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Displaying items by tag: coastal heritage

Coastal heritage sites such as Inis Mór’s Dún Aonghasa and Kerry’s Blasket Centre have recorded significant increases in visitor numbers, the Office of Public Works (OPW) says.

Dún Aonghasa on Inis Mór- which was the winner of the European film location award last year - recorded an increase of 20%, it says.

The Céide Fields, Co Mayo, which received a €2.6m state investment in 2022 for its new visitor centre recorded a 38% increase in 2023 on the previous year.

Ionad an Bhlascaoid – the Blasket Centre, Co Kerry - saw a 58% increase in visitors last year, the OPW says.

This compares to a 29% increase in visitors to Clonmacnoise, Co Offaly, and a 13% increase in visitors at Dublin’s Farmleigh House.

The OPW says 2023 was another successful year for visitor numbers at the 780 important State heritage sites.

The number of recorded visitors last year exceeded 15.3 million, up from 15 million in 2022, it says.

Minister of State for the OPW Patrick O’Donovan said that Ireland is “fortunate to have such a rich and diverse collection of landmarks across the country”.

“The continued investment by the State in our heritage portfolio- from ancient monuments to medieval castles- is so important for the safeguarding and preservation of our built heritage,”he said.

“ It is wonderful to see the continued upward trend in visitor numbers to both the paid attractions and the recreational spaces which the public can access for free, all year round,”he said.

Published in Coastal Notes
Tagged under

#StormRachel - Ireland needs a dedicated 'rescue unit' to protect sensitive heritage sites around the coast from severe weather, as news of damage to some vulnerable spots emerges.

Michael Gibbons, an archaeologist from Connemara, told The Irish Times that while the high winds whipped up by the likes of last week's Storm Rachel have helped uncover new archaeological finds, there is as yet no procedure for protecting such finds from further weathering and erosion.

Gibbons commented specifically on the midden deposits uncovered in Roundstone on Galway Bay, which were hit by strong gales and exposed the vulnerable dunes in the area to further destruction.

The Irish Times has more on the story HERE.

Published in Coastal Notes

#GalwayBay - Carbon dating on a fragment of an ancient oak trackway on the northern shore of Galway Bay suggests a much more recent beginning for the bay as we know it.

According to The Irish Times, the radiocarbon dating analysis pinpoints the oak sample to around 1,700 BC, which means the sea level in the region was still rising as early as 3,700 years ago – nearly 4,000 years after submerging the 'drowned forests' discovered west of Spiddal earlier this year.

A full survey of the site will be undertaken by the National Museum of Ireland but it's already believed that the trackway or platform, which may have been ceremonial in nature, was built upon what was then freshwater bogland before the rising sea waters encroached.

The Irish Times has more on the story HERE.

Published in Galway Harbour
Ireland’s unexplored 220-million-acre marine environment will be revealed in a landmark new TV series which began last week.
As previously reported on Afloat.ie, Farraigí na hÉireann (Seas of Ireland) is a new six-part Irish-language series on Ireland's marine wildlife, which aired its first episode on TG4 last Tuesday 20 September.
Irish Film and Television News interviewed series co-creator Ken O'Sullivan about the unique series, which is the first of its kind in Ireland in unlocking the secrets of the abundant wildlife in the seas around our coast.
“We tried to combine coastal heritage with wildlife,” said O'Sullivan on the intentions behind the series. “We want to show how ancient coastal communities connected with wildlife.
"As filmmakers, our approach is that we try not to use science as the beginning and end of the story. We like to look at people’s connection with these natural worlds.”
As such, the series does not have a presenter, but its story is told through its contributors.
“We have passionate marine biologists and we have small fishermen, from places like the Aran Islands and Kerry, reflecting about their time at sea and how they relate to the sea, to try and convey the story.
"Hopefully, all these contributors bring a narrative to the unique underwater photography.”
And it's this underwater imagery that's surely the star of the show. As much as 70% of the series was filmed under the surface over the course of a year in locations around the country, using cameras in a special water-tight housing.
Deep water footage was also captured by high-definition cameras on an unmanned submarine, giving us the best ever view of life in the depths.
Farraigí na hÉireann can be seen Tuesdays at 8pm on TG4, with repeats on Sundays at 9pm.

Ireland’s unexplored 220-million-acre marine environment will be revealed in a landmark new TV series which began last week.

As previously reported on Afloat.ie, Farraigí na hÉireann (Seas of Ireland) is a new six-part Irish-language series on Ireland's marine wildlife, which aired its first episode on TG4 last Tuesday 20 September. 

Irish Film and Television News interviewed series co-creator Ken O'Sullivan about the unique series, which is the first of its kind in Ireland in unlocking the secrets of the abundant wildlife in the seas around our coast.

“We tried to combine coastal heritage with wildlife,” said O'Sullivan on the intentions behind the series. “We want to show how ancient coastal communities connected with wildlife. 

"As filmmakers, our approach is that we try not to use science as the beginning and end of the story. We like to look at people’s connection with these natural worlds.”

As such, the series does not have a presenter, but its story is told through its contributors.

“We have passionate marine biologists and we have small fishermen, from places like the Aran Islands and Kerry, reflecting about their time at sea and how they relate to the sea, to try and convey the story.

"Hopefully, all these contributors bring a narrative to the unique underwater photography.”

And it's this underwater imagery that's surely the star of the show. As much as 70% of the series was filmed under the surface over the course of a year in locations around the country, using cameras in a special water-tight housing. 

Deep water footage was also captured by high-definition cameras on an unmanned submarine, giving us the best ever view of life in the depths.

Farraigí na hÉireann can be seen Tuesdays at 8pm on TG4, with repeats on Sundays at 9pm.

Published in Maritime TV

The Half Ton Class was created by the Offshore Racing Council for boats within the racing band not exceeding 22'-0". The ORC decided that the rule should "....permit the development of seaworthy offshore racing yachts...The Council will endeavour to protect the majority of the existing IOR fleet from rapid obsolescence caused by ....developments which produce increased performance without corresponding changes in ratings..."

When first introduced the IOR rule was perfectly adequate for rating boats in existence at that time. However yacht designers naturally examined the rule to seize upon any advantage they could find, the most noticeable of which has been a reduction in displacement and a return to fractional rigs.

After 1993, when the IOR Mk.III rule reached it termination due to lack of people building new boats, the rule was replaced by the CHS (Channel) Handicap system which in turn developed into the IRC system now used.

The IRC handicap system operates by a secret formula which tries to develop boats which are 'Cruising type' of relatively heavy boats with good internal accommodation. It tends to penalise boats with excessive stability or excessive sail area.

Competitions

The most significant events for the Half Ton Class has been the annual Half Ton Cup which was sailed under the IOR rules until 1993. More recently this has been replaced with the Half Ton Classics Cup. The venue of the event moved from continent to continent with over-representation on French or British ports. In later years the event is held biennially. Initially, it was proposed to hold events in Ireland, Britain and France by rotation. However, it was the Belgians who took the ball and ran with it. The Class is now managed from Belgium. 

At A Glance – Half Ton Classics Cup Winners

  • 2017 – Kinsale – Swuzzlebubble – Phil Plumtree – Farr 1977
  • 2016 – Falmouth – Swuzzlebubble – Greg Peck – Farr 1977
  • 2015 – Nieuwport – Checkmate XV – David Cullen – Humphreys 1985
  • 2014 – St Quay Portrieux – Swuzzlebubble – Peter Morton – Farr 1977
  • 2013 – Boulogne – Checkmate XV – Nigel Biggs – Humphreys 1985
  • 2011 – Cowes – Chimp – Michael Kershaw – Berret 1978
  • 2009 – Nieuwpoort – Général Tapioca – Philippe Pilate – Berret 1978
  • 2007 – Dun Laoghaire – Henri-Lloyd Harmony – Nigel Biggs – Humphreys 1980~
  • 2005 – Dinard – Gingko – Patrick Lobrichon – Mauric 1968
  • 2003 – Nieuwpoort – Général Tapioca – Philippe Pilate – Berret 1978

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