provided a source of anecdotes for Patrick Campbell’s subsequent humorous writing, with the annual Wicklow Regatta in particular providing a rich seam of narrative.
Long after he’d left Ireland to work first in England and then base himself happily with his third wife in the south of France while still continuing to produce gems of style and wit, he heard from Dublin Bay 21 enthusiast Fionan de Barra that Garavogue was still very much in existence, and wrote back with a contribution for a book (which will appear in due course) on the Dublin Bay 21s, and telling of his pleasure of learning of the boat’s continuing life, as he had long since assumed she’d become “a sturdy hen-house”.
In later years, his career blossomed, for although he’d been educated in England, he never lost his Irish accent which was emphasized in television appearances (he was a star of panel and game shows), a pleasant accent which was emphasised by his sometimes total stammer, which he preferred to describe as “an attractive speech impediment”. He would emerge as cool as you please from ferocious bouts with it, while everyone around him had been reduced to acute nervous tension.
In his extensive writings he wasn’t above a bit of Paddywhackery when writing about his erstwhile countrymen, which may partially explain who he is no longer as well-known here as he should be. But in mitigation, it should be said that the Paddy who was dealt the greatest whackery in his often wickedly funny writing was Paddy Campbell himself.
And ultimately he was Everyman, faced with the problems of being an accident-prone giant struggling to get through life with a modicum of dignity and subsequent humour. Thus although this piece – A Stallion Sneeze - about the hazards of extreme sneezing from the early 1960s begins with a reference to King’s Road in Chelsea at a time when Swinging London was coming to life, it was written in France, it is universal in its relevance, and it is very timely for our current situation.
A STALLION SNEEZE
I had written:
‘At eight o’clock on a Sunday morning King’s Road in Chelsea is a desolate waste of litter – old newspapers, ice cream cartons, torn shopping bags, cigarette ends by the million -’
Then I got this tremendous sneeze.
It was one of those sneezes the preliminaries of which seem to go on for ever. At one minute I was sitting there writing about litter in Chelsea and the next I was in the grip of a cosmic force so powerful that without straining itself in any way it began to change my whole physical shape. I began to feel like putty being moulded by a huge glazier.
First, this giant force got to work upon my jaws and mouth, pressing out and hardening this delicate machinery until, with the teeth bared and the upper lip drawn back, I must have looked like Silver, the mad white stallion, about to do something unpleasant.
At the same time this frightful pressure squeezed my eyes shut and then shoved them along the Eustachian tubes into my ears, where they flung themselves against the drums, trying to get out.
This displacement of the eyes led almost immediately to a change in the shape of the top of my head. It began to rise into a point, with the subsidiary effect of drawing me right up into the top left-hand corner of my high-backed chair, so that it seemed that I retained a grip upon the floor only with a single toe.
For some time I held this pose, levitating, teeth bared, lips curled, nostrils flaring, ears gone, eyes bursting and nails dug deep into the upholstery. Then everything blew up.
The actual explosion was preceded by a wild cry of mindless terror – a long drawn out yell sounding something like ‘AAAAAAGH’ – and then it burst.
I was surprised by the damage, except of course that the circumstances were rather special.
Just before I’d written the words about the litter in King’s Road I’d slipped half a large tomato, peppered and salted, into my mouth, where it joined a partially chumbled biscotte – one of those roasted bread slices which the French do so well. Into this mixture I then injected a mouthful – or as much of a mouthful as possible – of black coffee.
It was a tight fit but it would have been a viable proposition if it hadn’t been for the sneeze.
The whole business – typing with the mouth bursting with breakfast – came from being suddenly seized with an idea, after being dazzled for too long by the glare of an empty page. I felt I needed this last mouthful of breakfast, to sustain me, while at the same time rattling out the first sentence, before it got away.
Anyway, it burst.
For a moment I thought I’d blown the front of my face off. There was this awful feeling of everything coming away. I almost got my handkerchief to the site of the explosion and then there came another one, louder, wilder, infinitely more destructive than the first.
I lay back in my chair, spent, drained of everything, waiting for the third eruption – the one which would deprive me of my backbone, shooting it out through my nose in a spray of tinkling vertebrae which would probably smash the window on the other side of the room.
It turned out that we’d finished. These two major explosions, one even bigger than the other, were to be our portion for the day.
But at what a cost.
The extremely high muzzle velocity of the breakfast had enabled it to reach and to penetrate every corner and crevice of the room. It had got to the bookshelf and the Modigliani reproduction above it. It was on the door, the ceiling and all four walls. It was in the typewriter. It had even struck a portrait of me painted by an aunt of mine in 1954, where it had obliterated one eye. The other one stared at me in outrage.
I sat there, huddled in my chair, tomatoed, thinking what bad luck it all was. I was thinking that if Tolstoy had got one of those we wouldn’t have had War and Peace. A couple of those for Dickens would have meant curtains for both Dombey and his son.
I set to to clean up, sorry for the world that now would never hear about the surprising amount of litter in King’s Road at eight o’clock on a Sunday morning.
There has been excellent progress on the revival of the Dublin Bay Sailing Club Twenty One project the world’s oldest intact on design keelboat class as they prepare for a new season racing again on Dublin Bay.
Chris Moore of Dublin Bay Sailing Club has confirmed the original DBSC class has been granted a racing start for 2020 Tuesday evening racing starting this April.
Initially, two twenty ones will race then three as the boat building project based in Kilrush on the Shannon Estuary completes the six-boat project.
The restored boats will be welcomed back to the bay in a special DBSC gun salute from committee boat Mac Lir at the start of the season.
Back to the Future
You can join the '21 project leaders Hal Sisk and Fionán de Barra for a sailing talk and a two-course dinner on Thursday the 13th of February in the RStGYC Dining Room in Dun Laoghaire. The talk, “Back to the Future, the Revival of the DBSC Twenty Ones—the World’s Oldest Cruiser Racer Class" will be a visual presentation on the revival plans.
“They are drop dead gorgeous.” Those words came to mind this week when, amongst the collection of many Emails, phone texts and post that arrive each week there was a photograph which nicely illustrated those words.
Stephen Morris sent me from Kilrush the photograph here of the first sailing of the Naneen, the Dublin Bay 21, that I last saw at Kilrush on the morning she was returned to the water after her restoration led by Stephen.
“Thought you might enjoy this,” he wrote and I responded: “Beautiful would be an understatement.”
My colleague, our wordsmith-of-sailing-record, WM Nixon, will tell the detailed story of this “first” sail in his Afloat blog this Saturday, so suffice for me to say that Hal Sisk and Fionán de Barra had a magical day after they traversed across an icy morning on Naneen’s deck on Monday to go sailing. When I saw the photos those words I quoted at the outset were so apt, from a maritime discussion of which I was part at Kilrush when Naneen was re-launched and which I’ve waited for the opportunity to Podcast, which has come with this first.
The granddaughter of James Clancy, who built the 21s - Ann Griffin takes up the story on the Podcast below.
In 1828, when the recently re-named and still only semi-finished harbour of Kingstown on Dublin Bay staged its first regatta, it certainly gave an indication of the transformed place’s potential for waterborne sport. Yet it was not until 1831 that the first club – the Royal Irish YC in its earliest form – came into being. But on the south coast at Cork, the stately Water Club had been going about its manoeuvres since 1720, and was organising racing by 1765 and probably earlier while going on to become the Royal Cork YC in 1831. And on the west coast in Kerry and along the Shannon Estuary, recreational sailing was relatively well established – not least because it provided a useful cover for some profitable smuggling of low-volume high-value commodities from France, Spain and Portugal.
Be that as it may, by the 1820s regattas were being staged at what was then one of the main ports, the sheltered though tidal Shannonside creek at Kilrush on the south coast of Clare, and in 1828 Maurice “Hunting Cap” O’Connell – the uncle and effectively guardian in his youth of Daniel O’Connell of Derrynane, The Liberator - organised a Kilrush regatta which led to the formation of the Royal Western Yacht Club of Ireland.
The club thrived, and by 1838 it was the named club of at least two dozen yachts, some of them quite substantial, with 18 of them based in Kilrush while others were kept by their owners on moorings in the estuary beside their often quite stately homes, a classic case being the Knight of Glin with his 30-ton cutter Rinevella moored off Glin Castle on the south shore.
Thus the sailing scene on the Atlantic seaboard was thriving while the Dublin Bay programme was still in its infancy. But the situation was totally and tragically changed with the Great Famine of 1845-47. Apart from the human scale of the disaster - which we still do not fully grasp, and probably never will – while it may be simplistic to say that the economy of Western Ireland was destroyed, basically that’s what happened. Despite this, much of life along the east coast went on as normal, and yachting in Kingstown underwent a phase of rapid development.
Retreating from the wasteland which the West had become, what was left of the Royal Western Yacht Club of Ireland became an itinerant organisation, based for a while in Dublin city and then in Dun Laoghaire and finally in Cork Harbour, where it was supposedly wound up in Cobh in 1870. But it so happened that back in Kilrush the Glynn family had retained some artefacts, documents and records of the old club, other memorabilia was gradually traced and brought home over the years, for there were those who felt that the old Royal Western YC of Ireland had never really died, it was only sleeping, and all it needed was some miraculous revival of the port of Kilrush to waken it up.
Kilrush did slowly revive as a port after the famine, but it was for the utilitarian purposes of handling cargo in the dock, while a pier nearby at Cappagh served the needs of the Shannon ferry steamers which were such a feature of the estuary before rail and then road took over. After that, the port became a ghost of its former self, but there were those who could see its potential.
And the miracle came in 1990, when Brendan Travers of Shannon Development spearheaded the project to provide a barrier with a sea lock to make Kilrush into a proper marina. Today, it has facilities which put the allegedly pace-setting East Coast ports to shame, with the marina run by Simon McGibney while master-shipwright Steve Morris (who’s from New Zealand, but Irish women like his wife Michelle have a way of ensnaring useful talent and keeping it here) has been with the boatyard with its commodious sheds and workshops since 2001, where they seem capable of all forms of boat-work in any material, and to world class standards too.
With this setup developing, the Royal Western Yacht Club of Ireland re-emerged as the club at Kilrush with a healthy marina-based fleet. In the early summer of 2007, a bundle of energy from Limerick called Ger O’Rourke contacted the Royal Ocean Racing Club to enter his Cookson 50 Chieftain for the up-coming Rolex Fastnet race in August. He was told he’d be 46th on the waiting list, but not to worry - many early entries tended to drop out, and with bad weather forecast, he was in with a good chance of a place.
O’Rourke had just completed a Transatlantic race from Newport to Hamburg to take second place, but he had this weird superstition of never entering his boat for the next big race until the previous one had been completed. Once again it came good - on the Tuesday before the Fastnet was due to start on the Saturday, the RORC told him it was all systems go, the place was there, so he rushed his crew together, they sailed a magnificent heavy weather race, and Chieftain became the overall winner of the 2007 Rolex Fastnet Race, making the Royal Western of Ireland and Kilrush the only Irish club and port which can claim this rare distinction.
All of which is a roundabout way of saying that when the most varied group of people in Irish sailing that you’ve ever seen converged on Kilrush in Tuesday’s incredibly bright and uninterrupted sunshine for the launching of the first of the re-born Dublin Bay 21s which are being brought back to life for Hal Sisk and Fionan de Barra by Steve Morris and the equally talented Dan Mill and their team (which includes Kilrush’s own James Madigan of Ilen fame), we weren’t making a patronizing visit to encourage a new place on its way.
On the contrary, it was more like a pilgrimage to a special place that was outdone in historic sailing style only by Cork Harbour, for in Dublin Bay organised sailing was just getting going when Kilrush was thriving, and Belfast Lough was likewise barely started. But back in the 1820s when life lacked many of today’s mostly superfluous distractions, sailing was big in the west – think Sligo too - and Kilrush and the Shannon Estuary were in the forefront of its energetic development, typified by the Knight of Glin who took his cutter Rinevella to Galway in 1834 for a big regatta, and won western sailing’s equivalent of the Galway Plate.
However, from 1850 onwards there’s no doubting Dublin Bay was a global pace-setter in sailing development, and the establishment of Dublin Bay Sailing Club in 1884 provided an organisation which very quickly was co-ordinating all the sailing of the three major Kingstown yacht clubs, establishing new classes of increasing boat sizes such that by 1898 it was the DBSC’s imprimatur which brought the famous Fife-designed Dublin Bay 25ft ODs into being.
All these numbers refer to the waterline length, which means the 25s were generously-canvassed 37-footers, the jet-set of Dublin Bay One-Design racing. So much so, in fact, that very soon there was a growing movement for something similar in style but in a smaller and more economically-manageable size. William Fife was busy with America’s Cup yachts for Thomas Lipton and other large projects for super-rich clients, so they turned to Scotland’s new rising star in the yacht design firmament, Alfred Mylne, who had already created a useful 20ft waterline design for Belfast Lough sailors, the Star class, which set a simple gunter sloop rig.
But simplicity was not the keynote for the new Dublin Bay 21. Slightly larger, she had a longer and more elegant stem than the Star’s rather snubbed bow, and instead of a straightforward hyper-economical gunter mainsail with just one headsail, she set acres of gaff rig with a jackyard topsail and was cutter-rigged with it – four sails by comparison with the Star’s two, and that’s before you add the spinnaker.
The first three boats were building with Hollwey of Ringsend in the winter of 1902-03, as the established Kingstown builders James Clancy and J E Doyle were busy with other works, notably yet more DB 25s. The bigger class had received a shot in the arm with a new boat ordered for the 1903 season for the Viceroy, Lord Dudley, to be built by Doyle. This meant that when the first five DB 21s raced in 1903 (two more having been built by James Kelly of Portrush), their advent was somewhat overshadowed by all the razzmatazz attached to the Viceroy racing in his new DB25 Fodhla.
But the smaller class’s quality was soon recognized, and by 1908 they’d achieved their optimum number of The Sacred Seven with Geraldine being built by Hollwey, while Naneen – no 6 – had emerged as the only Kingstown-built boat. She was the work of James Clancy in 1905, built for a serial racing yacht owner called T Cosby Burrowes from Cavan. He must have owned a substantial part of that most rural of Irish counties, for it was presumably rental income which enabled him to be a member of eleven yacht clubs in Ireland, Scotland and England while buying new boats on a fairly regular basis. But though he raced in many places, Dublin Bay was his spiritual sailing home, and he’d served as DBSC Vice Commodore in 1900-1901.
The Ireland of people like Cosby Burrowes was to change inexorably through the 20th Century, yet the Dublin Bay 21s steadily continued to give great sport with such consistency that, despite being just seven in number, the regularity of their turnouts and the spectacular nature of their appearance became the best-known feature of Dublin Bay sailing.
But by the early 1960s the advent of series-production built fibreglass boats with alloy masts and synthetic sails was making their continued existence problematic, and in 1963 they persuaded veteran designer John Kearney (he was 83 at the time) to provide them with a new masthead Bermudan rig of 400 square feet as opposed to the original gaff’s 600, and they also requested a new coachroof with a doghouse to provide standing headroom.
John Kearney was up to his tonsils at the time designing and over-seeing the building of the 54ft yawl Helen of Howth for Perry Greer, but his age of 83 notwithstanding, he took on this extra task and the simple rig he created balanced very well. It gave good performance while needing a smaller crew, but veterans of that Dublin Bay 21 era who were in Kilrush on Tuesday were mixed in their approval.
Paddy Boyd raced on his father’s Oola as a schoolkid, and he could well remember the magic moment when the vital but inadequate bilge pump – his special job - was replaced by a luxurious new Whale Gusher 25. Anyway, he is in no doubt that the new rig gave the class a further 22 years of useful life. But Fionan de Barra, the Keeper of the Flame who has kept The Sacred Seven intact as a group ever since they stopped sailing, and his project partner Hal Sisk, are of the opinion that the new masthead rig with its standing backstay – often tensioned with a wheel - meant that the mast was being pushed down into the hull in a destructive way that hadn’t been possible with the original gaff rig with its running backstays.
Either way, the class was getting very tired by the mid-1980s. But any considered decision as to their future was decided by Hurricane Charlie in August 1986, with northeast gales of unbelievable ferocity sweeping into Dun Laoghaire to leave the Dublin Bay 21s either sunk or seriously damaged.
That was 1986. It is now 2019. But the sheer style of the DB 21s has never been forgotten. And as for what was left of the boats themselves, Fionan de Barra and friends managed to keep them intact as a group in various locations in County Wicklow, while one proposal after another was put forward for their revival.
Naturally the yachting historian and classic yacht activist Hal Sisk was interested, but he had other projects in hand such as the restoration of the 1894 G L Watson 37ft cutter Peggy Bawn, a meticulous project finished in 2003 which has seen Peggy Bawn winning regattas and awards on both sides of the Atlantic.
But gradually he and Fionan started putting ideas together, and in a world which changes more rapidly than ever, they reckoned that a way of restoring the DB 21s as a class is to think of new ways of ownership and use. To do this they would have to use a rig simpler than the labour-intensive time-consuming jackyard tops’l setup of the originals, and a straightforward gunter sloop set up such as Alfred Mylne designed for a Scottish-built boat to the hull design – Zanettta in 1918 - seemed to fit the bill.
A traditional and historic local class such as the Howth 17s is one in which the people involved and their sense of community through the boat are every bit as important as the new boat itself, and thus the numbers of interested people are maintained over the years. But where a class has been sitting together but derelict and moth-balled for thirty years with the original owners and crews dying off and all ownership rights gradually accruing to one person – in this case Fionan de Barra – much radical thinking is needed.
Thus Hal and Fionan have come up with the idea that the restored Dublin Bay 21 class – with the hulls built-in modern wood-style using the WEST system – would be an association-owned class of boats in a Dun Laoghaire Harbour which is itself being re-imagined for its use as an amenity and recreational area. To this new-use classic harbour they would bring a group of classic boats which are maintained as a unit, and accessible to all for sailing and special racing events based on the harbour of which they were such a natural part for 83 years.
It’s an ambitious idea, but in this age of disappearing private ownership and shared use of vehicles ashore, with new business names like Borrow-a-Boat coming to the fore, it could well be that this re-born 116-year-old class is in the vanguard of how we will sail in the future.
Meanwhile, the boats have had to be re-built, and in Ireland they started with the only Dun Laoghaire-built boat, the Naneen of 1905 built by James Clancy, and took her to Steve Morris in Kilrush, while the Garavogue – built by James Kelly of Portrush in 1903 – went to classic boat specialists The Elephant Boatyard in the south of England.
Even with such skill involved in both England and Ireland, it has been a demanding task, but fortunately beforehand they could draw on the knowledge of design historian and classic specialist Theo Rye, and then after his sad and untimely death in 2016, the many talents of Paul Spooner took on the advisory role, and gradually the developing project began to take shape.
The casually interested might think it is all taking a remarkably long time, but so many novel concepts and new ways of thinking about boat use are evolving as each stage is passed that when the “new” DB21 class is complete, we’ll find that Hal Sisk and Fionan de Barra are true pioneers of sailing.
Certainly the very supportive crowd which turned up in the Kilrush sunshine on Tuesday to wish them and the build team of Steve Morris and Dan Mill was representative of a very wide swathe of people seriously interested in classic boats and what you can do with them, such as Paddy Barry and Jarlath Cunnane fresh back from the restored Ilen’s voyage to Greenland, and James Madigan who was not only closely involved in re-building the Ilen in Limerick and Oldcourt and sailing to Greenland, but is from Kilrush and is now back home working with Steve and Dan on completing the Garavogue, whose hull has arrived in Kilrush from England.
There were several there who had sailed on the DB21s in the old days, in fact your columnist sailed in the Geraldine when she was still gaff-rigged in the ownership of Paul Johnson. But much more interesting were the views of Paddy Boyd, who has distant childhood memories of the old rig, and happy recollections of youthful exuberance under the new one.
In gazing at Naneen as she glowed in the sunshine with a sense of weightlessness in the boat hoist, he was moved to comment on how elegant the sheerline now looked under the original coachroof. John Kearney himself preferred neat low coachroofs - he thought doghouses were the invention of the devil - but the DB 21 owners of 1963 demanded it, and the result was a boxy shape which somehow disguised the fact that the original sheerline was well nigh perfect.
Certainly it was well-appreciated by Ian Malcolm of Howth, who was there on behalf of the Howth 17s but with a special interest, for after Storm Emma wreaked havoc on the Howth Seventeen fleet in their pier-end storage shed in March 2018, it was boat no 6, Anita built by James Clancy in 1900, which was the only total loss. Thus it fell to Ian, with his French connections, to arrange her re-build by Paul Roberts’ Les Atelier d’Enfer organisation in Douarnenez under the French government’s subsidized boat-building schools programme.
This meant that in Kilrush on Tuesday we’d two sets of people who have been closely involved in the re-building of a Clancy of Dun Laoghaire boat during the past two years, but the coincidences didn’t stop there, as James Clancy married a Kilrush woman, and the family now has many connection in the town, with his grand-daughter Ann Clancy Griffin with her daughter Sinead Griffin doing the launching honours after Father Anthony Keane – who was Brother Anthony Keane of Glenstal Abbey before he went up to Greenland on Ilen – had made a quietly elegant ceremony out of blessing the boat.
And then Naneen was launched. Simply by watching her being lowered gently we were given ample opportunity to admire the way in which Alfred Myne has harmonised the lines, such that every sweet curve complements all the other, with the little cabin, in particular, being a masterpiece. On the original drawings Mylne light-heartedly named its interior as “The Den”, but the 21s proved such good seaboats that one of the original owners, Herbert Wright who later went on to be founding Commodore of the Irish Cruising Club in 1929, took his new DB21 Estelle to Scotland on a cruise which worked out so well he wrote it up for Yachting Monthly magazine, which prompted Hal Sisk to claim that the Dublin Bay 21s were thus the world’s first genuine cruiser-racer class.
Clearly there’s a quality to their size and the way they feel when you step aboard which seems just right, and suggests uses more ambitious than simply racing in Dublin Bay, though heaven knows the pace of their racing was scarcely simple, for it was hectic and furiously – sometimes genuinely furiously – competitive.
But all would be well at the end of the day, and with the new creation afloat, Fionan ushered us back to the boat-building shed for the perfect boat-launching lunch, a simple yet effective and nourishing boat-oriented meal provided by Noel Ryan of Ryan’s Butchers & Deli in the town. It was an extension of the opportunity to meet the huge diversity of people who had come to wish this extraordinary project well, a glimpse of the area’s diversity for there was time to talk with Frank Larkin of Limerick, whom I first met through sailing. Then when he became Corporate Communications Manager for Shannon Development, he used to recruit me to give slide shows to Limerick’s sailing fraternity, and the next day we’d go to Foynes or Kilrush to see the developing local setup, all extremely educational for this was in the days before Kilrush had its barrier and Foynes had yet to have its largely voluntarily-installed marina.
There too was Kim Roberts who has run a boatyard in her time, and then driven an enormous crane for big contracts on the south shore, and has since been manager of Kilrush marina but is now running Vandeleur antiques from The Old Forge in Killimer and sailing a restored classic timber Drascombe which, as we saw last week, she has taken about as far up the Shannon as it is possible to get from Kilrush.
From up the Shannon was David Beattie of Lough Ree, whose steel version of Slocum’s Spray may have originated in the Lough Ree area, but now under David’s command she has cruised extensively in the Med before returning recently to Ireland for work to be done at the Ryan & Roberts boatyard at Askeaton on the Shannon Estuary’s south shore. And equally appreciative of the Naneen restoration was that legendary shipwright sailor Albert Foley, who’s on the mend after a recent illness, and plans to get his Swan 36 – which he re-built after everyone else considered her a write-off after she’d been run down by a survey vessel – back sailing again.
Then came the moment of truth - the post-lunch revisit to the floating Naneen to see how things were. The sheer pleasure of being aboard a pristine wooden boat in the sunshine with new varnishwork and a slight hint of linseed oil and all the aromas of a healthy environment in The Den were followed by that important ceremony: The First Lifting of the Floorboards.
They’ll have a problem with Naneen. No arachnophobes will be able to sail aboard. The bilges fore and aft were bone dry. Inevitably some dust and other peculiar forms of nutrition and the occasional tiny insect will find their way in, and in time there will be a spider’s web or two. Definitely not a boat for arachnophobes……
Before leaving Kilrush for the long haul home courtesy of Ian Malcolm with his high-and-very-mighty boat-towing vehicle, we had one further pleasant task – to pay our respects to Sally O’Keeffe in the marina. She is the handsome workmanlike 25ft cutter designed by the talented Myles Stapleton to a concept based on the Shannon Estuary hookers of all sizes which used to carry cargoes the length and breadth of the mighty waterway, and there was one in particular called Sally O’Keeffe which was based in Querrin to the west of Kilrush, where she’s part of folk memory.
A sort of Men’s Shed group in Querrin got together to build an interpretation of the Sally in the big barn at a local farm, Steve Morris came along and kept the work on track, and the result is one of the most attractive boats in all Ireland, a no-nonsense multi-purpose craft which has turned heads and won competitions at places as far apart as Glandore, the Baltimore Woodenboat Festival in West Cork, and Cruinniu na mBad in Kinvara on Galway Bay, making a point of sailing to these places along the Atlantic seaboard from Kilrush.
She’s about as perfect as you can get in her way, yet she’s as different as possible from the equally perfect Naneen, and we’d the chance to compare them directly, for even as we were admiring Sally, the Naneen came into the berth just across the walkway.
All I can say is that when some project gets the Steve Morris touch, it becomes something very special indeed. We departed on a high, determined to make the best of that extraordinary day by enveloping the entire Shannon Estuary experience through heading homewards by way of the Killimer-Tarbert Ferry, and along the south shore we were able to look across to the islands at the mouth of the estuary of the Fergus River where the 1886 America’s Cup Challenger Galatea came to visit Paradise House (that’s really what it was called), the Shannonside ancestral home of owner William Henn.
Then we swept into Foynes to admire the crisp style of the thriving yacht club while gazing thoughtfully across to the cottage on Foynes Island where global circumnavigation pioneer Conor O’Brien of Saoirse fame spent his last years, and where the restored Ilen had come in the Autumn of last year to pay her respects, and then we went to see Cyril Ryan and the wide range of work he does at Ryan & Roberts at Askeaton, where he has a boatyard in classic style where we marvelled at the huge road crane Kim Roberts used to drive, and marvelled equally at the enormous tidal range in the River Deel, for David Beattie’s Ree Spray was a very long way down indeed in a muddy pool at the pontoon.
And finally, we went for a pit stop in the Dunraven Arms in Adare and wondered again at the sometimes misunderstood genius of the neighbourhood’s Lord Dunraven, with his two America’s Cup Challenges in 1893 and 1895. Then with a seemingly eternal sunset at our backs, we left Ireland and went back across the isthmus to Howth, simply stunned by the memory of the incredible range of the Shannon Estuary’s sailing history and its many links, a memory which had somehow given us a much clearer understanding of what it is that Hal Sisk and Fionan de Barra are trying to achieve with their pioneering vision for the future of the DB21 class.
His offer to anyone to challenge him sounded across Kilrush Boatyard to where I had driven over 400 kilometres from Cork to see a restored Dublin yacht, saved from rotting in a Wicklow farmyard, returned to the waters of Clare on the edge of the Shannon Estuary and which is bound, with others of the same maritime vintage, to be returned to the waters of Dublin Bay, by sail from Arklow after transportation thereto by road from the Banner county.
If all that seems a convoluted story, just add into the mix that it’s all to do with a major error by the same Class which caused controversy, division and dissension amongst its members because the rig of the same boats was changed. That was from gaff to Bermudan, which put too much strain and pressure on the craft, after which they had a sojourn in an Arklow boatyard that closed down, languished for 30 years in a Wicklow farmyard where they nearly rotted totally away, but from which they were recovered and transported to Kilrush for restoration. Next step is a return to an original rig that dates back to the last century, which will be accompanied by modern sails from Cork.
"Those of us present were part of an epoch-making day of Irish sailing history"
If you’re still keeping up with me, this is the story of rebreathing life into the Dublin Bay 21 Class where the canary yellow of Naneen seemed to even dominate the sunshine and the sparkling blue waters of Kilrush as she was launched after her restoration in front of a gathering of sailors from many parts of the country this week, assembled at the invitation of the said Hal Sisk whose request to be present to witness the occasion was not to be turned down. It was, in fact, a great day to be in the Kilrush yard. Those of us present were part of an epoch-making day of Irish sailing history, a day which was a tribute to those whose determination has brought back to life the 114-year-old Naneen and will result in the Class owning the restored Dublin Bay 21s.
The best way to appreciate what has been done is to listen to my Podcast interview here with the Class Secretary, Fionán de Barra. I recorded so many interviews at Kilrush that they will make a special edition of my programme, THIS ISLAND NATION and my colleague, the estimable WM Nixon, tells me he will provide further elucidation about this project in his blog on Saturday here.
Once thought impossible due to the entire seven boat fleet rotting in a County Wicklow farmyard, the first revived Dublin Bay 21 'Naneen' was revealed yesterday at Kilrush Boatyard in County Clare.
The Hal Sisk led project has been working on the legendary Dublin Bay 21 class, the famous Mylne design of 1902-03, since late 2016.
The 21 was rebuilt by boatbuilder Steve Morris of Kilrush with assistance in later stages from Dan Mill.
As Afloat reported previously, far from bringing the original and almost-mythical gaff cutter rig with jackyard topsail back to life above a traditionally-constructed hull, Sisk is content to have an attractive gunter-rigged sloop – “American gaff” some would call it – above a new laminated cold-moulded hull which was built inverted and fitted on the original ballast keels, thereby maintaining the boat’s continuity of existence, the presence of the true spirit of the ship.
The first DB 21 to get this treatment is Naneen, originally built in 1905 by Clancy of Dun Laoghaire for T. Cosby Burrowes, a serial boat owner from Cavan.
It’s a fascinating and complex project to which W M Nixon will be returning to in his blog this Saturday.
The restoration of classic yachts and traditional craft to the recognised international standard is still relatively new in Ireland writes W M Nixon. In fact, it could be argued that the major project in Dunmore East, completed in 2005 on the 1894 G L Watson-designed 37ft cutter Peggy Bawn, is still the only example we have in Ireland of the painstaking and meticulous research and work of the highest quality that is required on a vessel of this size for total authenticity.
The Peggy Bawn project was for maritime historian Hal Sisk, and while Michael Kennedy was the lead shipwright, many specialist talents were involved in creating a widely-admired masterpiece.
Now Hal Sisk is working on a completely different idea, a revival of the legendary Dublin Bay 21 class, the famous Mylne design of 1902-03. But in this case, far from bringing the original and almost-mythical gaff cutter rig with jackyard topsail back to life above a traditionally-constructed hull, he is content to have an attractive gunter-rigged sloop – “American gaff” some would call it – above a new laminated cold-moulded hull which is being built inverted but will, when finished and upright, be fitted on the original ballast keels, thereby maintaining the boat’s continuity of existence, the presence of the true spirit of the ship..
It’s a fascinating and complex project to which we’ll be returning in future postings on Afloat.ie. For now, the first DB 21 to get this treatment is Naneen, originally built in 1905 by Clancy of Dun Laoghaire for T. Cosby Burrowes, a serial boat owner from Cavan who had formerly owned Nance, the 1899 Dublin Bay 25 which was the only DB25 to be built by designer William Fife’s own yard in Fairlie – she still sails in the Mediterranean, now under the name of Iona.
As for Naneen, she was soon under new ownership as Burrowes interests turned elsewhere. She raced with the class in Dublin Bay under the original gaff rig until 1964, and then under the masthead Bermudan sloop rig, which kept these attractive boats going as an active racing class until August 1986.
In that fateful year, the after-effects of Hurricane Charlie in Dun Laoghaire Harbour resulted in their damaged hulls of the Dublin Bay 21s being retrieved and stored in a Wicklow farmyard while everyone worked out various schemes to make good use of this historic flotilla of seven very significant and attractive boats.
Hal Sisk and DB21 “Guardian” Fionan de Barra, after much research, have now developed this moulded hull/simpler rig philosophy which revives the class while retaining its character. And in Steve Morris at Kilrush in County Clare, they have a skilled boat-builder who has already shown with the Shannon cutter Sally O’Keeffe and other projects that he brings very special talents that work well in a wide variety of boat-building challenges.
However, in order to maintain the integrity of the project, the actual design of the Dublin Bay 21 hull had to be agreed to very close limits, far removed from the free-and-easy approach of boat-builders in the early 1900s. For this, they have been able to draw on the highly-trained skills of designer and classics consultant Paul Spooner, who worked with Duncan Walker’s famous Fairlie Restorations company for twenty years, and has seen through some extremely demanding projects thanks to his fully-qualified status as a naval architect and engineer.
Using Paul Spooner’s drawings, the work in Kilrush has been proceeding steadily since late summer, and in recent days a stage had been reached where Paul Spooner’s presence was required on-site in order to finalise some key decisions. But he’s a very busy man, so to optimize his presence here, Hal Sisk linked-up with Gary MacMahon of the Ilen Project of Limerick and Baltimore, as the riggers developing the restored sail-plan of the 1926-built 56ft Conor O’Brien ketch Ilen had also been seeking Paul’s expert advice on their work.
While logistically challenging, it was all just possible in three recent days, and despite freezing damp weather in the west, Paul Spooner put in useful time in Kilrush where Steve Morris’s work is a joy to behold, and then he was transferred to the care of the Ilen team and whisked from Limerick to Baltimore.
There, in The Old Corn Store in Oldcourt Boatyard where Ilen has been re-born, many assembled parts that we’ve seen recently on Afloat.ie being built in the Ilen Boat-Building School in Limerick has now been fitted in the ship, and here too the Paul Spooner presence brought reassurance that they were working in the right direction.
As for which direction Paul Spooner himself was going, it would have been overly-demanding for any lesser man. But having given advice of gold dust quality to two major restoration projects in Ireland, he then hopped on a plane in Dublin Airport and went to Japan, where he is being consulted on the restoration of a large 1927-vintage Camper & Nicholson ketch. That’s how it is at the leading edge of classic restoration projects.
Last week's Sailing on Saturday blog about the fate of classic yachts was a revelation about our readership. Although three significant historic vessels in three different and distant locations were involved, it was the news about the re-build of the Dublin Bay 24 Periwinkle which drew nearly all the attention. Cork Harbour may indeed be the true capital of Irish sailing, but the sheer size and wealth of the South Dublin population accessing the sea through Dun Laoghaire gives it special power and interest. As someone whose home port is outside Dublin Bay, W M Nixon happily returns to the fray.
It's little wonder that Ireland has won more than her fair share of Nobel Prizes for Literature, yet frequently has to look abroad when boats need to be built. We're great at working words into packages of merchandisable literature or high-flown arguments, but we're maybe not so good at building boats, or even looking after them.
But then, Albert Einstein was a keen sailing man, yet despite his intellectual genius, his boat was always a bit of a mess. So maybe it's all of a piece, that last weekend's story about – among other things – the re-build in France of a classic Dublin Bay 24 of 1948 vintage, has in the space of a few days evoked thousands of beautifully-crafted words in the comment section with enough heat generated to warm a small town. (to read comments scroll to the end of last Saturday's blog here – Ed)
Some of the big beasts of Dun Laoghaire's sailing jungle have enthusiastically thrown their hats into the ring, and already we can imagine some shrewd producer of Cable TV docu-dramas setting out a potential cast list for the likes of Roger Bannon and Hal Sisk, while the mysterious Michael Joseph will be played by The Man In The Iron Mask.
The irony of it all is that all these commentators aspire to the same thing – increased vitality and enthusiasm in Dun Laoghaire sailing. And sometimes, if they would take more time to read each other's detailed comments, they'll find they broadly are advocating the same methods of providing boats which will set the local sailing imagination alight, rather than being just another set of plastic fantastics.
But because of the Irish habit of "wanting nothing to do with that other crowd," a lot of creative diplomacy is needed to harness all this energy. Maybe an intense level of debate is unavoidable. For as we've said of another venerable Irish classic boat class which manages to survive and prosper, it does so by inverting the laws of physics, and relying on friction to create energy.
Let's begin with the most straightforward query – Michael Joseph's first question, posted on Wednesday 15th October, as to why do we think that the setup in Dun Laoghaire is not conducive to the preservation and continuing vitality of a class of 38ft classic wooden yachts, in other words the Dublin Bay 24s?
Well, basically it's because Dun Laoghaire has great difficulty in getting some of its acts together. It's physically a very fragmented sort of place. The relationship of the town with the harbour has always been problematical, and it's difficult to generate a general sense of maritime community which might be conducive to encouraging classic yachts which need to be well loved.
When the plans for the new "Asylum Harbour" were drawn up in 1817, it was seen purely as a shelter facility for shipping caught out in in adverse weather in the Dublin Bay. Although there was a tiny quay at Old Dunleary (the area is still known as The Gut), in the initial plan it was actually shown as being outside the new harbour. The thought that the crews of ships anchored in this new port of refuge might wish to have direct contact with the nearest bit of shore seems if anything to have been actively discouraged.
The proposed pans for an Asylum Harbour in 1817 did not include any suggestions as to possible in-harbour locations for jetties and quaysides, let alone waterfront development, and it actually excluded the small quay at Old Dunleary to the west, though in the final form the West Pier was moved further west to enclose the Old Dunleary pier.
This meant that when the inevitable shoreside facilities began to develop rapidly, it was all on a piecemeal basis. Ideally, when the plan for the harbour was finally agreed, a parcel of property of the same area as the harbour itself should have been secured on the waterfront for the planned development of a complete harbour town. But instead, you got opportunist growth - not really development at all. An unattributed quotation about 19th Century Kingstown, as it had now become, in David Dickson's recently published mighty tome Dublin (Profile Books) tells us much about the official view of the way things had got out of hand in the new seaside town, with speculative developers such as Mr Gresham from the Gresham Hotel putting up terraces of houses every which way:
".....no system whatever has been observed in laying out the town so that it has an irregular, republican air of dirt and independence, no man heeding his neighbour's pleasure, and uncouth structures in absurd situations offending the eye at every turn."
Ouch. For a growing conurbation which prided itself on being called Kingstown, that "republican air of dirt and independence" was a low blow. But as the new railway in 1834 had cut most of the new town off from the sea, an effect which was to become further emphasized by roads running parallel with it, the opportunities for dynamic interaction between town and harbour were restricted. Thus any waterfront space became too valuable to house the workshops of master craftsmen, boatbuilders and shipwrights who might be expected to be readily available to build and maintain local classes of wooden yachts of any significant boat size.
Modern Dun Laoghaire looking northwards, though it should be noted that this photo was taken before the contentious new library was forced into the waterfront between the Royal Marine Hotel and the National Yacht Club. With the water edge's almost exactly marked by the railway and the roads parallel to it, this clearcut division means that, far from the waterfront being part of a shared urban-harbour complex, the complete lack of planning in the early stages has resulted in very little comfortable inter-action between harbour and land, and there is precious little space available for locating specialist small boatyards and marine workshops which would facilitate the continuing good health of substantial wooden classic yachts.
So nowadays, the reality is that basing a cabin sailing yacht of any reasonable size in Dun Laoghaire on a year round basis is too expensive already without the added cost of her being a high-maintenance classic. The best value for money in Dun Laoghaire at the moment is probably provided by a Sigma 33 or a First 31.7 raced as a One Design. Yet in both cases, the necessary membership of one of the waterfront yacht clubs and Dublin Bay Sailing Club, added to the expense of a marina berth and the most basic running costs, means an owner-skipper is shelling out around €10,000 per annum before anything much has been done with the boat.
So although Dublin Bay Sailing Cub works wonders in co-ordinating the racing of hundreds of boats, the survival or otherwise of a class is dictated not by policy decisions on promoting new classes by DBSC, but rather by ruthless market forces, with the sheer expense of sailing from Dun Laoghaire dictating which classes can hang on when times are bad.
The result is that over the years, the surviving classics have become steadily reduced in class numbers, and only the smallest boats survive. With the loss this year of the 17ft Mermaids as an officially recognized Dublin Bay class, as they could no longer guarantee the minimum fleet of five boats, only the 25ft Glens survive from the former serried ranks of several wooden keelboats, and only the 14ft Water Wags survive of the once numerous wooden dinghies.
Yet the growing health of the Water Wags – which can trace their history back to 1887 as the world's first One Design Class - suggests that even in the cut-throat accountancy-led world of Dun Laoghaire Harbour, people still have a natural fondness for classic wooden boats. The current fleet of robust Water Wag dinghies are to a design adopted in 1904, and it adds to their attraction that although they were supposedly designed by local boatbuilder James Doyle, it's generally agreed that the real designer was his talented daughter Maimie.
Mind the gap........ Some of the fleet of a dozen and more classic Waterwags which departed their home waters of Dublin Bay last weekend to race in County Roscommon on the North Shannon's Lough Boderg. Photo: Guy Kilroy
The class have an instinctive sense of their own community, with mutual assistance in maintenance and honing sailing skills a natural part of the healthy mix. One of the factors which has increased their viability is the huge improvement in boat road trailers, for although they remain firmly based in Dun Laoghaire, from time to time you find they've upped and left and gone off for a weekend's racing at some strange and distant location, which might well be described by the management wonks as a bonding exercise
Last weekend, they were having their annual North Shannon Regatta. One of the keenest owners, Guy Kilroy, has a farm in Roscommon on the west shore of Lough Boderg, and the Water Wags descended on him in force. Despite the presence of the great Jimmy Furey building his classic sailing dinghies at Leecarrow on the west shores of Lough Ree, you'd never have thought of Roscommon as a sailing county, but there you go. However, while the coastal Autumn leagues at Crosshaven and Howth saw the seasonal mists soon dispersed, on Boderg in the middle of Ireland it took a long time for the fog to lift. But when it did, the sailing was sublime, and they got in two good races, with four boats level on points, but Ian and Judith Malcolm in the 99-year-old Barbara won on the countback.
Wags-in-a-mist. While the seasonal mists soon cleared at the Autumn Leagues on the coast at Crosshaven and Howth, in the heart of Ireland on Lough Boderg the fog lingered. Photo: Judith Malcolm
Lots of TLC. They may be in the reeds, but the maintenance mustn't be done in a rush.....The high standard of TLC on the Water Wags – the oldest chime in at 110 years – is a wonder to behold. Photo: Ian Malcolm
When all the loving care becomes worthwhile – perfect racing on Lough Boderg last weekend for David McFarland's Moosmie (15) and Vincent Delany's Pansy (3), with Killian Skay's Maureen (29) and Scallywag (44, David Williams and Dan O'Connor) in gentle pursuit. Photo: Guy Kilroy
Maintaining a Water Wag is a very manageable business, but inevitably as the recession recedes, there'll be noises about reviving larger wooden classics, and there's a feeling that the Mermaids aren't completely finished in Dun Laoghaire harbour just yet. There was an interesting twist to this in 2014's Mermaid racing, as the National Championship at Rush was won by Jonathan O'Rourke of Dun Laoghaire's National YC.
Despite being up in Fingal's Rogerstown heartlands where in recent years they've built some supposedly hyper-competitive Mermaids with the clever use of epoxy, Skipper O'Rourke's boat is the 1960 Grieves Brothers built Tiller Girl, which is surely a hopeful sign for the class's future.
The age-defying champion. Mermaid Champion 2014 Jonathan O'Rourke (National YC) with his 1960-built Grieves Brothers boat Tiller Girl. Despite there currently being no racing for Mermaids in Dun Laoghaire, Tiller Girl won the Nationals at Rush even though she was in the area where new supposedly lighter Mermaids, using the exoxy wood system, have recently been built. Photo: W M Nixon
Well, hello Dolly! Named after the world's first cloned sheep, the cloned GRP Mermaid Dolly (white hull) was built in the hope of revitalizing the class, particularly in Dun Laoghaire. But even though she only had a fiberglass hull shell with the rest of her – including the mast – in wood, the new concept was rejected by the class. So Dolly is now based at Sag Harbor in the Hamptons on Long Island in America, where she is much admired, while three of her sisters have proven very to be very durable and effective training boats at a sailing school in West Cork.
Nevertheless, it's at this time of the year that the hassle of maintaining a clinker built wooden boat comes centre stage yet again, and I have to confess that when Roger Bannon produced the fibreglass-hulled Mermaid Dolly, I thought she was a super boat and still do, but the class elders decided otherwise.
Moving on up the size scale, we return to the battleground of the Dublin Bay 21s, still mouldering in a Wicklow farmyard. I only once sailed on one of them under their classic gaff rig complete with jackyard topsail, and despite the enormous spread of cloth, was very impressed by how light and responsive they were on the tiller, but then we were racing in a gentle breeze.
The Dublin Bay 21s await their fate in a Wicklow farmyard
However, this constant refrain about them acquiring dangerous lee helm in strong winds seems to me to be a result of the primitive mainsail arrangement, with the tail of the mainsheet led directly from the counter to cleats on the cockpit coaming. This gave very poor levels of sail control in squalls, and often when the helmsman requested that the mainsheet be quickly but carefully eased to give him better control and keep the boat more upright, it would instead be let go with a run, the mainsail would then be flogging out of control, the close-sheeted headsails would force the bow off, the end of the long mainboom would then hit the water causing the sail to fill with the boat now on a reach, and over and under she'd go.
In a moderate breeze, the Dubin Bay 21s under their original rig undoubtedly carried a small amount of weather helm, and there was no evidence of lee helm at all.
Dublin Bay 21 at full cry in the final short in-harbour run from the Coal Harbour buoy to the finish off the club. For this crucial little leg, instant spinnaker setting was essential. It can be noted that the crewmember on the right in the cockpit is trimming the mainsheet by looking aft, the sheet being cleated to the cockpit coaming. In severe weather, this crude method of sheeting could sometimes see the entire sheet being let go completely out of control, whereupon the boat's bow would be forced off by the still-sheeted headsails, the main would then partially fill on the reach as the hyper-long mainboom had started to trail in the sea, and the risk of sinking became very real.
So it could well be that if a re-built class of Dublin Bay 21s ever emerges, that then they might be given an added safety factor by having the mainsheet led forward, guided close along the underside of the mainboom, and then come down the aft side of the mast to be controlled by a winch on top of the coachroof.
As to whether or not we'll ever see the 21s race again, the odd thing is I think this week's intense exchange here on Afloat.ie may have brought it all a bit nearer. Because if you plough on through the icy politeness of the initial exchanges between Hal Sisk and Roger Bannon, I think you'll discern that they both reckon a cold moulded multi-skin timber hull construction to be a very viable option.
Roger Bannon points out that building a completely new hull on the ballast keel of the original boat is recognized under maritime law as being the continued existence of the same boat, which somehow is an oddly heartening bit of information when you look at the utter dereliction of the DB 21 hulls today.
Could this be the future for the Dublin Bay 21s? Beautiful multi-skin construction under way on Steve Morris's 32ft Harrison Butler designed classic at Moyasta near Kilrush. If it's adopted for the revival of the Dublin Bay 21s, as several of the boats would be buit in one batch construction could be facilitated by the inverted hulls being built on a male mould, thereby making the work easier for newcomer to boatbuilding working on a community basis.
Photo: W M Nixon
And as for Hal Sisk and Fionan de Barra, they've been considering seriously the work being done by Steve Morris near Kilrush in building a cold-moulded classic cutter to Harrison Butler's Khamseen design. Steve was the lead builder in constructing the superb gaff cutter Sally O'Keeffe down in West Clare. So when you see his work on his new boat, all things seem possible, particularly if it's agreed that the new Dublin Bay 21s should be cold-moulded in multi-skin timber on inverted hulls in a maritime community project in Dun Laoghaire, as the basic work would be relatively unskilled, and everyone could have a go at it.
For, as the success of the wonderful CityOne dinghy project in Limerick has shown, in sailing the building of the boat can be as much part of the experience as the subsequent time afloat. But if we ever do see the Dublin Bay 21s sailing again, let it please be with the proper rig. Everyone seems to be pussy-footing around the idea of a more easily handled semi-gunter configuration, maybe with just one jib. What's the point of all that? This isn't meant to be Easy Street. Let's have the full jackyard tops'l and cutter rig and all the bells and whistles, or let's not bother at all.
Should the Dublin Bay 21s be re-built, it has been suggested that for ease of handling and project management they might in future use this simpler "American gaff" rig, as seen here on Zanetta which was built on the Clyde in 1918 to the Dublin Bay 21 design.............
,,,,,but here at Afloat.ie, we reckon that would be the wrong approach. If you're going to have a new Dublin Bay 21, then she should have all the classic bells and whistles and more sail than is good for her, just as we see here with the Ringsend-built Innisfallen having a bit of sport with her spinnaker in the 1950s.
#sailing – With all the high-profile Irish entries in the RORC Caribbean 600 race falling by the wayside in this year's breezy staging of the sunshine classic, it has been left to two hard-working charter boats to do the business for Ireland, and they've done us proud.
Appropriately, both boats are owned by people who are involved with the wind energy business. The bigger of the two, the Farr-designed 100ft Cape Arrow which has placed 13th overall, is owned and managed by Tuskar Shipping, which is in turn owned by Fastnet Shipping, a Waterford company which is run by Sinead and Trevor O'Hanlon and specialises in servicing the offshore wind industry.
Cape Arrow is professionally skippered by Andrea Balzarini. But the other Irish front runner, the 76ft Lilla which has won Class 1 and placed 8th overall, has owner Simon de Pietro of Kinsale YC very much hands-on as skipper, while his wife Nancy is the navigator. They demonstrated their joint skills last year by winning overall in the cruiser division in the biennial Newport-Bermuda Race, but this time round they'd their boat going so well they had the class win in the open division.
Both of them maintain close ties with Ireland. Her people are from Sligo, while his mother lives near Buttevant in County Cork and is co-director of the Buttevant-based family firm, DP Energy. The company is in the forefront of wind harnessing technology, and is also at the heart of the major project to install a huge tidal farm with multiple turbines in the ferocious streams which run off Islay in the southwest Scottish Hebrides, with the turbines being serviced from Northern Ireland.
That particular challenge would be enough for most people, but as well they manage Lilla as an active charter boat, fitting their occasional races around an active working programme when the boat is skippered in choice cruising locations by Ian Martin. It's a busy life, and there's extra interest in that Lilla is now something of a classic – she was built in Bordeaux in 1993 in aluminium to a Philipppe Briand design. Thus the win in Class 1 in the Caribbean 600 made for a nice 20th birthday present for a boat which is still as good as new, and very elegant with it.
The annual sprint around the islands with the Caribbean 600 provides an opportunity for some of the biggest sailing charter boats to show how they can go like the clappers if given the chance, and it provided some intriguing results even if the prime positions were largely as predicted. Thus the line honours winner as expected was Mike Slade's 100ft Leopard, though she was five hours outside the record time set by George David's Rambler 100 in 2011, which was a decidedly mixed year for that big boat, as by mid-August she was upside down off Barley Cove with her keel gone AWOL in the Fastnet Race.
On corrected time, again as expected it was a battle between Hap Fauth's Judel Vrolik 72 Bella Mente and Ron O'Hanley's Cookson 50 Privateer, with the latter having a well-deserved win by 22 minutes. So that's all right, then. But maybe the real story is when we delve into the other boat times, and note that the schooner Adela placed third overall on IRC, and finished just half an hour after the out-and-out racing machine Privateer.
Adela is a massively big - as in enormous - 180ft steel-built schooner, designed by Djikstra and built by Pendennis in Falmouth in 1995. To blast round the course in a machine like this in a way which enables her to sail up to her rating with such impressive style is just a fantastic achievement by skipper Greg Perkins.
Admittedly when you see Adela out of the water, it's to realize she's not so much a wolf in sheep's clothing as a cheetah in haute couture. Above the waterline, she's all sweeping counter and elegant clipper bow, but below it she's a workmanlike fin and skeg profile which really does give her performance a lot of oomph.
Even so, the loads which a boat this size imposes on her sails, rig and equipment is something which can only be partially measured electronically. There's a huge element of experienced judgment in driving her to the limit without seriously breaking something, and to do it round a course like this which involves frequent directional changes shows skill of a very high order. So let's hear it for the big steel lady.
And spare a thought for those who dropped out. The 100ft Liara skippered by Peter Metcalf from Northern Ireland hadn't got very far from the breezy start when her mast came down, while damage to both the 78ft Whisper (Mark Dicker) and the First 40 Lancelot II (Michael Boyd, Niall Dowling and John Cunningham) likewise saw them under the DNF category. As for the storm-battered Irish-owned Swan 48 Wolfhound which was registered DNS, she may still be out there somewhere around 70 miles north of Bermuda. Her crew were taken off in a severe storm by a ship which heard their EPIRB, but when last seen in atrocious sea conditions, Wolfhound was still afloat.
BERMUDA RIG IS FOR WIMPS
Those crusty old Dublin Bay salts who have been dumping big time on this blog for our enthusiasm for the Dublin Bay 21s in their original gaff-rigged form, bashing us with their negative memories of near-sinkings and actual sinkings and hellships that generated lee helm when the mainsheet was let fly in strong winds, they may well think we've retired hurt from the fray. Not a bit of it. We've only been re-arming. Now we'll let them have it with both barrels.
What on earth do they think the original owners had in mind when they ordered the boats in the first place? Were they looking for comfortable little cruisers to doddle around the bay? Not a bit of it. They were looking for boats suitable for wild sportsmen, not for boats approved of by conservative seaman.
Of course the Dublin Bay 21s were demanding and difficult and sometimes dangerous to sail. That was what it was all about. There's no sport in safety. And of course they were hard work, and an ergonomic disaster area in terms of ease of handling. That's the way life was in 1902, and the ways of the sea were supposed to be harder than the cosseted life ashore. So let's take a look at another photo of a Dublin Bay 21 under her original gaff rig with jackyard tops'l, and see why they represented such an awful but irresistible challenge.
In steady conditions, the Dublin Bay 21 under full sail was manageable, but she provided a real challenge when sailed hard in a blow.
The photo must have been taken in the late 50s, with the boat setting what was to become her last suit of gaff sails. Though they're bearing up reasonably well, a certain bagginess would exacerbate any helming faults. The tiller is well across, suggesting marked weather helm, but don't forget the rudder was well raked, which exaggerated the appearance of the amount of helm necessary, and as the boats aged there was increasing flexibility – to put it mildly - in the connection between rudderhead and tiller.
Thus basically the boat is quite reasonably well balanced. But imagine what happens if a sudden squall strikes. As our old salts have pointed out, the narrow side deck means that the Dublin Bay 21s start to fill with Dublin Bay through the non-self-draining cockpit quite quickly. The mainsheet must be eased as quickly as possible. The ergonomics are terrible, with the mainsheet controlled from cleats outside the cockpit coaming, so a lot of the time in a sudden wind increase the mainsheet – with its tails in a jumble below – is simply let fly, thereby immediately and completely altering the balance of the boat. It would defy all the laws of centre of effort and centre of lateral resistance if she didn't suddenly develop marked lee helm.
So the skill lay in controlling the easing of the mainsheet, one helluva challenge when you're up to your armpits in the cold ocean in ancient oilskins, and everyone is falling over everyone else. And as for suggesting the side-decks should be made wider, that would only make the cramped cockpit even more crowded. But with a skilled helmsman and an even more skilled mainsheet man, preferably of superhuman strength, it could be kept under control, for basically as our second picture shows, it wasn't an inherent fault in the shape of the boat which caused wild fluctuations in balance, but rather a severe temporary imbalance of the sails.
Under shortened rig of full main and jib, but with no tops'l or staysail set, this Dublin Bay 21 in a strong wind is showing marked but controllable weather helm, while the shape of her hull when heeled shows that it is inherently quite well balanced, without excessive fullness of the waterlines aft to distort steering characteristics.
Another topic which came up with the COS brigade (Crusty Old Salts) was the usefulness or otherwise of the topsails. A topsail is only as useful as the quality of its set, and if it isn't perfectly set up to become one with the main, then it can sometimes be worse then useless.
But as our final photo clearly shows, the luff of the Dublin Bay 21s tops'l was actually longer than the luff of the gaff mainsail. And it's the luff length that does the work in going to windward - it's worth remembering that in the great days of gaff rig racing with the big class, the top skippers were so certain of the need for luff length in windward ability that in heavy weather when they reefed the gaff mainsails, they then set up a jib-headed tops'l above the reefed sail in order to maximise luff length within the smaller sail area.
The luff of the jackyard tops'l in a Dublin Bay 21 was slightly longer than the luff length of the mainsail itself, so in sailing to windward, when luff length is at its most important, a well-setting tops'l made a significant difference.
But the problem with a topsail is that if it doesn't click perfectly into place at the first attempt, sometimes it takes for ever to get it right. So with the pace of life becoming more hurried as Ireland entered the 1960s, the time no longer seemed to be available to set up the complete Dublin Bay 21 gaff rig just to go out for an evening race, and the Howth 17s today don't permit topsails for evening club racing.
Back in 1963, when the Dublin Bay 21 crowd were arguing the merits of changing over to Bermuda rig, one of the points in favour of the change was the time it would save. That great sailor and Dublin Bay 21 enthusiast Cass Smullen said this was stuff and nonsense, and claimed he could set up the complete gaff rig of the Dublin Bay 21 in 25 minutes single-handed. So one of the boats was moored just in front of the National YC, and a crowd gathered, drinks in hand, to watch Cass take on the challenge. He did the job in 21 minutes. But they still changed to Bermuda rig.
BIBLICAL EPIC TO IONA
My apologies to Ivan Nelson (see comment at the end of last week's blog – Ed) for the ham-fisted use of English in discussing last week how a Kerry currach – a naomhog from the Dingle Peninsula – came to be sailing to Iona with the first bible in Irish for delivery to the sacred archives there. The bible was of course translated into Irish in 1602 (Old Testament) and again in 1680 (New Testament). We all remember it well. But somehow neither of these translations had ever found its way to Iona, so it was a first in that sense.
Anyway, it's thanks to the crew of Harry Whelehan's 32ft Sea Dancer out of Howth that we got to know of this Kerry voyage, which was done very low key, and in easy stages. Easy stages, that is, if you think it's easy taking a currach all the way up the west coast of Ireland and then past Malin Head and on to Iona.
The Kerry currach delivering the Irish bible to Iona last summer completed the voyage in true Christian spirit, with no designated skipper. Photo: Mark Tierney
It wasn't all swanning along under sail. In order to get from Ventry to Iona, they often had to pull with a will. Photo: Mark Tierney
The crew of Breanndan Begley, Anne Bourke, Danny Sheehy and Liam Holden did the voyage in three stages over three summers, and in such a spirit of Christian goodwill that the crew of Sea Dancer were unable to tell who if any was the skipper. But the Kerry folk did what they set out to do, then rowed around a few more Scottish islands before heading south, eventually getting to Wicklow. We look forward to hearing about their completion of the circuit of Ireland this summer.
NAOMH BAIRBRE HOME
Thursday nights won't be quite the same now. The six part series on TG4 by Donncha mac Coniomaire and his two shipmates (one of them his father Tomas) about their voyage along the Celtic seaways to Orkney southabout round Ireland from Connemara in the 47ft Galway hooker Naomh Bairbre has come to a successful conclusion. But it certainly shortened the winter watching this demanding ship and her engaging crew making their way to diverse ports which acquired added interest when viewed through the Irish Gaelgoir lens.
Mostly it drew pleasantly to a close as all good cruises do. But there were a few sad moments n the final epiode when they sailed up to Derry to pay their respects to the Galway Hooker An Lady Mor. Donncha had worked in a successful cross-community restoration project on this historic boat back in 2006, and the restoration team then sailed her from the Foyle to Connemara and back when the job was done. But now she lies abandoned and purposeless, ashore in Derry docks, deteriorating rapidly. She could be restored if somebody took action now – I can remember a successful restoration on the same vessel in the mid 1980s by Mick Hunt in Howth. Can't something be done now for An Lady Mor in Derry's year as City of Culture?
Can she be restored in the City of Culture? An Lady Mor, seen here being launched in Howth in 1985 after restoration by Mick Hunt, is urgently in need of restoration again, this time on the banks of the Foyle. Photo: W M Nixon
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