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This story of Liverpool’s docks will be told time in a brand new exhibition at the Merseyside Maritime Museum, called On the Waterfront, opening on Wednesday 25 November 2015.

Liverpool’s docks transformed the fortunes of the city. Their story is a 300–year journey that turned a small, regional port into one of the world’s great maritime centres.

Marking the 300th anniversary of the city’s Old Dock - the world’s first commercial wet dock– this exhibition covers the period from the 18th century up to the present day. Personal stories show how the waterfront has changed and the impact it has had on the city and the lives of local people.

In addition to stunning photographs of waterfront workers and buildings throughout Liverpool’s history, visitors will be able to see the first-known painting of Liverpool; the itinerary for Prince Albert’s visit to the city to christen the Albert Dock, and a register of vessels showing the first ship using the new Albert Dock in 1846, in addition to huge dock scales used to weigh cargo.

A section dedicated to the Three Graces will include reproductions of two newly donated Stewart Bale images of the Cunard building under construction, which have never been displayed before. They show the construction of the iconic Liverpool building during World War One and one of the photographs, dated 1913, is now the oldest image held by the Museum within its Stewart Bale collection.

The exhibition also recognises 21st-century changes to the waterfront including another National Museums Liverpool’s venue, the Museum of Liverpool. Opened in July 2011, this Museum revived the area as the bridge between the Albert Dock and the Pier Head, allowing people to walk the length of the city’s waterfront to take in not only the Museum of Liverpool but attractions including the Merseyside Maritime Museum, International Slavery Museum and Tate. The Museum of Liverpool has received more than 3.8 million visitors since first opening, and became England’s most visited museum outside of London in 2012.

Ian Murphy, Deputy Director, Merseyside Maritime Museum, said:

“The landscape of Liverpool’s maritime heritage is now a defining symbol of the city and forms part of its World Heritage Site. On the Waterfront is a record of the changing fortunes of the port, the city, and its people. It’s an important story and we are delighted to be able to tell it on the historic 300th anniversary year of the opening of Liverpool’s Old Dock, the world’s first commercial wet dock.

“Merseyside Maritime Museum itself was once a warehouse for high value goods like tea, silk, sugar and spirits in the Port of Liverpool’s Albert Dock - a powerhouse of industry. While Liverpool’s docks relocated downriver towards Seaforth, the building fell into disrepair as part of the wider decline and fall of the city’s traditional docks.

“But in 1986 the building reopened as the Merseyside Maritime Museum – the first public building to open at the dock -starting the renaissance of the waterfront, and becoming the venue we know today; one of the most visited museums in the region. This building is a perfect encapsulation of the story we are showing in the wider exhibition - the changing fortunes of the docks - and we are proud to be opening it here”.

Sue Grindrod chief executive of Albert Dock Liverpool added:

"The heritage of Albert Dock is rooted in its life as a thriving hub at the heart of the Port of Liverpool, almost 170 years of history is in the walls of these grade I listed buildings. The Dock remains today a thriving place to live, work and play at the centre of the developing Liverpool Waterfront and we welcome the addition of Waterfront 300 to share in the journey of this much loved Dock.”

Ian Pollitt, Development Investment Surveyor, Peel Holdings (Land and Property) Limited said:

“The city's docks are famous around the world and we look forward to seeing the new exhibition which I'm sure will be fascinating.

“Anyone who visits the city understands the key role the docks play in today's Liverpool. That role is set to grow in importance as we continue to make the most of the city's best asset: its waterfront”.

Published in Historic Boats

#diasporamuseum – The governement has altered course on plans for a national emigrant museum because it fears a backlash from rejected bidders ahead of the general election, according to a report into today's Sunday Business Post newspaper.

Inspite of a drawing up a plan to draw 300,000 visitors annually to a new national facility  the government is now aiming at smaller regional museums instead.

Dun Laoghaire and Cork harbour were among sites considered in the plan. Both ports had advanced amibitious plans for a national diaspora project. 

The Port of Cork's Company's Custom House and Bonded Warehouse buildings located along the city's central quays, were to be converted into a major €15m museum that will tell the story of Ireland's emigration.

In Dun Laoghaire on Dublin bay, port chief executive Gerry Dunne made the case for a diapora centre in the South Dublin port town at a gathering in the House of Lords in London in January 2013. The museum, to be located on the town's Carlisle Pier, forms a major part of the harbour's regeneration plan. 

Published in News Update

The ship that captured the world's imagination when she was raised from the seabed in 1982 now has a museum built around her, reuniting the ship for the first time with all its contents and crew.
The most comprehensive collection of Tudor artefacts in the world will be showcased - from personal belongings such as wooden eating bowls, leather shoes, musical instruments and even nit combs complete with 500-year-old lice through to longbows and two tonne guns.

The new Mary Rose Museum will open to visitors today, 31 May 2013, at Portsmouth Historic Dockyard – the very same dockyard at which the warship was built over 500 years ago.

The historic opening is today (30 May) marked by a symbolic event, following the journey of the ship's bell - the last artefect to be installed - in to the new Museum. The day-long event will feature a host of Museum ambassadors including historians Dan Snow, David Starkey and presenter Sandi Toksvig. Highlights will include a wreath-laying ceremony at the wreck site, a flaming arrow volley by period-costumed Tudor archers from Southsea Castle (the place where Henry VIII watched the sinking of the Mary Rose) and a Tudor festival, culminating in a revealing of the new Museum from behind a giant Tudor Standard flag, set to a fanfare from the Royal Marines Band.

Located just metres from Nelson's flagship, HMS Victory and the ships of the modern Royal Navy, the new museum provides one of the most significant insights into Tudor life in the world and from the new centrepiece to Portsmouth Historic Dockyard.

The Mary Rose is the only sixteenth century warship on display anywhere in the world.  The ongoing £35 million heritage project to build the new museum and complete the current conservation programme on the ship and her contents has received £23m from the Heritage Lottery Fund (HLF). The HLF has been an ongoing supporter of the Mary Rose and, in addition to its £23m investment, has awarded a number of other grants totalling £9.5 million over the past 18 years.

The opening marks 30 years since the year the hull of Mary Rose was raised from the Solent in 1982 and 437 years after she sank on 19 July. The ship sank in full view of King Henry VIII while leading the attack on a French invasion fleet during the Battle of The Solent.

The new museum finally reunites the ship with many thousands of the 19,000 artefacts raised from the wreck.  The excavation and salvage of the Mary Rose created a milestone in the field of maritime archaeology and remains the largest underwater excavation and recovery ever undertaken in the world. Each object in the new museum - from human fleas to giant guns - was raised from the seabed and carefully conserved through a groundbreaking process that is still ongoing.

For the first time, visitors will be able to see the facial reconstructions of seven members of the ship's crew based on forensic science and osto-archaeology on their skulls and skeletons found at the wreck site. Faces will be displayed beside the crew members' personal belongings, providing an insight into their status, health and appearance.

The new museum, led by Wilkinson Eyre Architects (architect) and Pringle Brandon Perkins+Will (architect for the interior), was built around the hull of the ship. The building takes the form of a finely crafted wooden 'jewellery box' with the hull at its centre and galleries running the length of the ship, each corresponding to a deck level on the ship. Artefacts are displayed in such a way to provide visitors with an insight into what these decks would have looked like moments before the ship sank.

Artefacts – including the skeleton of Hatch, the ship's dog – are arranged in galleries by theme to help reveal some of the personal stories of life on board. Examples include:

Meet a carpenter, cook and an archer – find out more about members of crew and unique objects found with them as well as their own personal belongings, see their faces revealed for the first time
Life on board – see the fine pewterware of the officers, musical instruments, books, accessories and clothing through to simple leather sandals, nit combs and even rat bones as hundreds of objects are laid out to be explored
Realities of life – through  DNA research, precise reconstructions and through the careful use of human remains, the harsh reality of Tudor life is revealed – including the skeleton of an archer with the repetitive strain of pulling huge longbows still etched on his bones

The historical context of the ship is set and the mystery of why she sank explored.  The Mary Rose, one of the first ships able to fire a broadside, was a firm favourite of King Henry VIII.  Her first battle was in 1512 and her then captain noted she was 'The noblest ship of sail'.  When she sank on 19 July 1545, she had just fired a broadside and was turning. Theories range from French fire to her being overweight with cannon and troops. Her loss, and that of the estimated 500 crew (no more than 35 survived), was witnessed by the King from Portsmouth's Southsea Castle and deeply troubled the nation.

The science behind the ongoing conservation work and underwater tales of salvage is highlighted, detailing the world leading archaeology pioneered through the care of the ship and the painstaking work to discover more about Tudor life.

The groundbreaking building design has created a special environment to protect the unique and priceless 16th century artefacts and hull, and also displays them in a manner that enables visitors to experience the ship in the best possible way.  Conservation work on the hull is in its final phase in a 'hot box' with fabric ducts directing, in a highly sophisticated pattern, dried air at exact temperatures across all parts of the hull.  Visitors will be able to see the hull through a series of windows giving different aspects over and around the ship.  Once drying is complete in 4 to 5 years time the internal walls will be removed and the hull will be viewed through nothing but air – further enhancing the visitor experience and the connections between the hull and the artefacts.

The ongoing work with the hull and care of other artefacts requires visitor numbers and the environment to be carefully controlled.  In order to achieve this tickets for the museum are time and date stamped.  Visitors choose the time and date of their visit and can plan their day in Portsmouth and the Historic Dockyard visiting the Mary Rose Museum at the time on their ticket.

Visitors can explore the Mary Rose's connections across the historic city of Portsmouth.  Not only was the ship built in the dockyard where she now rests, many of her 500 crew would have lived locally, the grave of the Mary Rose Sailor is at Portsmouth Cathedral and King Henry VIII watched her sink from Southsea Castle.

John Lippiett, Chief Executive of the Mary Rose Trust said: "When the Mary Rose was raised from the muddy waters of the Solent in 1982, the founding members of the Trust had a dream to put the ship and her contents into a permanent museum.  It has been a long and difficult passage since then to achieve this aim.  The technical challenges of conserving the hull and 19,000 artefacts have been very considerable, and the funding challenges equally so.  The dedication and determination of those engaged in this vital project have steadily brought the dream into reality, and today marks a truly significant milestone in the ship's 500 year history."

Lincoln Clarke, Chief Executive of Portsmouth Historic Dockyard said: "The opening of the Mary Rose Museum is a great moment for Portsmouth, its completion both putting the city and its  Historic Dockyard firmly on the map as the place to explore British naval history and further underpinning the area's offering as a visitor destination. 500 years ago the Mary Rose was built in Portsmouth; today she continues to support people who live and work in the area by attracting visitors from around the globe."

Bob Bewley, Director of Operations at the Heritage Lottery Fund (HLF) said: "The Heritage Lottery Fund has been a long-term supporter of the Mary Rose Trust and its work.  Our major investment has helped convert years of painstaking archaeological endeavour into an amazing historical experience which is a fitting commemoration for all who lost their lives on that fateful day back in 1545.

"What I love about this new museum is that it brings to life the multiple stories of the sailors who lived and worked on the ship.  Thousands of unique artefacts, so perfectly intact that it's almost impossible to believe they're over 400 years old, have been brought together under one roof for the first time.  And thanks to the cessation of spraying on the hull, visitors can now see the vessel in all her glory.  As one young visitor has already observed 'It's like walking into a history book'.  What an absolute triumph!"

Historian Dan Snow, ambassador for the new Museum said:  "The story of the Mary Rose has fascinated people for generations. This tremendous new Museum housing together for the first time the hull of the ship and its many treasured artefacts will give us a sense of what life was like on aboard a Tudor ship like never before, helping to preserve the history of the Mary Rose for generations to come."

Sandi Toksvig, comedienne and Chancellor of Portsmouth University said: "The new Mary Rose Museum is one of the most exciting history projects ever to open in the UK. It is so wonderful to see the crew that fated the ship honored in such a wonderful way. As you walk through the length of the ship you don't just see what life was like for a Tudor seaman, you feel as though you are experiencing it as well. At last the men of the Mary Rose can stand tall and tell us their story. It is a privilege to hear it."

Ticket information
There are two types of tickets for the Historic Dockyard.
An all attraction ticket includes the new Mary Rose Museum, HMS Victory, HMS Warrior 1860, National Museum of the Royal Navy, Action Stations and a Harbour Tour and adult tickets are £26; child £19.75; concessions £24.25 and family (2 adults/seniors and up to 3 children) £72.

Single attraction tickets for just the Mary Rose Museum cost £17 adult; £12.50 child; £16 concessions and £47 family.

Published in Historic Boats
Tagged under

#SAR – Force 10 storm, zero visibility, 40ft waves, someone needs rescuing. It's time to go to work. Search and Rescue, the new blockbuster exhibition from National Maritime Museum Cornwall invites you to enter the world of the rescue services where ordinary people lead extraordinary lives, risking their life to save yours.

Opening on 16 March, the exhibition takes you on an interactive, stimulating and emotive journey into the role of the maritime rescue services, celebrating the work of the RNLI, Royal Navy, Royal Air Force, HM Coastguard and other organisations.

Objects of epic proportions include a 70ft Sea King helicopter, kindly loaned by the MOD, one of the Museum's most ambitious installations. Uniquely painted in the colours of both the Royal Navy and RAF Search and Rescue (SAR) services (red and grey one side and yellow on the other) it offers you the rare opportunity to climb inside, without having to be rescued. Dress as a pilot, listen to accounts from the crew and from those that have been rescued, explore their lifesaving equipment and discover the world of the Royal Navy and RAF SAR teams.

Revisiting rescues from the past, some well-known and some untold, this exhibition showcases the individuals whose job it is to head into the eye of the storm, when most of us would flee. The exhibition traces the evolution of rescue equipment from the early days of Henry Trengrouse's rocket line to the cutting edge equipment of today and shows that although the equipment might have changed, the determination and grit of rescue men and women to save lives has never changed.

At the heart of the exhibition is an interactive coastguard operations room. Put yourself in the coastguard hot seat, make the life or death decision to bring in the right service for the rescue and begin your journey through the incredible work and lives of the coastguard rescue, air and sea rescue teams.

Get up close to one of the Royal National Lifeboat Institution (RNLI) Atlantic 75 inshore lifeboats and see a fascinating assembly of the charity's collection boxes spanning 150 years. Take to the beach and become a virtual lifeguard, climb aboard a quad bike and take action to make sure the swimmers and surfers are between the right flags. See real seaside rescues and listen to accounts from volunteer crewmen and women.

Ben Lumby, Exhibitions Manager of National Maritime Museum Cornwall, says: "This is our biggest and most ambitious exhibition to date but more importantly it is the first time anyone has celebrated the maritime rescue services in this way."

"Working with these incredible teams has been a true privilege; they have kindly allowed us to see inside their world and shown us they're real people doing an amazing job. They belong to different organisations and charities but work as a team and you can be safe in the knowledge that if things do go wrong at sea, there's a service that will be there for you."

The new Search & Rescue exhibition at National Maritime Museum Cornwall opens on 16 March. Honouring the work of the heroic men and women who risk their lives at sea and around our coast, it invites you to be part of their world and shares their lives with you.

Throughout the two year life of the exhibition there will be a number of events including air sea rescue demonstrations, 'meet the crew' days and opportunities to climb aboard an RNLI all-weather lifeboat. To keep up to date with what's on when, visit www.nmmc.co.uk

Published in Coastguard
Event bookings are already being taken for the new Titanic visitors' centre due to open next spring in Belfast.
The €114 million Titanic Belfast is being contructed on the Belfast Lough site where the infamous cruise liner was itself built more than 100 years ago.
The building will feature a state-of-the-art interactive museum, including a special 'flying theatre' where visitors will be suspended above a giant cinema screen.
It also boasts the Titanic Suite, an opulent function area over two floors high in the roof of the structure that will replicate the interior of the ship's first class banqueting room.
Billed as the largest function area in the region, it will have space for up to 1,000 guests for a whole variety of events, from conferences to weddings to gala dinners.
The Irish Examiner has more on the story HERE.

Event bookings are already being taken for the new Titanic visitors' centre due to open next spring in Belfast.

The €114 million Titanic Belfast is being contructed on the Belfast Lough site where the infamous cruise liner was itself built more than 100 years ago.

The building will feature a state-of-the-art interactive museum, including a special 'flying theatre' where visitors will be suspended above a giant cinema screen. 

It also boasts the Titanic Suite, an opulent function area over two floors high in the roof of the structure that will replicate the interior of the ship's first class banqueting room.

Billed as the largest function area in the region, it will have space for up to 1,000 guests for a whole variety of events, from conferences to weddings to gala dinners.

The Irish Examiner has more on the story HERE.

Published in Belfast Lough

Annalise Murphy, Olympic Silver Medalist

The National Yacht Club's Annalise Murphy (born 1 February 1990) is a Dublin Bay sailor who won a silver medal in the 2016 Summer Olympics. She is a native of Rathfarnham, a suburb of Dublin.

Murphy competed at the 2012 Summer Olympics in the Women's Laser Radial class. She won her first four days of sailing at the London Olympics and, on the fifth day, came in 8th and 19th position.

They were results that catapulted her on to the international stage but those within the tiny sport of Irish sailing already knew her of world-class capability in a breeze and were not surprised.

On the sixth day of the competition, she came 2nd and 10th and slipped down to second, just one point behind the Belgian world number one.

Annalise was a strong contender for the gold medal but in the medal race, she was overtaken on the final leg by her competitors and finished in 4th, her personal best at a world-class regatta and Ireland's best Olympic class result in 30 years.

Radial European Gold

Murphy won her first major medal at an international event the following year on home waters when she won gold at the 2013 European Sailing Championships on Dublin Bay.

Typically, her track record continues to show that she performs best in strong breezes that suit her large stature (height: 1.86 m Weight: 72 kg).

She had many international successes on her road to Rio 2016 but also some serious setbacks including a silver fleet finish in flukey winds at the world championships in the April of Olympic year itself.

Olympic Silver Medal

On 16 August 2016, Murphy won the silver medal in the Laser Radial at the 2016 Summer Olympics defying many who said her weight and size would go against her in Rio's light winds.

As Irish Times Sailing Correspondent David O'Brien pointed out: " [The medal] was made all the more significant because her string of consistent results was achieved in a variety of conditions, the hallmark of a great sailor. The medal race itself was a sailing master class by the Dubliner in some decidedly fickle conditions under Sugarloaf mountain".

It was true that her eight-year voyage ended with a silver lining but even then Murphy was plotting to go one better in Tokyo four years later.

Sportswoman of the Year

In December 2016, she was honoured as the Irish Times/Sport Ireland 2016 Sportswoman of the Year.

In March, 2017, Annalise Murphy was chosen as the grand marshal of the Dublin St Patrick's day parade in recognition of her achievement at the Rio Olympics.

She became the Female World Champion at the Moth Worlds in July 2017 in Italy but it came at a high price for the Olympic Silver medallist. A violent capsize in the last race caused her to sustain a knee injury which subsequent scans revealed to be serious. 

Volvo Ocean Race

The injury was a blow for her return to the Olympic Laser Radial discipline and she withdrew from the 2017 World Championships. But, later that August, to the surprise of many, Murphy put her Tokyo 2020 ambitions on hold for a Volvo Ocean Race crew spot and joined Dee Caffari’s new Turn the Tide On Plastic team that would ultimately finish sixth from seventh overall in a global circumnavigation odyssey.

Quits Radial for 49erFX

There were further raised eyebrows nine months later when, during a break in Volvo Ocean Race proceedings, in May 2018 Murphy announced she was quitting the Laser Radial dinghy and was launching a 49er FX campaign for Tokyo 2020. Critics said she had left too little time to get up to speed for Tokyo in a new double-handed class.

After a 'hugely challenging' fourteen months for Murphy and her crew Katie Tingle, it was decided after the 2019 summer season that their 'Olympic medal goal' was no longer realistic, and the campaign came to an end. Murphy saying in interviews “I guess the World Cup in Japan was a bit of a wakeup call for me, I was unable to see a medal in less than twelve months and that was always the goal".

The pair raced in just six major regattas in a six-month timeframe. 

Return to Radial

In September 2019, Murphy returned to the Laser Radial dinghy and lead a four-way trial for the Tokyo 2020 Irish Olympic spot after the first of three trials when she finished 12th at the Melbourne World Championships in February 2020.

Selection for Tokyo 2021

On June 11, Irish Sailing announced Annalise Murphy had been nominated in the Laser Radial to compete at the Tokyo Olympics in 2021. Murphy secured the Laser Radial nomination after the conclusion of a cut short trials in which rivals Aoife Hopkins, Aisling Keller and Eve McMahon also competed.

Disappointment at Tokyo 2021

After her third Olympic Regatta, there was disappointment for Murphy who finished 18th overall in Tokyo. On coming ashore after the last race, she indicated her intention to return to studies and retire from Olympic sailing.  

On 6th Aguust 2020, Murphy wrote on Facebook:  "I am finally back home and it’s been a week since I finished racing, I have been lucky enough to experience the highs and the lows of the Olympics. I am really disappointed, I can’t pretend that I am not. I wasn’t good enough last week, the more mistakes I made the more I lost confidence in my decision making. Two years ago I made a plan to try and win a gold medal in the Radial, I believed that with my work ethic and attitude to learning, that everything would work out for me. It didn’t work out this time but I do believe that it’s worth dreaming of winning Olympic medals as I’m proof that it is possible, I also know how scary it is to try knowing you might not be good enough!
I am disappointed for Rory who has been my coach for 15 years, we’ve had some great times together and I wish I could have finished that on a high. I have so much respect for Olympic sailing coaches. They also have to dedicate their lives to getting to the games. I know I’ll always appreciate the impact Rory has had on my life as a person.
I am so grateful for the support I have got from my family and friends, I have definitely been selfish with my time all these years and I hope I can now make that up to you all! Thanks to Kate, Mark and Rónán for always having my back! Thank you to my sponsors for believing in me and supporting me. Thank you Tokyo for making these games happen! It means so much to the athletes to get this chance to do the Olympics.
I am not too sure what is next for me, I definitely don’t hate sailing which is a positive. I love this sport, even when it doesn’t love me 😂. Thank you everyone for all the kind words I am finally getting a chance to read!"

Annalise Murphy, Olympic Sailor FAQs

Annalise Murphy is Ireland’s best performing sailor at Olympic level, with a silver medal in the Laser Radial from Rio 2016.

Annalise Murphy is from Rathfarnham, a suburb in south Co Dublin with a population of some 17,000.

Annalise Murphy was born on 1 February 1990, which makes her 30 years old as of 2020.

Annalise Murphy’s main competition class is the Laser Radial. Annalise has also competed in the 49erFX two-handed class, and has raced foiling Moths at international level. In 2017, she raced around the world in the Volvo Ocean Race.

In May 2018, Annalise Murphy announced she was quitting the Laser Radial and launching a campaign for Tokyo 2020 in the 49erFX with friend Katie Tingle. The pairing faced a setback later that year when Tingle broke her arm during training, and they did not see their first competition until April 2019. After a disappointing series of races during the year, Murphy brought their campaign to an end in September 2019 and resumed her campaign for the Laser Radial.

Annalise Murphy is a longtime and honorary member of the National Yacht Club in Dun Laoghaire.

Aside from her Olympic success, Annalise Murphy won gold at the 2013 European Sailing Championships on Dublin Bay.

So far Annalise Murphy has represented Ireland at two Olympic Games.

Annalise Murphy has one Olympic medal, a silver in the Women’s Laser Radial from Rio 2016.

Yes; on 11 June 2020, Irish Sailing announced Annalise Murphy had been nominated in the Women’s Laser Radial to compete at the Tokyo 2020 Olympic Games in 2021.

Yes; in December 2016, Annalise Murphy was honoured as the Irish Times/Sport Ireland 2016 Sportswoman of the Year. In the same year, she was also awarded Irish Sailor of the Year.

Yes, Annalise Murphy crewed on eight legs of the 2017-18 edition of The Ocean Race.

Annalise Murphy was a crew member on Turn the Tide on Plastic, skippered by British offshore sailor Dee Caffari.

Annalise Murphy’s mother is Cathy McAleavy, who competed as a sailor in the 470 class at the Olympic Games in Seoul in 1988.

Annalise Murphy’s father is Con Murphy, a pilot by profession who is also an Olympic sailing race official.

Annalise Murphy trains under Irish Sailing Performance head coach Rory Fitzpatrick, with whom she also prepared for her silver medal performance in Rio 2016.

Annalise Murphy trains with the rest of the team based at the Irish Sailing Performance HQ in Dun Laoghaire Harbour.

Annalise Murphy height is billed as 6 ft 1 in, or 183cm.

©Afloat 2020

At A Glance – Annalise Murphy Significant Results

2016: Summer Olympics, Rio de Janeiro, Brazil – Silver

2013: European Championships, Dublin, Ireland – Gold

2012: Summer Olympics, London, UK – 4th

2011: World Championships, Perth, Australia – 6th

2010: Skandia Sail for Gold regatta – 10th

2010: Became the first woman to win the Irish National Championships.

2009: World Championships – 8th

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